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Season 26/27
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Giulio Cesare in Egitto
With its immense richness of musical colour, this is arguably Handel's most famous opera. We present this work in the masterful staging by David McVicar... Conductor: Alessandro Quarta; With, among others, Christophe Dumaux, Elena Tsallagova, Stephanie Wake-EdwardsA Midsummer Night’s Dream
In Ted Huffman's production, the magical realm of the elf-king Oberon is a place of poetry and mystery, a place of dreams and theatre at the same time. Here, it often takes only simple means to awaken the imagination: a moon, a ladder, or even a whimsical, mischievous spirit named Puck, who flies through the air in shorts and a top hat... Conductor: Dalia Stasevska, Director: Ted Huffman; with Iestyn Davies, Jami Reid-Quarrell, ensemble soloists and the children's chorus.FINITE
In their musical theater piece, Asia Ahmetjanova and Franziska Angerer reflect on our relationship with death and how we come to terms with our own mortality. Through poetic imagery, they create a communal ritual that bridges mythology and performance, seeking a joyful acceptance of this ultimate consequence of life.Das Rheingold
A group of people meet a concert grand piano on an empty stage, a note is struck, and slowly a world of fantasy, longing and intoxication unfolds, captivating everyone and causing them to merge into a community. This is how DAS RHEINGOLD begins, directed by Stefan Herheim ... Conductor: Sir Donald Runnicles; Director: Stefan Herheim; With Iain Paterson, Thomas Lehman, Thomas Blondelle, Michael Sumuel, Ya-Chung Huang, Albert Pesendorfer, Tobias Kehrer, Annika Schlicht et al.Die Walküre
After the reign of the gods has reached its radiant zenith at the end of the RHEINGOLD with the entry into Valhalla Castle, the signs in the WALKÜRE are stormy: the people are frozen in greed for power, mistrust and possessiveness, the gods confine themselves only to monitoring compliance with the old laws instead of questioning their meaning ... Conductor: Sir Donald Runnicles; Director: Stefan Herheim; With Matthew Newlin, Tobias Kehrer, Jordan Shanahan, Elisabeth Teige, Annika Schlicht, Trine Møller et al.Siegfried
Wagner described his SIEGFRIED as a "heroic comedy" which, in its balance between comic and tragic elements, remains the challenge for its directors to this day. For Herheim, it is the act of the play that joins the opposites into a whole. The boundaries between animal and human become as blurred as those between the characters and their creator... Conductor: Sir Donald Runnicles; Director: Stefan Herheim; With Clay Hilley, Ya-Chung Huang, Iain Paterson, Michael Sumuel, Tobias Kehrer, Lauren Decker, Elisabeth Teige et al.Götterdämmerung
In the final part of the tetralogy, the theatrical elements that define Stefan Herheim’s version of the RING come together for the grand finale: the concert grand piano, the white cloth, and, of course, the suitcases that have repeatedly created landscapes throughout the tetralogy. In the end, this world sinks away, only to be reborn in the next performance… Conductor: Sir Donald Runnicles; Director: Stefan Herheim; Featuring Clay Hilley, Thomas Lehman, Michael Sumuel, Albert Pesendorfer, Catherine Foster, Felicia Moore, Annika Schlicht, and others.9 questions for Iestyn Davies
Iestyn Davies on Oberon, Benjamin Britten and the dark side of the composer and the King of the Fairies
Predators in the corridors of power
With his GIULIO CESARE IN EGITTO Händel adapted a popular story for the stage – and achieved his greatest operatic triumph. Head dramaturg Jörg Königsdorf on the international baroque hit
Playing with the End
The casting specifications were intriguing. You had to be old - minimum 65 years of age – and ok with nudity. Five friends discuss their involvement with FINITE, a Tischlerei project
Our video recommendations
Giulio Cesare in Egitto: Audience reactions to the premiere
Giulio Cesare in Egitto – A Teaser, Premiere on 25 April 2026
Giulio Cesare in Egitto – A Teaser, Premiere on 25 April 2026
Gioacchino Rossini: L'Italiana in Algeri
L'Italiana in Algeri – A Teaser, Premiere on 8 March 2026
L'Italiana in Algeri – A Teaser, Premiere on 8 March 2026
L'Italiana in Algeri – A Teaser, Premiere on 8 March 2026
Erich Wolfgang Korngold: Violanta, Premiere on 25 January 2026
Gurrelieder – A teaser, a concert on 10 February at the Philharmonie
Umberto Giordano: Fedora, premiere on 27 November 2025
Jonathan Tetelman: Amor ti vieta – from „Fedora“, Premiere on 27 November 2025
Richard Wagner: Tristan und Isolde, Premiere on 1 November 2025
Sidney Corbett: Octopus Lady, World premiere on 31 October 2025
Detlev Glanert: The Three Riddles, Premiere on 11 October 2025
Rebecca Saunders: Lash – Acts of Love, world premiere on 20 June 2025
Richard Strauss: Die Frau ohne Schatten, Premiere on 26 January 2025
Maxime Pascal for the symphony concert on 10 February 2025
Giulio Cesare in Egitto: Audience reactions ...
Giulio Cesare in Egitto – A Teaser, Premiere ...
Giulio Cesare in Egitto – A Teaser, Premiere ...
Gioacchino Rossini: L'Italiana in Algeri
L'Italiana in Algeri – A Teaser, Premiere ...
L'Italiana in Algeri – A Teaser, Premiere ...
L'Italiana in Algeri – A Teaser, Premiere ...
Erich Wolfgang Korngold: Violanta, Premiere ...
Gurrelieder – A teaser, a concert on 10 ...
Umberto Giordano: Fedora, premiere on 27 ...
Jonathan Tetelman: Amor ti vieta – from ...
Richard Wagner: Tristan und Isolde, Premiere ...
Sidney Corbett: Octopus Lady, World premiere ...
Detlev Glanert: The Three Riddles, Premiere ...
Rebecca Saunders: Lash – Acts of Love, world ...
Richard Strauss: Die Frau ohne Schatten ...
Maxime Pascal for the symphony concert on ...
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Our Children's and Youth Programme
We at Junge Deutsche Oper want to give young people access to the world of music theatre and open up a world for you in which there is something for everyone to discover. Concert formats, opera and music theatre can be experienced on the main stage, in the Tischlerei and in the foyer as part of school and daycare or in your free time with your family.In Memory of Bernd Terver
Bernd Terver grew up in Saarburg. He took his first steps in music with the classical guitar, and later also with the electric guitar. Thanks to an ambitious music teacher, he eventually took up the double bass by chance: In addition to the school choir, his high school also had an orchestra, and it was missing a bassist… and Bernd played the part so well that this teacher advised him to study music. Thus, he received his first lessons at the age of 15 from Werner Lang (Trier). He studied with Andreas Huba, Günter Klaus, and Rolf Heister. After stints in Frankfurt and Reutlingen, he earned a position in the orchestra of the Deutsche Oper in 1998; from 2017 to 2020, he also served as a member of the orchestra’s board of directors there. Additionally, he was a member of the Bayreuth Festival Orchestra from 2004 to 2008. Bernd always felt “at home” in his bass section. He held his colleagues in the highest professional regard and was very fond of them personally. Now, unexpectedly for everyone, he has been taken from us at the age of 60. With his passing, the opera loses a colleague who was always reliable and helpful.