La traviata

Giuseppe Verdi (1813 – 1901)

27
Wednesday
December
19:30 - 22:15
C-Prices: € 100,00 / € 82,00 / € 58,00 / € 34,00 / € 24,00
Buy tickets
Information about the work

Melodramma in 3 acts
Libretto by Francesco Maria Piave based on the novelle
„La dame aux camélias“ by Alexandre Dumas fils
First performed on 6. March, 1853 in Venice
Premiered at the Deutsche Oper Berlin on 20. November, 1999

2 hrs 45 mins / 1 interval

In Italian with German and English surtitles

Pre-performance lecture (in German): 45 minutes prior to each performance

recommended from 13 years
Share this post
Cast
27
Wednesday
December
19:30 - 22:15
C-Prices: € 100,00 / € 82,00 / € 58,00 / € 34,00 / € 24,00
Buy tickets
Cast
the content

About the work
Violetta Valery, living in kept splendour at the expense of Baron Douphol, has apparently recovered from a serious illness. To celebrate, she throws a party where she meets and falls for Alfredo Germont. As their love for each other is frowned upon, they set up house outside of Paris. Alfredo’s father insists that she break with his son in order not to jeopardise the marriage prospects of Alfredo’s sister. Violetta accedes to his wish and cuts off relations. In a showdown at another party Violetta tries to convince Alfredo that she’s in love with the Baron, causing Alfredo to hurl his gambling winnings at her feet, calling them “fees for services rendered”. Soon afterwards, at the height of the Paris carnival, Violetta is on her deathbed. She receives Alfredo, who has heard from his father her real reason for leaving him. Violetta forgives him, gives him her blessing and dies.

Verdi’s only opera to be set in middle-class circles of mid-nineteenth-century Paris was based on “La dame aux camélias”, an acclaimed novel by Alexandre Dumas fils. The novel referenced the death of Marie Duplessis, a 23-year-old courtesan, from TB on 3rd February 1847 as the occasion for a critical study of the Parisian demi-monde. Where Dumas’s main characters form part of a tight social network, Verdi and librettist Francesco Maria Piave eliminate anything that isn’t directly linked to the clashes between Violetta, Alfredo and father, Giorgio Germont. This drama of interior emotions focuses on the three stations on Violetta’a via: love, renunciation and death.


About the production
Götz Friedrich gave the opera the tragic slant of a requiem by telling Violetta’s story in the form of flashbacks, which begin with the prelude presenting Violetta lying on a white deathbed on a stark stage that resembles a massive tomb. She rises from the bed (which promptly becomes a chaise longue), pulls on a ballroom gown and turns to receive Paris’s party people disgorging into the room. The tale is unsentimentally staged, with no hint of trivial directness. The focus is on the drama’s interiority and the atmosphere of death and doom.

Our recommendations

Nabucco
Rigoletto
La traviata

Newsletter

News about the schedule
and the start of advance booking
Personal recommendations
Special offers ...
Stay well informed!

Subscribe to our newsletter

Subscribe to our Newsletter and receive 25% off your next ticket purchase.

* Mandatory field





Newsletter

11
DEC

Adventskalender in der Tischlerei: Das 11. Fensterchen

"Ding Dong! Merrily on High"
with the VoiceChangers and Rosemarie Arzt
17.00 h / Tischlerei
Duration: approx. 25 minutes / free admission


Often since primary school, the soloists in today's Advent Window have been members of the children's chorus of the Deutsche Oper Berlin. They have sung in WOZZECK, TOSCA, OTELLO, BORIS GODUNOW, CARMEN, TURANDOT, LA BOHÈME, HÄNSEL UND GRETEL or PARSIFAL. Whereas being in a youth chorus is quite easy for girls up to the higher grades, the boys' voices break at some point. The larynx and vocal folds grow, during which the young singers temporarily lose their previously secure grip on their entire tonal spectrum. In the past, young people were often forced to remain silent until the "new voice" had grown in them. At the Deutsche Oper Berlin, Rosemarie Arzt coaches the rapidly growing voice changer group, which was founded eleven years ago, through this difficult phase. Today they sing Christmas carols, Christmas carols and a cappella versions of well-known "seasonal hits" in the Advent calendar on the foyer stage.