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The Deutsche Oper Berlin mourns the death of Aribert Reimann
March 4, 1936 – March 13, 2024

The Deutsche Oper Berlin mourns the death of Aribert Reimann

A feeling of homecoming – that is how Aribert Reimann described his return to the Deutsche Oper Berlin for the world premiere of L’INVISIBLE in 2017. It almost seemed that he had never been gone, however, so close was the relationship the composer had with this theatre from the very beginning of his career. The focus of his creative output was the human voice, in lied as much as opera. In cooperation with the Deutsche Oper Berlin, he subsequently wrote the ballet DIE VOGELSCHEUCHEN (1970) and the operas MELUSINE (premiered in Schwetzingen in 1970), DIE GESPENSTERSONATE (1984) and DAS SCHLOSS (1992). At the latest when his LEAR was premiered in Munich in 1978 with Fischer-Dieskau in the title role – a work that has remained one of the most frequently-performed contemporary operas to this day – did the music world come to appreciate his qualities and heaped commissions and honours upon him, including beyond the German borders. Berlin, however, remained the centre of his life and the Maeterlinck opera L’INVISIBLE, premiered at the Deutsche Oper Berlin in 2017, completed a circle, especially as it was to remain his last musical theatre work. The Deutsche Oper Berlin mourns the passing of a great artist who was a decisive influence on contemporary musical theatre, and of the human being Aribert Reimann, who maintained his friendship with this theatre throughout his entire, fulfilled life.
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Der Ring des Nibelungen

Auf dem Foto eine Szenenimpression aus SIEGFRIED. Mime steht rechts im Bild in einer Schmiedeschürze und mit schweren Stiefeln. Aus dem Flügel, der als ein Requisit alle Teile des RINGs durchzieht, steigen wehend Notenblätter auf. Die Szenerie wird bestimmt durch dichten roten Nebel. Die Bühnenbegrenzung nach hinten bilden die Stapel an Koffern, die ebenfalls als durchziehendes Bühnenbildteil alle vier Werke des RINGs prägen.
The individual sale for all performances from 11 May to 2 June 2024 has begun.

Der Ring des Nibelungen

A group of people meet a grand piano on an empty stage, a note is struck, and slowly a world of fantasy, longing and intoxication unfolds, captivating everyone and fusing them into a community. This is how DAS RHEINGOLD, directed by Stefan Herheim, begins, true to Wagner's core idea of creating a modern equivalent to the community-building power of Greek theatre. On the four evenings, Herheim creates an arc that leads through stations in the performance history and finally into the foyer of the Deutsche Oper with its cloud sculpture.
All information

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Das Rheingold

Eine Szeneimpression aus RHEINGOLD. Im Hintergrund ein Gebirge, davor umtanzen die Götter und Göttinnen gemeinsam mit den Flüchtenden Loge. Er dirigiert die ganze Bewegung.
11, 21, 28 May 2024

Das Rheingold

A group of people meet a concert grand piano on an empty stage, a note is struck, and slowly a world of fantasy, longing and intoxication unfolds, captivating everyone and causing them to merge into a community. This is how DAS RHEINGOLD begins, directed by Stefan Herheim ... Conductor: Nicholas Carter [11 May] / Sir Donald Runnicles; Director: Stefan Herheim; With Iain Paterson, Thomas Lehman, Thomas Blondelle, Jordan Shanahan, Ya-Chung Huang, Albert Pesendorfer, Tobias Kehrer, Annika Schlicht, Flurina Stucki u. a.
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Link to the production:Buy tickets

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Die Walküre

Eine Szenenimpression aus DIE WALKÜRE: Siegmund kniet vor Sieglinde, die auf ihn zugeht. Den Hintergrund bilden Koffer. Die Szenerie ist in rotes Licht getaucht.
12, 22, 29 May 2024

Die Walküre

After the reign of the gods has reached its radiant zenith at the end of the RHEINGOLD with the entry into Valhalla Castle, the signs in the WALKÜRE are stormy: the people are frozen in greed for power, mistrust and possessiveness, the gods confine themselves only to monitoring compliance with the old laws instead of questioning their meaning ... Conductor: Nicholas Carter [12 May] / Sir Donald Runnicles; Director: Stefan Herheim; With Daniel Frank, Tobias Kehrer, Derek Welton, Elisabeth Teige, Annika Schlicht, Ricarda Merbeth a. o.
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Link to the production:Buy tickets

