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Ensemble - Deutsche Oper Berlin

Caitlin Gotimer

Caitlin Gotimer

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In der Saison 2023/24 gab sie ihr Debüt als Juliette in Gounods ROMÉO ET JULIETTE an der Arizona Opera, ihr Palm Beach Opera- und Dayton Opera-Debüt als Tosca und ihr Santa Fe Symphony-Debüt als Sopransolistin in Händels „Messias“. In der Saison 2022/23 kehrte Caitlin Gotimer an die Arizona Opera zurück und gab ihr Debüt in der Titelrolle der TOSCA. Außerdem gab sie ihr Debüt an der Dallas Opera als Fiordiligi in COSÌ FAN TUTTE und trat in das Apprentice Program der Santa Fe Opera ein, wo sie Tosca sang.

Während ihres Stipendiums am Marion Roose Pullin Arizona Opera Studio debütierte Caitlin Gotimer in CARMEN (Micaëla), COSÌ FAN TUTTE (Fiordiligi) und A LITTLE NIGHT MUSIC (Mrs. Anderssen). Während ihrer Zeit als Gastkünstlerin an der Pittsburgh Opera sang sie die Titelrolle in Händels ALCINA, Elettra in einer Neuinterpretation von Mozarts IDOMENEO und verkörperte Mimì in Puccinis LA BOHÈME. Mit dem Crested Butte Opera Studio trat Caitlin Gotimer als Lauretta in GIANNI SCHICCHI und Musetta in LA BOHÈME auf. Weitere Rollen in Caitlin Gotimers Repertoire sind die Titelrolle in SUOR ANGELICA, Magda in LA RONDINE und Nedda in PAGLIACCI.

Im Konzertbereich war sie Solistin in Mozarts Requiem in d-Moll beim Festival Songe d'été en musique in Québec und in Bachs Missa Brevis in F mit der Binghamton University. Als Verfechterin neuer Werke hat sie in Hilliards und Boresis THE LAST AMERICAN HAMMER (Tink Enraught), Tom Cipullos GLORY DENIED (Older Alyce) und Conrad Susas TRANSFORMATIONS (Anne Sexton) mitgewirkt.

Caitlin Gotimer hat bei verschiedenen Wettbewerben auf der ganzen Welt Auszeichnungen und Spitzenpreise erhalten. Sie gewann zwei Preise beim YPO/Florida Grand Opera Gesangswettbewerb und war Distriktsiegerin des Laffont-Wettbewerbs der Metropolitan Opera 2022. Sie war Halbfinalistin sowohl beim Vincerò-Wettbewerb 2022 als auch beim Eleanor-McCollum-Wettbewerb 2020 der Houston Grand Opera, Finalistin beim Mildred-Miller-Wettbewerb 2020 der Pittsburgh Festival Opera, Gewinnerin des zweiten Preises und des Publikumslieblings beim Wettbewerb 2017 der Opera Guild of Dayton, Empfängerin des Italo-Tajo-Preises beim Corbett-Wettbewerb 2017 des CCM und Gewinnerin des 2015 vom NFMC veranstalteten National Biennial Collegiate Voice Competition.

Caitlin Gotimer hat einen Master of Music von der University of Cincinnati College-Conservatory of Music und erhielt ihren Bachelor of Music in Gesang von der Binghamton University.

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22
DEC

Advents-Verlosung: Das 22. Fensterchen

On 7 March 2025, the first part of Tobias Kratzer's Strauss trilogy, ARABELLA, celebrates its revival as part of our ‘Richard Strauss in March’ weeks, with Jennifer Davis as Arabella , Heidi Stober as Zdenka/Zdenko, Thomas Johannes Mayer as Mandryka, Daniel O'Hearn as Matteo and, as in the premiere series, Doris Soffel and Albert Pesendorfer as the Waldner couple. Today we are giving away our DVD, which will not be available in shops until 14 February 2025. We would like to express our heartfelt thanks to NAXOS for giving us the very special opportunity to put ARABELLA in our lottery pot for you almost eight weeks before the official sales launch.

