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Ensemble - Deutsche Oper Berlin

Ludovic Tézier

Ludovic Tézier

© Cassandre Berthon
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Ludovic Tézier gehört zu den weltweit führenden Baritonen und gastiert regelmäßig an den großen Bühnen der Welt, wie zum Beispiel der Metropolitan Opera New York, der Wiener Staatsoper, der Opéra national de Paris, der Deutschen Oper Berlin, der Mailänder Scala, dem Liceu Barcelona, dem Théâtre Capitole in Toulouse, dem Grand Théâtre de Genève, dem Royal Opera House Covent Garden in London, der Bayerischen Staatsoper und den Salzburger, Bregenzer und Glyndebourner Festspielen sowie den Chorégies d’Orange.

Er arbeitete und arbeitet dabei mit den renommiertesten Dirigenten, unter ihnen Sir John Eliot Gardiner, Evelino Pido, Myung-Whun Chung, Antonio Pappano, Riccardo Muti und Philippe Jordan.

Sein Repertoire umfasst die Titelpartien in HAMLET, EUGEN ONEGIN, DON GIOVANNI sowie Conte Almaviva / LE NOZZE DI FIGARO, Werther in der Version für Bariton, Renato / UN BALLO IN MASCHERA, Ford / FALSTAFF, Jeletskij / PIQUE DAME, Enrico / LUCIA DI LAMMERMOOR, Germont / LA TRAVIATA, Chorèbe / LES TROYENS, Wolfram / TANNHÄUSER, Posa / DON CARLO, Don Carlo di Vargas / LA FORZA DEL DESTINO und Simon Boccanegra.

Kürzliche Engagements beinhalten die Partien des Marc-Antoine / CLÉOPÂTRE bei den Salzburger Festspielen und am Théâtre des Champs-Elysées, Don Carlo / LA FORZA DEL DESTINO im Liceu Barcelona und an der Bayerischen Staatsoper in München, Escamillo / CARMEN, Giorgio Germont / LA TRAVIATA, Scarpia / TOSCA und des Conte di Luna / IL TROVATORE an der Pariser Oper, Alphonse XI / LA FAVORITE am Théâtre des Champs-Elysées, dem Capitole in Toulouse und den Salzburger Festspielen, Posa / DON CARLO am Teatro Regio in Turin, dem Théâtre des Champs-Elysées, der Bayerischen und der Wiener Staatsoper, Enrico / LUCIA DI LAMMERMOOR an der Bayerischen Staatsoper, der Pariser Oper und dem Royal Opera House Covent Garden in London, Valdeburgo / LA STRANIERA an der Opéra de Marseille, Don Carlo / ERNANI an der Oper in Monte-Carlo, Amonasro / AIDA konzertant in Rom, dirigiert von Antonio Pappano (Aufnahme für Warner Classics), die Titelpartie in RIGOLETTO im Capitole Toulouse und die Titelpartie in MACBETH am Liceu Barcelona.

Großen Erfolg feierte er kürzlich in der Rolle des Posa in der Neuproduktion DON CARLO an der Pariser Bastille. Im Frühjahr 2018 hat Ludovic Tézier mit der Partie des Alphonse XI / LA FAVORITE an der Bayerischen Staatsoper München gastiert und war bei den Salzburger Osterfestspielen sowie an der Semperoper Dresden als Scarpia / TOSCA zu erleben.

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05
DEC

Adventskalender in der Tischlerei: Das 5. Fensterchen

Today in the Tischlerei: ‘Rossini, Liszt and more’
with Kangyoon Shine Lee (tenor) and Songyeon Catarina Kim (piano)
5pm / Tischlerei
Duration: approx. 25 minutes / free admission

The evening begins with musical declarations of love: love is illuminated in all its facets – from the idealised, the yearning to the devoted and the melancholy – in three songs by Franz Liszt and an aria from Rossini's IL BARBIERE DI SIVIGLIA. Franz Liszt's ‘Enfant, si j'etais roi’ (‘Child, if I were king’) and ‘Oh! Quand je dors’ (‘Oh! When I sleep’) are settings of poems by Victor Hugo. In the first, the beloved is given everything imaginable – but it can never be enough. The second poem describes a nocturnal vision of the beloved, who appears like an angel, kisses the sleeping person and fills them with heavenly love. Liszt's ‘Liebestraum Nr. 3’ (‘Oh dear, as long as you can love’) is one of a series of three songs that Liszt later arranged in a purely instrumental form and which became emblematic of romantic piano music. The original text was written by Ferdinand Freiligrath and deals with the transience of love and the resulting need to cherish and cultivate it in the here and now. You will hear the Korean pianist Songyeon Catarina Kim at the piano. She then lovingly accompanies our ensemble member Kangyoon Shine Lee in an aria that he will sing again on our main stage from 31 March 2025, when he takes on the role of Count Almaviva in Katharina Thalbach's production of Rossini's IL BARBIERE DI SIVIGLIA: the cavatina ‘Ecco, ridente in cielo’. In it, Almaviva sings about the beauty of the morning and his ardent love for Rosina – it is a lyrical and romantic beginning to an otherwise predominantly comedic opera. It is followed by the song ‘La danza’ from Rossini's collection of songs ‘Les soirées musicales’, published about 20 years later, which describes the joyful hustle and bustle of a Neapolitan festival. The musical basis for this song is the tarantella, a fast, rhythmic folk dance from southern Italy. The programme will conclude with a contemplative Christmas favourite, ‘O Holy Night’.

Lyric tenor Kangyoon Shine Lee was born in Seoul. He first graduated from the Korea National University of Arts before studying with Kammersänger Prof. Roman Trekel at the Hanns Eisler School of Music Berlin from 2022. In 2021, Kangyoon Shine Lee won the Belvedere Competition and received an engagement at the Deutsche Oper Berlin. He made his house debut on 27 December 2022 as Almaviva in Rossini's IL BARBIERE DI SIVIGLIA and also sang in DAS WUNDER DER HELIANE. In the 2024/25 season, he will be part of the ensemble here at the theatre and can be heard in roles such as Tamino in Mozart's MAGIC FLUTE and the children's version THE FAIRY TALE OF THE MAGIC FLUTE, as Count von Lerma / DON CARLO, Cavalier Belfiore / IL VIAGGIO A REIMS, Malcolm / MACBETH, Walther von der Vogelweide / TANNHÄUSER and Pang / TURANDOT.

The South Korean pianist Songyeon Catarina Kim studied piano at Kyunghee University in Seoul. She has won numerous Korean and international competitions. Since 2021, she has been studying Lied interpretation with Prof. Wolfram Rieger at the Hanns Eisler School of Music Berlin. She is currently studying chamber music with Prof. Wolfram Rieger as part of her concert exam. During her studies, she was a répétiteur in lessons with KS Prof. Roman Trekel, Prof. Anna Korondi, KS Prof. Ewa Wolak, Prof. Martin Bruns and Prof. Christine Schäfer, as well as a répétiteur in masterclasses with KS Brigitte Fassbaender and KS Prof. Thomas Quasthoff. She has also worked as a répétiteur for scenic instruction at the Immling Festival, the Darmstadt Theatre and the Erfurt Theatre. In the 2024/25 season, she will work as a répétiteur at IMMMERMEEEHR at the Deutsche Oper Berlin.