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Schedule - Deutsche Oper Berlin

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Richard Strauss in March

Intermezzo

Richard Strauss [1864 – 1949]

13
Thursday
March
19:30 - 22:15
C prices: € 108.00 / 90.00 / 64.00 / 40.00 / 26.00
Buy tickets
Information about the work

A bourgeois comedy with symphonic interludes in two acts
Libretto by Richard Strauss
First performed at the Schauspielhaus Dresden on 4 November 1924
Premiere at the Deutsche Oper Berlin on 25 April 2024

2 hours 45 minutes | 1 interval

In German with German and English surtitles

Pre-performance lecture (in German): 45 minutes prior to each performance

recommended from 15 years
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Cast
13
Thursday
March
19:30 - 22:15
C prices: € 108.00 / 90.00 / 64.00 / 40.00 / 26.00
Buy tickets
Cast
the content

About the work
Audiences exiting the theatre after the world premiere of Richard Strauss’s eighth opera INTERMEZZO felt wrong-footed and out-of-sorts. Instead of drawing on classical material or mythology, the composer had served up a straight story with him and his wife as characters, showing contempt for the boundary between private life and literary work. What they hadn’t realised was that Strauss had once again demonstrated that he was not only hip to musical-theatre trends but could also make them his own: for INTERMEZZO is Strauss’s response to 1920s audiences’ desire for “modern” opera subjects and can be seen as part of a line of avant-garde works by the likes of Arnold Schönberg (VON HEUTE AUF MORGEN) and Paul Hindemith (NEUES VOM TAGE). Unlike them, however, Strauss remains true to his classical sound and creates another of his famous soprano roles, shimmering with cantilenas, in the form of the main character, Christine, the fictional composer’s wife.

And in the same way that Christine represents Strauss’s real-life wife Pauline, so the successful kapellmeister Robert Storch stands in as Richard Strauss himself. Even the misunderstanding that almost destroys the fictional marriage is based on fact. The old comic device, a seductive letter from a woman of dubious virtue that falls into the wrong hands, leads Christine to believe that her husband is two-timing her. The misapprehension is cleared up and everything ends happily, yet the INTERMEZZO incident is more a way of painting the complex, sensitive picture of a woman who is unfulfilled but also aware that she is defined by her role as the caring spouse of a successful musician.


About the production
INTERMEZZO is the middle element in a Richard Strauss trilogy running at the Deutsche Oper Berlin, in which director Tobias Kratzer shines a spotlight on phases in the trajectory of a relationship. Following on from ARABELLA, which explored the difficulties of courtship, INTERMEZZO studies the “wearisome lowlands”. And as with ARABELLA Kratzer makes out a modernity in the material that transfers well to the 21st century: on the one hand we have a woman looking for meaning beyond that of a wife but unable to make the break from her husband; on the other hand the real-life husband reinforcing his patriarchal role by creating a character based on his wife, thereby immortalising his own view of the relationship. Because Strauss is also creating a monument to his own artistry in the form of complex symphonic interludes – another subject explored by the production.

Our articles on the subject

The private domain is musical
Maria Bengtsson – My private place of peace: Café Wildau, Werbellin Lake
Intermezzo - The synopsis
A Marriage Selfie Posted in 1924: “Intermezzo” by Richard Strauss, or Opera as a Relationship Mirror
Toying with his own image

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08
DEC

Adventsverlosung: Das 8. Fensterchen

We are already looking forward to the revival of Rued Langgaard's ANTIKRIST in April 2025, a production that is both musically exuberant and scenically imaginative.

Today, we are giving away two DVDs of this production in Ersan Mondtag's staging in our Advent calendar. If you would like to take part in the draw, please send an e-mail to advent@deutscheoperberlin.de today with the subject line ‘The 8th window’.

The Antichrist makes his entrance into a godless world. Sent by Lucifer into the world, he adopts many guises. Mankind is tested and tempted by pride, lust, lies, despondency and hatred in an “all-against-all altercation”. Langgaard’s opera is suffused with fin de siècle atmosphere and pessimism, warning of catastrophe and denouncing the vices of the modern age: egotism, arrogance, frivolity. Langgaard, though, was also an optimist, convinced of the transformative, transcendental power of art and the importance of music as a thread connecting people to the godhead. So it is that the world is freed of all evil and sorrow in the culminating chorus scene in ANTIKRIST. In the eyes of multi-award-winning director Ersan Mondtag, Langgaard’s opera foretelling a doomsday frenzy is a parable of our own times.

Under the baton of Stephan Zilias, this award-winning production by Ersan Mondtag features Thomas Lehman, Jonas Grundner-Culemann, Valeriia Savinskaia, Irene Roberts, Clemens Bieber, Maire Therese Carmack, Flurina Stucki, AJ Glueckert, Andrew Dickinson, Joel Allison, as well as the chorus and orchestra of the Deutsche Oper Berlin. The performances on 10 and 12 February 2023 were recorded for this DVD. This DVD was awarded the ‘Diamant d'Opéra’ by ‘Opéra Magazine’ in December 2024.

We would like to thank the Naxos label for the great collaboration over the past few years, which includes recordings of DER ZWERG, DAS WUNDER DER HELIANE, FRANCESCA DA RIMINI, DER RING DES NIBELUNGEN, DER SCHATZGRÄBER, DIE MEISTERSINGER VON NÜRNBERG and ANTIKRIST. Richard Strauss' ARABELLA and INTERMEZZO will be released in the course of 2025.



Closing date: 8 December 2024. The winners will be informed by email on 9 December 2024. The DVDs will then be sent by post. There is no right of appeal.