In today's Advent Calendar window, we are giving away two DVDs of ARABELLA – a lyrical comedy in three acts by Richard Strauss and Hugo von Hofmannsthal. If you would like to win one of the two DVDs, please write an e-mail with the subject ‘The 22nd window’ to advent@deutscheoperberlin.de.

Vienna, circa 1860. The financially strapped Count Waldner is lodging with his family in a Viennese hotel. His only path to solvency is for him to secure an advantageous marriage for one of his two daughters – and the family can only afford to present Arabella, the eldest, in the upper circles of society. To conceal the family’s indigence, the parents have raised Zdenka as a boy, dressing her accordingly. Arabella is not short of suitors but has resolved to wait for ‘Mr Right’. When Mandryka, an aristocrat from a distant region, arrives, he and Arabella are instantly smitten. Arabella only asks to be able to bid farewell to her friends and suitors at the Fasching ball that evening. At the ball, Arabella says goodbye to her admirers. There is also the young officer Matteo, with whom Zdenka is secretly in love and with whom she has formed a friendship under the guise of her disguise as a boy. Matteo, however, desires Arabella and is distraught when he realises the hopelessness of his love. Zdenka devises a plan: she fakes a letter from Arabella in which she promises Matteo a night of love together. But instead she wants to wait for him herself in the darkness of the hotel room. Mandryka learns of Arabella's alleged infidelity and goes to the hotel with the ball guests to surprise Arabella in flagrante delicto. Arabella, innocent of this, is initially shocked and saddened by Mandryka’s suspicions but forgives him when the mix-up is revealed for what it is. The two agree to marry, as do Zdenka and Matteo.

Richard Strauss’s orchestral richness and opulence coupled with the period Viennese setting of the work led to ARABELLA being falsely pigeonholed as a light-hearted comedy of errors from its 1933 premiere onwards. In the estimation of Tobias Kratzer, however, who triumphed at the Deutsche Oper with his production of Alexander von Zemlinsky’s THE DWARF, this final collaboration between Strauss and Hugo von Hofmannsthal marks a collision of two world views: the traditional roles of men and women on the one hand – as expressed in Arabella’s famous solo “Und du sollst mein Gebieter sein” – and a modern idea of social interaction on the other – as illustrated by Zdenka with her questioning of gender-based identities. Here, Kratzer turns the spotlight on this disunity between the various character portrayals in ARABELLA and explores these role-specific tensions on a continuum stretching from 19th-century Vienna to the present day. In the category of stage design, Manuel Braun, Jonas Dahl and Rainer Sellmaier were honoured with the renowned German Theatre Award DER FAUST 2023 for this production.

In this recording, under the baton of Sir Donald Runnicles, you will experience Albert Pesendorfer, Doris Soffel, Sara Jakubiak, Elena Tsallagova, Russell Braun, Robert Watson, Thomas Blondelle, Kyle Miller, Tyler Zimmerman, Hye-Young Moon, Lexi Hutton, Jörg Schörner and others, as well as the chorus and orchestra of the Deutsche Oper Berlin. The performances on 18 and 23 March 2023 were recorded by rbb Kultur and Naxos for this DVD.

We would like to thank the Naxos label for the great collaboration over the past few years, which documents recordings of DER ZWERG, DAS WUNDER DER HELIANE, FRANCESCA DA RIMINI, DER RING DES NIBELUNGEN, DER SCHATZGRÄBER, DIE MEISTERSINGER VON NÜRNBERG and ANTIKRIST. Richard Strauss' ARABELLA and INTERMEZZO will be released in the course of 2025.


Closing date: 22 December 2024. The winners will be informed by email on 23 December 2024. The DVDs will then be sent by post. There is no right of appeal.