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Ensemble - Deutsche Oper Berlin

Alexandra  Oomens

Alexandra Oomens

Die in London lebende australische Sopranistin Alexandra Oomens ist 2023/24 Harewood Artist an der English National Opera. In dieser Saison war Alexandra als Elise Maynard in Jo Davies' Produktion von THE YEOMEN OF THE GUARD, als Frasquita in Calixto Bieitos CARMEN und als Lady in WAITING IN GLORIANA zu hören. In diesem Sommer wird sie ihr Festivaldebüt beim Grange Festival als Euridice und als Belinda in Glucks ORFEO ED EURIDICE und Purcells DIDO AND AENEAS geben.

An der English National Opera war Alexandra Oomens unter anderem als Josephine in HMS PINAFORE, Musetta in LA BOHÈME sowie Pepik und Specht in DAS SCHLAUE FÜCHSLEIN zu erleben. Weitere Opernauftritte umfassen Musetta / LA BOHÈME (Nevill Holt), Barbarina / LE NOZZE DI FIGARO (Opera North), Laurette / LE DOCTEUR MIRACLE (L'Orchestre de Chambre de Geneve), Zerlina / DON GIOVANNI (Clonter Opera) sowie Clizia / TESEO (London Handel Festival) und mit der Royal Academy Opera Füchsin / DAS SCHLAUE FÜCHSLEIN, Semele / SEMELE, La Princess und La Chauve-Souris / L'ENFANT ET LES SORTILEGES, Laurette / LE DOCTEUR MIRACLE, Tina / FLIGHT, Cupidon / ORPHÉE AUX ENFERS, Damigella / L'INCORONAZIONE DI POPPEA sowie mit Pinchgut Opera Dafne und Aurora / GLI AMORI D'APOLLO E DI DAFNE, Isabelle / L'AMANT JALOUX, Lisel / DER RAUCHFANGKEHRER, Alinda / GIASONE, Childerico / FARAMONDO sowie 2. Dame und 1. Hexe / DIDO & AENEAS.

Alexandra Oomens trat in verschiedenen Recitals und Konzerten mit dem Australian Chamber Orchestra, dem Netherlands Radio Symphony Orchestra, der Pinchgut Opera, dem Sydney Symphony Orchestra, dem Eroica Ensemble und dem Orchestra of the Antipodes auf, unter anderem im London Coliseum, im Concertgebouw, im Sydney Opera House, in der Melbourne Recital Hall und in der Sydney City Recital Hall.

Alexandra Oomens ist Absolventin des Royal Academy Opera Programme an der Royal Academy of Music und Absolventin der Georg Solti Accademia und der Académie du Festival d'Aix-en-Provence. Alexandra Oomens hat ein Advanced Diploma of Opera, einen Masters of Arts und einen Honorary DipRAM für herausragende Leistungen (Royal Academy of Music) sowie einen BMus vom Conservatorium of Music der Universität Sydney.

In der Saison 2024/25 bereichert Alexandra Oomens unser Ensemble als Stipendiatin des Förderkreises der Deutschen Oper Berlin e. V.

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Die Stipendiat*innen des Förderkreises 2024/25
Video – 20:50 min.

Die Stipendiat*innen des Förderkreises 2024/25

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21
DEC

Advents-Verlosung: Das 21. Fensterchen

On 12 April 2025, we will celebrate the revival of DIE MEISTERSINGER VON NÜRNBERG in the production by Jossi Wieler, Sergio Morabito and Anna Viebrock, with Thomas Johannes Mayer as Hans Sachs, Elena Tsallagova as Eva, Magnus Vigilius as Walther von Stolzing and Chance Jonas-O'Toole as David, as part of our ‘Richard Wagner in April’ weeks. But today, we are giving away our DVD, which was recorded in collaboration with the NAXOS label in the premiere series in early summer 2022.

In today's Advent calendar window, we are giving away 2 DVDs of DIE MEISTERSINGER VON NÜRNBERG – Opera in three acts by Richard Wagner. If you would like to win one of the two DVDs, please write an e-mail with the subject ‘The 21st window’ to advent@deutscheoperberlin.de.

More popular than almost any other stage work by Richard Wagner, DIE MEISTERSINGER VON NÜRNBERG is loved and hated at the same time. The play combines a light-hearted comedy plot with a summer night's drunken play about the delusion and reality of love, but at the same time claims to be a founding manifesto of German national art and is therefore more historically charged in its reception than almost any other work by Richard Wagner. At the same time, however, DIE MEISTERSINGER is first and foremost a piece about music and music-making.

Telling the story of DIE MEISTERSINGER in a world dedicated to music is also the starting point for the directorial concept of Jossi Wieler, Anna Viebrock and Sergio Morabito. In it, they tell of the rules and rigid dogmas that govern this world and which thus become an example for numerous contexts in which people set rules, subordinate themselves and find refuge in them or want to break out and escape. They bring a play to the stage in which singers also play singers in order to tell a story about singing. And they show characters such as Hans Sachs, an ageing man who renounces his love for Eva in favour of a younger man and at the same time wants to reform the system, but does not shy away from demagoguery and populism - while the breath of history occasionally blows in the ghosts of the Meistersinger past.

Conductor John Fiore; Staging Jossi Wieler, Anna Viebrock, Sergio Morabito; With Johan Reuter, Albert Pesendorfer, Gideon Poppe, Simon Pauly, Philipp Jekal, Thomas Lehman, Jörg Schörner, Clemens Bieber, Burkhard Ulrich, Stephen Bronk, Tobias Kehrer, Byung Gil Kim, Klaus Florian Vogt, Ya-Chung Huang, Heidi Stober, Annika Schlicht a. o.; Chorus and Orchestra of the Deutsche Oper Berlin



Closing date: 21 December 2024, the winners will be informed by email on 23 December 2024. The DVDs will then be sent by post. Legal recourse is excluded.