Blogbeitrag

Siegfried

Eine Szenenimpression aus SIEGFRIED: Siegfried in einem das Mittelalter zitierenden Gewand. Hinter ihm als zwei Engel Siegmund und Sieglinde.
18, 24, 31 May 2024

Siegfried

Wagner described his SIEGFRIED as a "heroic comedy" which, in its balance between comic and tragic elements, remains the challenge for its directors to this day. For Herheim, it is the act of the play that joins the opposites into a whole. The boundaries between animal and human become as blurred as those between the characters and their creator... Conductor: Nicholas Carter [18 May] / Sir Donald Runnicles; Director: Stefan Herheim; With Clay Hilley, Ya-Chung Huang, Iain Paterson, Jordan Shanahan, Tobias Kehrer, Lindsay Ammann, Elisabeth Teige et al.
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Link to the production:Buy tickets

Blogbeitrag

Götterdämmerung

Eine Szenenimpression zu GÖTTERDÄMMERUNG: Hagen hält in der rechten Hand Siegfrieds Horn. Hinter ihm läuft ein brennender Mann von links nach rechts.
20, 26 May; 2 June 2024

Götterdämmerung

In the final part of the tetralogy, the theatrical devices that dominate Stefan Herheim's version of the RING also come together for the grand finale: the concert grand piano, where the play once began, is just as present as the white cloth, which, among other things, mutates into the shroud of the murdered hero. And, of course, the suitcases are also present, which in the course of the tetralogy have repeatedly created new landscapes and play situations. In the end, this world sinks, only to be reborn in the next play ... Conductor: Nicholas Carter [20 May] / Sir Donald Runnicles; Director: Stefan Herheim; With Clay Hilley, Thomas Lehman, Jordan Shanahan, Albert Pesendorfer, Ricarda Merbeth, Felicia Moore, Annika Schlicht a. o.
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Link to the production:Buy tickets

Blogbeitrag

The 24/25 season is out now

Das Bild ist rein illustrativ. Mittels KI wurde eine Menschenmenge mit "Verläufen" verfremdet und kombiniert mit Farbstreifen. Es illustriert "Anziehungskraft".

The 24/25 season is out now

Regular advance booking for all performances from 1 September 2024 to 26 July 2025 begins on 2 May and offers an early booking discount of 10% for all performances on the main stage up to and including 31 May. As a holder of the Deutsche Oper Card 24/25 (one-off € 75.00), you can already book your tickets from 11 April. The Deutsche Oper Card grants you a 30% discount for 2 tickets per performance on the main stage.
Our Season 24/25 Buy the card in our webshop
Link to the production:Buy the card in our webshop
115 seconds with: Thomas Blondelle
in INTERMEZZO - premiere on 25 April 2024

115 seconds with: Thomas Blondelle

It is always a pleasure to welcome the Belgian tenor Thomas Blondelle to our opera house. In the coming weeks, he will be appearing as Baron Lummer in Tobias Kratzer's new production of INTERMEZZO and as Loge in Richard Wagner's DAS RHEINGOLD. Listen and watch him in a not-so-small selection of roles in these 115 seconds.
Intermezzo

Blogbeitrag

Maria Bengtsson – My private place of peace

Sopranistin Maria Bengtsson am winterlichen Werbelliner See. Sie trägt einen grauen Wintermantel und steht nahe am Ufer. Hinter ihr Schilf.
INTERMEZZO - Premiere on 25 April 2024

Maria Bengtsson – My private place of peace

"My favourite place is Café Wildau on Lake Werbellin. We've always been drawn here, mostly in summer for swimming and sailing, but also in winter for long walks along the shore. I find something here that I also find by the sea: space and tranquillity." Maria Bengtsson invites you to take a walk along Lake Werbellin in our blog, in INTERMEZZO she plays the role of the artist's wife Christine.
Read in our blog Intermezzo
Link to the production:Intermezzo
In memory of Gerd Feldhoff
1931 – 2024

In memory of Gerd Feldhoff

After Gerd Feldhoff had already made his debut here in 1961 in the title role of Mozart's LE NOZZE DI FIGARO, he became a permanent member of the ensemble in 1963. Karl Böhm quickly entrusted him with baritone roles in the serious repertoire, such as Barak in DIE FRAU OHNE SCHATTEN, which was to remain his favourite role for the rest of his life. Feldhoff remained loyal to our theatre until his retirement in 1999: with his performances as Wozzeck, Hans Sachs and Amfortas, as Jochanaan, Pizarro and Wanderer, he left his mark on the stage. Gerd Feldhoff passed away on 4 April at the age of 92. We will honour the memory of our long-time ensemble member.
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Our video recommendations

Intermezzo - A teaser, premiere on 25 April 2024
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Intermezzo - A teaser, premiere on 25 April 2024
Intermezzo - A teaser, premiere on 25 April 2024
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Intermezzo - A teaser, premiere on 25 April 2024
Pjotr I. Tschaikowskij: Pique Dame
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Pjotr I. Tschaikowskij: Pique Dame

Pjotr I. Tschaikowskij: Pique Dame
From the opening night: Pique Dame
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From the opening night: Pique Dame

From the opening night: Pique Dame
100 seconds with: Martin Muehle, among others on Hermann in PIQUE DAME
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100 seconds with: Martin Muehle, among others ...

