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Ensemble - Deutsche Oper Berlin

Evelina  Smolina

Evelina Smolina

Die junge lyrische Sopranistin Evelina Smolina wurde in Riga (Lettland) geboren. Im Februar 2019 gab sie ihr Debüt in der Carnegie Hall (Weill Recital Hall) beim Preisträgerkonzert des Internationalen Crescendo-Wettbewerbs als Grand-Prix-Gewinnerin. Im Laufe dieses Jahres trat sie in St. Petersburg beim Saisoneröffnungsfest unter Leitung von Fabio Mastrangelo auf. Im März 2020 folgte ein Auftritt zusammen mit Aida Garifullina und Ildar Abdrazakov am Mikhailovsky-Theaters in St. Petersburg, wo sie mit großem Erfolg die Arie der Adina / L’EISIR D‘AMORE, begleitet vom Mikhailovsky-Theater-Sinfonieorchester unter Leitung von Mikhail Tatarnikov, interpretierte.

Im Mai 2023 erwarb Evelina Smolina ihren Bachelor-Abschluss in klassischem Gesang an der Manhattan School of Music im Studio von Shirley Close. Während ihres letzten Studienjahres hatte sie die Gelegenheit, mit so renommierten Lehrer*innen wie Thomas Lausmann, Myra Huang, Bryan Wagorn zusammenzuarbeiten. Derzeit ist Evelina Smolina Masterstudentin an der Universität der Künste Berlin unter der Leitung von Evelin Novak.

Als Giselher und Waldvogel gibt sie ihr Debüt in AB IN DEN RING! in der Tischlerei der Deutschen Oper Berlin im Februar 2025.

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12
DEC

Adventskalender im Foyer: Das 12. Fensterchen

Today in the foyer: ‘The Snow Queen’ as a live audio play
A reading with Burkhard Ulrich and Fanny Frohnmeyer, with Lukas Zeuner on the drums
5:00 p.m. / Parkettfoyer
Duration: approx. 25 minutes / Free admission


‘Behold! Now we begin. When we reach the end of the story, we will know more than we do now, because it was an evil goblin! It was one of the very worst, it was the devil! One day he was in a good mood because he had made a mirror that had the property of making everything good and beautiful reflected in it shrink to almost nothing, but what was no good and looked bad was emphasised and became even worse. The most magnificent landscapes looked like overcooked spinach in it, and the best people became disgusting or stood on their heads without a torso,’ so begins the fairy tale “The Snow Queen” by Hans Christian Andersen.

By an unfortunate accident, a splinter of this evil magic mirror jumps into Kay's heart , whereupon he suddenly finds life in his small town quite awful and lets himself be taken by the nasty Snow Queen to the far north. But Kay's friend Gerda sets out to save her best friend. With the help of a crow and a reindeer, she eventually finds her way to the cold north of Lapland and, with the true power of friendship and laughter, she is able to free Kay from the clutches of the Snow Queen.

Today, in the foyer, the tenor Burkhard Ulrich and the director of our Junge Deutsche Oper Fanny Frohnmeyer read this touching and wonderful fairy tale by Hans Christian Andersen for all fairy tale fans, old and young! And our percussionist Lukas Zeuner provides the sound for the story with marimbas, a xylophone and all kinds of rhythm and sound instruments. And all this live and very close to the audience, next to the large fir tree in the parquet foyer.