Schedule - Deutsche Oper Berlin
![Kaiser, König…. Komponist*in - © Georg Roither Ein golden bezogener Stuhl, eine Trompete, eine alte Schieß-Büchse und leicht zerknüllte Notenblätter illustrieren das Thema: Komponieren im Zeichen der Macht.](https://imgtoolkit.culturebase.org?color=535353&quality=9&ar_method=rescaleIn&ar_ratio=1.33&format=jpg&file=https%3A%2F%2Fimg.culturebase.org%2F1%2Fc%2Ff%2F2%2Fb%2Fpic_1720084468_1cf2bd364583b87bc6fafcb57bdaf1c8.jpeg&do=rescaleIn&width=1235&height=600)
Chamber Music II: Emperor, King.... Composer
Composing in the field of tension between different power relations
approx. 2 hours / one interval
- WithMusiker*innen des Orchesters der Deutschen Oper Berlin
- Programme creation
- WithMusiker*innen des Orchesters der Deutschen Oper Berlin
- Programme creation
Johann Sebastian Bach [1685 - 1750]
from "The Musical Offering" [BWV 1079]
Trio sonata for flauto traverso, violin and basso continuo
Thomas Tallis [1505 - 1585]
"O sacrum convivium"
Joseph Haydn [1732 - 1809]
Emperor Quartet in C major op. 76, No. 3
Mel Bonis [1858 - 1937]
"Soir et Martin" for clarinet / bassoon and piano
György Ligeti [1923 - 2006]
Six Bagatelles for woodwind quintet
This chamber concert takes our premiere of Verdi's MACBETH as a thematic opportunity to shed light on power and power relations over the centuries and to look at composing in their field of tension. Experience a journey through time from Bach's "Musical Offering" to Haydn's "Emperor Quartet" and socialist realism.