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Richard Wagner in April

Die Meistersinger von Nürnberg

Richard Wagner (1813 – 1883)

12
Saturday
April
16:00 - 21:45
D prices: € 144.00 / 112.00 / 82.00 / 50.00 / 30.00
Buy tickets
Information about the work

(The Master Singers of Nuremberg)
Opera in three acts
First performed on 21st June, 1868 at Munich
Premiered at the Deutsche Oper Berlin on 12 June 2022

5 hrs 45 mins / 2 intervals

In German language with German and English surtitles

Introduction (in German language): 45 minutes before beginning; Rang-Foyer

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Cast
Our thanks to our partners

With the support of the Förderkreis der Deutschen Oper Berlin e. V.

12
Saturday
April
16:00 - 21:45
D prices: € 144.00 / 112.00 / 82.00 / 50.00 / 30.00
Buy tickets
Cast
the content

About the work
DIE MEISTERSINGER VON NÜRNBERG was Richard Wagner’s only light-hearted opera and remains one of his most popular works. This notwithstanding, MEISTERSINGER is also the musical manifesto of a German national art movement and, as such, has accumulated so much baggage over the years that people are apt to lose sight of the opera’s essence – a jolly and coherent comedy with its helter-skelter storyline centring on illusion and reality, love, ageing and the plying of one’s art – and this despite the core theme of a life dominated by music determining not only the cast of characters but also the action of the piece. The members of the master-singers guild have convened to make music in accordance with their strict rulebook. One of the singers, the wealthy Veit Pogner, has granted his daughter Eva the freedom to choose which suitor she will marry – with the proviso that it be a master singer, in other words the winner of a public singing competition. A pity, then, that Eva is in love with Walther von Stolzing, who is talented but devoid of formal training. Nonetheless he takes part in the competition, aided and abetted by master singer Hans Sachs, who has to forego his love for Eva in the process.


About the production
Richard Wagner’s DIE MEISTERSINGER VON NÜRNBERG comes to the Deutsche Oper Berlin courtesy of a production trio made up of Jossi Wieler, Anna Viebrock and Sergio Morabito, whose slant on the material focuses on a “music-oriented society”, with Nuremberg’s late mediaeval guild of master singers transposed to the hermetic setting of a college of music. The institution is controlled by powerful professors and attended by their “lads” and “lassies”. The staff includes reformers like Hans Sachs and also pedants, one of whom, Sixtus Beckmesser, is likewise keen to win Eva’s hand in marriage. When new boy Walther von Stolzing, the only non-musical pupil, arrives in this ultra-regulated but at times oddball environment, the entire college is soon shaken to its core, with von Stolzing the instigator of the comic events that unfurl.

Our articles on the subject

Power. Abuse. Music.
Die Meistersinger von Nürnberg – Synopsis
Thoughts on Wagner

Our recommendations

Tristan and Isolde
Tannhäuser and the Singers' Contest at Wartburg
Der fliegende Holländer
Lohengrin
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21
DEC

Advents-Verlosung: Das 21. Fensterchen

On 12 April 2025, we will celebrate the revival of DIE MEISTERSINGER VON NÜRNBERG in the production by Jossi Wieler, Sergio Morabito and Anna Viebrock, with Thomas Johannes Mayer as Hans Sachs, Elena Tsallagova as Eva, Magnus Vigilius as Walther von Stolzing and Chance Jonas-O'Toole as David, as part of our ‘Richard Wagner in April’ weeks. But today, we are giving away our DVD, which was recorded in collaboration with the NAXOS label in the premiere series in early summer 2022.

In today's Advent calendar window, we are giving away 2 DVDs of DIE MEISTERSINGER VON NÜRNBERG – Opera in three acts by Richard Wagner. If you would like to win one of the two DVDs, please write an e-mail with the subject ‘The 21st window’ to advent@deutscheoperberlin.de.

More popular than almost any other stage work by Richard Wagner, DIE MEISTERSINGER VON NÜRNBERG is loved and hated at the same time. The play combines a light-hearted comedy plot with a summer night's drunken play about the delusion and reality of love, but at the same time claims to be a founding manifesto of German national art and is therefore more historically charged in its reception than almost any other work by Richard Wagner. At the same time, however, DIE MEISTERSINGER is first and foremost a piece about music and music-making.

Telling the story of DIE MEISTERSINGER in a world dedicated to music is also the starting point for the directorial concept of Jossi Wieler, Anna Viebrock and Sergio Morabito. In it, they tell of the rules and rigid dogmas that govern this world and which thus become an example for numerous contexts in which people set rules, subordinate themselves and find refuge in them or want to break out and escape. They bring a play to the stage in which singers also play singers in order to tell a story about singing. And they show characters such as Hans Sachs, an ageing man who renounces his love for Eva in favour of a younger man and at the same time wants to reform the system, but does not shy away from demagoguery and populism - while the breath of history occasionally blows in the ghosts of the Meistersinger past.

Conductor John Fiore; Staging Jossi Wieler, Anna Viebrock, Sergio Morabito; With Johan Reuter, Albert Pesendorfer, Gideon Poppe, Simon Pauly, Philipp Jekal, Thomas Lehman, Jörg Schörner, Clemens Bieber, Burkhard Ulrich, Stephen Bronk, Tobias Kehrer, Byung Gil Kim, Klaus Florian Vogt, Ya-Chung Huang, Heidi Stober, Annika Schlicht a. o.; Chorus and Orchestra of the Deutsche Oper Berlin



Closing date: 21 December 2024, the winners will be informed by email on 23 December 2024. The DVDs will then be sent by post. Legal recourse is excluded.