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Schedule - Deutsche Oper Berlin

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In the Stadtbad Charlottenburg - Old Hall

Immersion

A performance from behind the scenes with opera, artistry, visuals and techno

21
Saturday
September
20:00 - 22:00
€ 28.00 / reduced € 15.00
When booking, please note that swimming tickets and seat tickets are available.
Information about the work

Stadtbad Charlottenburg – Old Hall (Alte Halle)
Krumme Straße 10
10585 Berlin

Admission begins 30 minutes before the performance. The changing rooms and lockers are available to you during the admission period.

approx. 60 minutes / no interval

recommended from 16 years
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Cast
21
Saturday
September
20:00 - 22:00
€ 28.00 / reduced € 15.00
When booking, please note that swimming tickets and seat tickets are available.
Cast
the content

Opera goes swimming pool! As the small venue of the Deutsche Oper Berlin is closed at the beginning of the season due to renovation work, the team of the first Tischlerei premiere of the season set out in search of an alternative space. They found what they were looking for in the immediate neighbourhood - the Stadtbad Charlottenburg, just a few steps away.

IMMERSION invites you to literally immerse yourself in a collective ritual experience, as the majority of the audience is in the water with the artists. As a continuation of the successful "Hinterhalt" series, the evening reflects on the themes of the first three new productions on the Deutsche Oper's main stage from a feminist perspective: during the evening, the witches and ghostly creatures from LA FIAMMA, MACBETH and DIE FRAU OHNE SCHATTEN will be conjured up. In the magical atmosphere of the historic swimming pool hall, a hybrid evening is created with the transdisciplinary inclusion of opera singing, contemporary artistry, real-time visuals and techno. IMMERSION is a celebration and a mystical ritual that encourages people to think together about visions of a possible future world.

Following on from IMMERSION at Stadtbad Charlottenburg, this season's "Hinterhalt" series will come to an end in July 2025 under the title EMERSION back at the Tischlerei.

Information about the event
There are two seating categories for the event at Stadtbad Charlottenburg: Spectators can experience the show in the water (swimming tickets) or sit on chairs at the edge of the pool (seating tickets). The water height in the audience area of the pool is 0.65-1.35 metres. Only swimwear is permitted in the hall and pool; street or everyday clothing is not permitted. Please bring swimwear and towels etc. for participation in the water. For reasons of respect, we ask that you also bring clothing suitable for swimming in the pool and do not sit there in everyday clothing. Further information can be found in the ticket information.

The tickets for the event also serve as admission to the pool. Clothing and valuables can be stored in the lockers provided during the event. We ask for your understanding that photography and filming is not permitted inside the pool, nor is bringing food and drink into the pool.

Children under the age of 8 may only enter if accompanied by a suitable adult. The accompanying person must be at least 16 years old. Proof of age must be provided on request. Persons under the age of 18 may not accompany more than one child. The event is not barrier-free.

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Emersion
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05
DEC

Adventskalender in der Tischlerei: Das 5. Fensterchen

Today in the Tischlerei: ‘Rossini, Liszt and more’
with Kangyoon Shine Lee (tenor) and Songyeon Catarina Kim (piano)
5pm / Tischlerei
Duration: approx. 25 minutes / free admission


The evening begins with musical declarations of love: love is illuminated in all its facets – from the idealised, the yearning to the devoted and the melancholy – in three songs by Franz Liszt and an aria from Rossini's IL BARBIERE DI SIVIGLIA. Franz Liszt's ‘Enfant, si j'etais roi’ (‘Child, if I were king’) and ‘Oh! Quand je dors’ (‘Oh! When I sleep’) are settings of poems by Victor Hugo. In the first, the beloved is given everything imaginable – but it can never be enough. The second poem describes a nocturnal vision of the beloved, who appears like an angel, kisses the sleeping person and fills them with heavenly love. Liszt's ‘Liebestraum Nr. 3’ (‘Oh dear, as long as you can love’) is one of a series of three songs that Liszt later arranged in a purely instrumental form and which became emblematic of romantic piano music. The original text was written by Ferdinand Freiligrath and deals with the transience of love and the resulting need to cherish and cultivate it in the here and now. You will hear the Korean pianist Songyeon Catarina Kim at the piano. She then lovingly accompanies our ensemble member Kangyoon Shine Lee in an aria that he will sing again on our main stage from 31 March 2025, when he takes on the role of Count Almaviva in Katharina Thalbach's production of Rossini's IL BARBIERE DI SIVIGLIA: the cavatina ‘Ecco, ridente in cielo’. In it, Almaviva sings about the beauty of the morning and his ardent love for Rosina – it is a lyrical and romantic beginning to an otherwise predominantly comedic opera. It is followed by the song ‘La danza’ from Rossini's collection of songs ‘Les soirées musicales’, published about 20 years later, which describes the joyful hustle and bustle of a Neapolitan festival. The musical basis for this song is the tarantella, a fast, rhythmic folk dance from southern Italy. The programme will conclude with a contemplative Christmas favourite, ‘O Holy Night’.

Lyric tenor Kangyoon Shine Lee was born in Seoul. He first graduated from the Korea National University of Arts before studying with Kammersänger Prof. Roman Trekel at the Hanns Eisler School of Music Berlin from 2022. In 2021, Kangyoon Shine Lee won the Belvedere Competition and received an engagement at the Deutsche Oper Berlin. He made his house debut on 27 December 2022 as Almaviva in Rossini's IL BARBIERE DI SIVIGLIA and also sang in DAS WUNDER DER HELIANE. In the 2024/25 season, he will be part of the ensemble here at the theatre and can be heard in roles such as Tamino in Mozart's MAGIC FLUTE and the children's version THE FAIRY TALE OF THE MAGIC FLUTE, as Count von Lerma / DON CARLO, Cavalier Belfiore / IL VIAGGIO A REIMS, Malcolm / MACBETH, Walther von der Vogelweide / TANNHÄUSER and Pang / TURANDOT.

The South Korean pianist Songyeon Catarina Kim studied piano at Kyunghee University in Seoul. She has won numerous Korean and international competitions. Since 2021, she has been studying Lied interpretation with Prof. Wolfram Rieger at the Hanns Eisler School of Music Berlin. She is currently studying chamber music with Prof. Wolfram Rieger as part of her concert exam. During her studies, she was a répétiteur in lessons with KS Prof. Roman Trekel, Prof. Anna Korondi, KS Prof. Ewa Wolak, Prof. Martin Bruns and Prof. Christine Schäfer, as well as a répétiteur in masterclasses with KS Brigitte Fassbaender and KS Prof. Thomas Quasthoff. She has also worked as a répétiteur for scenic instruction at the Immling Festival, the Darmstadt Theatre and the Erfurt Theatre. In the 2024/25 season, she will work as a répétiteur at IMMMERMEEEHR at the Deutsche Oper Berlin.