Newsletter

News about the schedule Personal recommendations Special offers ... Stay well informed!

Subscribe to our newsletter

Subscribe to our Newsletter and receive 25% off your next ticket purchase.

* Mandatory field





Newsletter

Schedule - Deutsche Oper Berlin

Sie möchten für eine Kita- oder Schulgruppe buchen? Nutzen Sie unser Formular!

Zum Gruppenbuchungsformular

Skip Media Container
Sie möchten für eine Kita- oder Schulgruppe buchen? Nutzen Sie unser Formular!

Children' s ballet – Peter Pan

Ballet for children, aged 4 and over, with music by Edvard Grieg, Alexander Konstantinowitsch Glasunow and Herman Severin Løvenskiold

22
Thursday
May
11:00 - 12:00
€ 25.00 / reduced € 10.00
Buy tickets
Information about the work

Based on a novel by James Matthew Barrie [1860-1937]
Tape music

60 mins / no interval

recommended from 4 years
Share this post
Cast
  • Choreographer and stage director, set design
  • Costumes
    Angelina Atlagic
  • Set design
    Mila Mazic
    Una Jankov
  • Theatre painter
    Lena Hein
  • Light design
    Steffen Hoppe
  • Sound
    Laureline Dabbadie
Dates & Tickets
Our thanks to our partners

A production of the Deutsche Oper Berlin in cooperation with the Kinder Ballett Kompanie Berlin

22
Thursday
May
11:00 - 12:00
€ 25.00 / reduced € 10.00
Buy tickets
Cast
  • Choreographer and stage director, set design
  • Costumes
    Angelina Atlagic
  • Set design
    Mila Mazic
    Una Jankov
  • Theatre painter
    Lena Hein
  • Light design
    Steffen Hoppe
  • Sound
    Laureline Dabbadie
the content

For over a hundred years, Peter Pan, the boy who never grows up, has been one of the best-known characters in children's literature. Generations of children have spun out the adventures that Peter, his girlfriend Wendy, the pirate captain Hook and the fairy Tinkerbell experience in their imagination and dreamed of one day being able to roam the island of Neverland themselves.

David Simic, the director and choreographer of the Kinder Ballett Kompanie, has also been fascinated by "Peter Pan" since he saw a ballet version of the story in his hometown of Belgrade as a child. Now he has developed a version for the main stage of the Deutsche Oper Berlin in which the children and young people themselves embody the heroes and villains of the fairytale adventure story.

To the music of Edvard Grieg's "Peer Gynt" and Alexander Glasunov's "Raymonda", about 50 children and young people between the ages of 6 and 18 can be seen in a variety of roles in "Children Dance: Peter Pan". The costumes were designed by the internationally award-winning costume designer Angelina Atlagic, who has worked for the Staatsballett Berlin, the Bolshoi Theatre, the Compania Nacional de Danza in Madrid and the Greek National Theatre, among others.

Our recommendations

The Fairy Tale of the Magic Fute
The Magic Flute
Children' s ballet - The Nutcracker
Enter Onepager
1

slide_title_1

slide_description_1

slide_headline_2
2

slide_title_2

slide_description_2

slide_headline_3
3

slide_title_3

slide_description_3

slide_headline_4
4

slide_title_4

slide_description_4

Create / edit OnePager
15
DEC

Advents-Verlosung: Das 15. Fensterchen

For almost two decades, the two creative minds behind our big band – Sebastian ‘Sese’ Krol and Rüdiger ‘Rübe’ Ruppert – have been curating brilliant evenings of jazz: a radiant highlight of this work took place on 19 September 2022, when Charles Mingus' “Epitaph” was performed in the sold-out Philharmonie. This concert was a tribute to Mingus' 100th birthday and was a sensation, which is now available as a CD on the EuroArts label. We are giving away this CD in today's Advent window.

Win one of two CDs of Charles Mingus' “Epitaph”, recorded live at the Philharmonie. If you want to be one of the winners, send an e-mail to advent@deutscheoperberlin.de today with the subject “The 15th little window”.

Charles Mingus caused a sensation in 1959 with his album ‘Ah Um’, which catapulted him into the pantheon of jazz. Immediately afterwards, he devoted himself to an even bolder vision: a suite for orchestra, part improvised, part composed – written for an ensemble of two complete big bands plus additional orchestral instruments. It was to be a work of the ‘third way’, combining jazz with the classical modernism of a Bartók and Stravinsky, but at the same time his personal opus summum. We are talking about ‘Epitaph’. In Berlin in 2022, conductor Titus Engel brought it to the stage: together with Charles Mingus' companion Randy Brecker, with musicians from the BigBand and the orchestra of the Deutsche Oper Berlin and the Jazz Institute Berlin.

Charles Mingus himself never heard the full version of ‘Epitaph’. That's because the 1962 premiere was a fiasco, perhaps the biggest in jazz history. It happened at the Town Hall in New York: everything that could go wrong did go wrong. Mingus wrote highly complex music, but had only scheduled three rehearsals. Trombonist Jimmy Knepper became a copyist, transcribing sheet music that Mingus produced every day. There was no end to it, he kept changing, adding to and expanding the music. Knepper couldn't keep up. Mingus became bad-tempered, then angry, then hated the world. The pressure was on: the record company wanted to record live – extremely unusual at the time. Eventually the concert took place, the sheet music wasn't ready, the tension between the musicians was unmistakable, and the audience didn't like the badly played music. The concert ended in a police intervention. The second part was never played. Mingus died in 1979 without ever having heard his major work. The 500 pages of sheet music were discovered years later in an old suitcase belonging to his widow Sue.

‘The music is very varied, very dense, powerful, a unique work between genres,’ says Titus Engel in 2022. The conductor of this CD recording is – like Mingus – equally at home in the worlds of classical, new and jazz music, and he plays double bass like the master. And so the rarely heard work was brought to new life in this concert by the BigBand of the Deutsche Oper Berlin: Not only was there sufficient rehearsal time for the concert in Berlin and the atmosphere between the musicians was enthusiastic, but the sheet music was also newly created based on the critical new edition.

Listen to Charles Mingus' “Epitaph” conducted by Titus Engel with musicians from the BigBand and the orchestra of the Deutsche Oper Berlin and the Jazz Institute Berlin, with Jorge Puerta (speaker / tenor) and Randy Brecker (trumpet). The CD was released on the EuroArts label.



Closing date: 15 December 2024. The winners will be informed by email on 16 December 2024. The CDs will be sent by post. The judges' decision is final.