Schedule - Deutsche Oper Berlin
You too can benefit from a Deutsche Oper Card or a Förderkreis membership...
Deutsche Oper Card 24/25
The Deutsche Oper Card costs €75 for the duration of one year and grants you a 30% discount for up to two tickets per performance on the main stage during the validity period of this card, i.e. up to and including 26 July 2025. Performances in the foyer and Tischlerei, children's performances at standard prices, performances by the Staatsballett Berlin, external and special events are excluded. It is not possible to combine it with other discounts and reductions.
From 15 January, you can also use the card to enjoy exclusive advance booking rights from 15 January to 28 February for the concert ‘Season 2025/26: What's coming up?’ on 19 May 2025, and from 1 to 28 February for the two cycles of our RING DES NIBELUNGEN, you can enjoy a 10% discount on performances between 16 May and 31 May 2026.
The card is only valid for you personally and, if applicable, for the person accompanying you. It is not transferable.
Förderkreis der Deutschen Oper Berlin
For over four decades, the aim of our support group has been to strengthen and intensify the leading position of the Deutsche Oper Berlin, both within and beyond Berlin's borders, by providing material, non-material and journalistic support. The association unites opera lovers and supporters who are highly committed to promoting the Deutsche Oper Berlin and spending many an unforgettable evening together. If you would like to become a member of the association, we look forward to your participation and commitment.
Sale as an individual presentation
Der Ring des Nibelungen – Siegfried
Richard Wagner [1813 – 1883]
The second day
A scenic festival in three days and one eve
First performed on 16th August, 1876 in Bayreuth
Premiered at the Deutsche Oper Berlin on 12th November 2021
6 hrs | 2 intervals
In German with German and English surtitles
Pre-performance lecture (in German): 45 minutes prior to each performance
recommended from the age of 16- Conductor
- Director, Set design
- Set designSilke Bauer
- Costume designUta Heiseke
- VideoTorge Møller
- Light design
- Dramaturgy
- Siegfried
- Mime
- Wanderer
- Alberich
- Fafner
- Erda
- Brünnhilde
- A bird
- Orchestra
- Revival23202616:00MaySat€ 240,00 / € 180,00 / € 120,00 / € 80,00 / € 60,00
- Last performance in this season29202616:00MayFri€ 240,00 / € 180,00 / € 120,00 / € 80,00 / € 60,00
With the support of the Förderkreis der Deutschen Oper Berlin e. V.
- Conductor
- Director, Set design
- Set designSilke Bauer
- Costume designUta Heiseke
- VideoTorge Møller
- Light design
- Dramaturgy
- Siegfried
- Mime
- Wanderer
- Alberich
- Fafner
- Erda
- Brünnhilde
- A bird
- Orchestra
The two middle sections of the tetralogy set out two ways of experiencing life. On the one hand we are presented in THE VALKYRIE with Brünnhilde, whose maturation process takes her from her discovery of sorrow and empathy to a conscious reflection on what it is to be human. By contrast, Siegfried’s path is mapped out solely as a function of his sensory experience. Where initially the young man’s self-image stems only from his exploration of his own boundless strength, other senses and sensibilities soon come to bear, along with an awakening sexuality. SIEGFRIED presents an encounter not only between man and woman but between two principles – Siegfried’s innate, unquestioned vigour on one side and Brünnhilde’s wisdom born of observation on the other. And as these two diametrical forces unite in a love clinch, the end of the opera seems to be presenting the basis for a renewal of human society.