Sinfoniekonzert – 40 Jahre Orchesterakademie

A Jubilee Concert

18
Mon
March
19:00 - 21:00
S-Prices: € 42,00 / € 33,00 / € 26,00 / € 19,00 / € 15,00
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Information about the work

ca. 2 Stunden / eine Pause

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Präsentiert von rbb Kultur

18
Mon
March
19:00 - 21:00
S-Prices: € 42,00 / € 33,00 / € 26,00 / € 19,00 / € 15,00
Buy tickets
the content

u. a. Benjamin Britten [1913 – 1976]
The Young Person’s Guide to the Orchestra

What do the 19 musicians in the photo have in common? Not only are they members of the Orchestra of the Deutsche Oper Berlin, but they are also graduates of the opera house’s own Orchestra Academy. They represent an initiative that, back in the day, was breaking new ground in the formation of top musicians. Although large concert orchestras such as the Berliner Philharmoniker had already begun to introduce budding talent to the life of a professional musician by means of mentoring and practical contact, in 1983 the Deutsche Oper Berlin was the first opera house to do the same in the genre of musical theatre. And that function is as important today as it was 40 years ago, explains violinist Kaja Beringer, head of the Academy since 2012: »Courses or modules on musical theatre are few and far between at music colleges. Alumni tend to have only a vague idea of what playing in the orchestra pit involves.« Which is odd, not least because Germany has more opera orchestras than concert orchestras and most musicians will end up more influenced by Wagner and Verdi than by Brahms and Mahler.

Playing in an opera orchestra is special too in the sense that a musician is not rehearsing a work that will be performed in a one-off concert and then discarded for years. The great operas of the likes of THE MAGIC FLUTE, TOSCA and PARSIFAL are mounted on a regular basis and become part of the marrow of musicians. Without that familiarity we would not have the unspoken understanding that allows a hundred musicians to react spontaneously to the breathing of a singer. Beringer lauds these synchronicities among musicians but is also aware that each new intake has to be eased into these experiences. Alongside the intensive mentoring, she says, it is also important to give them time to prepare. Academy members play in many fewer productions than full orchestra members do. Familiarisation with the repertoire is a drawn-out process.

Over 40 years the Orchestra Academy model has proved a success. Thanks in part to financial support from the Society of Friends and Patrons of the Deutsche Oper Berlin, the number of students has grown from six in the early years to sixteen, with an average of 100 candidates competing for each place. The expansion is also partly because Kaja Beringer has broadened the scope of the Academy, which as well as familiarising students with life at an opera house now also helps them to prepare mentally for auditioning as permanent members. Academy graduates are not restricted to the Orchestra of the Deutsche Oper Berlin but can be found playing in major orchestras from Hamburg to Zurich. For our grand anniversary concert on 18th March we hope to reunite as many as possible. In fact, that would be an ideal occasion for another group photo.

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07
DEC

Adventskalender im Foyer: Das 7. Fensterchen

Heute im Foyer: „Jetzt ist wieder Weihnacht da“
mit dem Kleinen Chor des Kinderchores, Rosemarie Arzt und Jisu Park
17.00 Uhr / Parkettfoyer
Dauer: ca. 25 Minuten / Eintritt frei


Vor dem Eintritt in den großen Kinder- und Jugendchor der Deutschen Oper Berlin müssen die Grundlagen des Chorsingens von der Pieke auf gelernt werden. Dafür gibt es den Kleinen Chor im Kinderchor. Hier üben und lernen unter der fachkundigen Leitung von Rosemarie Arzt die Kinder zwischen 6 und 10 Jahren das Singen. Erleben Sie heute die Kleinsten der Kleinen mit ihrem Advents- und Weihnachtsprogramm und Lieder wie „Jetzt ist wieder Weihnacht da“ oder „Lied von den Schneeflocken“.

Rund 150 aktive Sänger und Sängerinnen bilden unseren Kinderchor, der in zahlreichen Opern ein wichtiger und stark eingebundener Ensemblepartner ist. Mindestens zweimal in der Woche kommen die Mitglieder zusammen, um unter Leitung von Christian Lindhorst zu musizieren. Im Laufe der Saison 2023/24 standen und stehen die Kinder und Jugendlichen im Alter von 9 bis 16 Jahren in CARMEN, PAGLIACCI, LA BOHÈME, MATTHÄUS-PASSION, HÄNSEL UND GRETEL, PARSIFAL, PIQUE DAME, TOSCA und TURANDOT auf der Bühne des Hauses. Auch singen seit der letzten Saison Chorsolist*innen des Kinder- und Jugendchores in Vorstellungen von DIE ZAUBERFLÖTE den Part der drei Knaben. Bei den externen Aufführungen und Konzerten an Orten wie dem Kammermusiksaal der Philharmonie schlägt der Kinderchor der Deutschen Oper Berlin einen Bogen vom Barock bis zur Moderne. Am 17. Dezember 2023 bringt der Chor in der Apostel-Paulus-Kirche in Schöneberg gemeinsam mit der Kammersymphonie Berlin Johann Sebastian Bachs „Weihnachtsoratorium“ zur Aufführung. Zwei Solosoprane – Erik Kellner und Klara Gothe – sind aus den eigenen Reihen besetzt!

Der Kinderchor wird gefördert von Dobolino e.V.