100 seconds with: Martin Muehle, among others on Hermann in PIQUE DAME
Pique Dame – A Teaser, Opening night on 9 March 2024
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Pique Dame – A Teaser, Opening night on ...

Pique Dame – A Teaser, Opening night on 9 March 2024
Christiane Mudra: Beta - A teaser, world premiere on 17 February 2024
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Christiane Mudra: Beta - A teaser, world ...

Christiane Mudra: Beta - A teaser, world premiere on 17 February 2024
Christiane Mudra: Beta - A teaser, world premiere on 17 February 2024
video - 01:05 min.

Christiane Mudra: Beta - A teaser, world ...

Christiane Mudra: Beta - A teaser, world premiere on 17 February 2024
Gaetano Donizetti: Anna Bolena, from 15 December 2023
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Gaetano Donizetti: Anna Bolena, from 15 ...

Gaetano Donizetti: Anna Bolena, from 15 December 2023
From the premiere night: Anna Bolena, from 15 December 2023
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From the premiere night: Anna Bolena, from ...

From the premiere night: Anna Bolena, from 15 December 2023

Topics

Blogbeitrag

Nicholas Carter – My private place of peace

Daniel Carter spaziert im strahlenden Sonnenschein über eine Bergwiese im Berner Oberland. Er trägt eine geöffnete Winterjacke. Durch sein Haar fährt der Wind.
DER RING DES NIBELUNGEN – Cycle 1

Nicholas Carter – My private place of peace

"Naturally you can hear the river in the score of THE RHINEGOLD, and up here, with the mountains and snow-covered peaks as a majestic backdrop, I have the D flat major from Valhalla constantly in my head. I read how Wagner used to go walking in the Bernese Oberland. He lived in Switzerland as well, of course, and the Villa Tribschen is on the shores of the Vierwaldstättersee", says Nicholas Carter, whose home is the Bernese Oberland. Join him on a walk along the Aare and experience him as the conductor of the first cycle of the RING DES NIBELUNGEN on 11, 12, 18 and 20 May 2024.
Read more Der Ring des Nibelungen
Link to the production:Der Ring des Nibelungen

Blogbeitrag

Your Deutsche Oper Card 2024/25

Dieses Bild ist rein illustrativ. Menschen, die durch Verläufe mit KI verfremdet werden gehen zur rechten Bildseite. Im oberen Bildteil sind Farbbalken. Auf dem Bild steht "Deutsche Oper Berlin 24/25".

Your Deutsche Oper Card 2024/25

The Deutsche Oper Card 24/25 costs a one-off fee of € 75.00 and grants you a 30% discount on up to two tickets per performance on the main stage during the period of validity of this card. Excluded are performances in the foyer and the Tischlerei, performances of the Staatsballett Berlin, external and special events, as well as the Festive Opera Night. A combination with other discounts and reductions is excluded. With the card, you also enjoy an exclusive three-week advance purchase right for all performances of the coming season from 11 April up to and including 1 May 2024. You can purchase the Deutsche Oper Card 24/25 by telephone, at our box office or most easily directly in the webshop.
Buy the card in our webshop

Blogbeitrag

Six questions for ... Mané Galoyan

Ein Porträtbild von Mané Galoyan.
LA TRAVIATA - 13, 19 April 2024

Six questions for ... Mané Galoyan

»I’m quite invested in the role because I see a lot of me in Violetta: I’m a strong and independent woman – and I love attention. But where my loved ones are concerned, especially my husband, I’m just as soft and vulnerable as she is. Sometimes I get the feeling that we’re so alike I could get hurt«, says Mané Galoyan about the role of Violetta Valéry. Read the full interview with her in the blog. Under the musical direction of Kapellmeister Dominic Limburg, Pavol Breslik, Thomas Lehman and Markus Brück, among others, will sing and play alongside her.
Read in our blog La traviata
Link to the production:La traviata

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