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Schedule - Deutsche Oper Berlin

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La traviata

Giuseppe Verdi (1813 – 1901)

08
Tuesday
October
19:30 - 22:15
B prices: € 92.00 / 72.00 / 52.00 / 32.00 / 24.00
Information about the work

Melodramma in 3 acts
Libretto by Francesco Maria Piave based on the novelle
„La dame aux camélias“ by Alexandre Dumas fils
First performed on 6. March, 1853 in Venice
Premiered at the Deutsche Oper Berlin on 20. November, 1999

2 hrs 45 mins / 1 interval

In Italian with German and English surtitles

Pre-performance lecture (in German): 45 minutes prior to each performance

recommended from 13 years
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Cast
08
Tuesday
October
19:30 - 22:15
B prices: € 92.00 / 72.00 / 52.00 / 32.00 / 24.00
Cast
the content

About the work
Violetta Valery, living in kept splendour at the expense of Baron Douphol, has apparently recovered from a serious illness. To celebrate, she throws a party where she meets and falls for Alfredo Germont. As their love for each other is frowned upon, they set up house outside of Paris. Alfredo’s father insists that she break with his son in order not to jeopardise the marriage prospects of Alfredo’s sister. Violetta accedes to his wish and cuts off relations. In a showdown at another party Violetta tries to convince Alfredo that she’s in love with the Baron, causing Alfredo to hurl his gambling winnings at her feet, calling them “fees for services rendered”. Soon afterwards, at the height of the Paris carnival, Violetta is on her deathbed. She receives Alfredo, who has heard from his father her real reason for leaving him. Violetta forgives him, gives him her blessing and dies.

Verdi’s only opera to be set in middle-class circles of mid-nineteenth-century Paris was based on “La dame aux camélias”, an acclaimed novel by Alexandre Dumas fils. The novel referenced the death of Marie Duplessis, a 23-year-old courtesan, from TB on 3rd February 1847 as the occasion for a critical study of the Parisian demi-monde. Where Dumas’s main characters form part of a tight social network, Verdi and librettist Francesco Maria Piave eliminate anything that isn’t directly linked to the clashes between Violetta, Alfredo and father, Giorgio Germont. This drama of interior emotions focuses on the three stations on Violetta’a via: love, renunciation and death.


About the production
Götz Friedrich gave the opera the tragic slant of a requiem by telling Violetta’s story in the form of flashbacks, which begin with the prelude presenting Violetta lying on a white deathbed on a stark stage that resembles a massive tomb. She rises from the bed (which promptly becomes a chaise longue), pulls on a ballroom gown and turns to receive Paris’s party people disgorging into the room. The tale is unsentimentally staged, with no hint of trivial directness. The focus is on the drama’s interiority and the atmosphere of death and doom.

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09
DEC

Adventskalender in der Tischlerei: Das 9. Fensterchen

Today in the Tischlerei: ‘Ding Dong! Merrily on High’
with the VoiceChangers under the baton of Rosemarie Arzt
5 p.m. / Tischlerei
Duration: approx. 25 minutes / Free admission


This evening, as part of the Advent calendar, you can experience the VoiceChangers. These young singers have often been members of the Deutsche Oper Berlin children's chorus since primary school and have appeared on the main stage in productions such as TOSCA, CARMEN, PARSIFAL, LA BOHÈME, WOZZECK and TURANDOT. The group for those with changing voices was founded by Rosemarie Arzt 12 years ago and since then has offered young singers the opportunity to make their voices heard together, even during the complicated phase of voice breaking, when the larynx and vocal folds grow and access to the familiar range of tones changes considerably at times.

Today, they are singing Christmas carols from different countries in the Tischlerei as part of the advent calendar. They will be carrying us off to a festive Christmas world with classics such as ‘Maria durch ein Dornwald ging’ and ‘O du fröhliche’, Spanish Christmas songs, English and American pop hits such as ‘Jingle Bells’ and ‘The Christmas Song’.