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Ensemble - Deutsche Oper Berlin

Juan Jesús Rodríguez

Juan Jesús Rodríguez

© Rocio Ramos
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Juan Jesús Rodríguez wird von der Fachpresse als einer der wichtigsten Verdi-Baritone unserer Zeit betrachtet, dank seiner Interpretationen von Luna / IL TROVATORE, der Titelpartie von RIGOLETTO, Marquis Posa / DON CARLO, Germont / LA TRAVIATA, Renato / UN BALLO IN MASCHERA , Miller / LUISA MILLER, Iago / OTELLO, Ford / FALSTAFF und Ezio / ATTILA.

Geboren in Huelva, erhielt er sein Diplom als Gesanglehrer an der Musikakademie Madrid. Er studierte Körperausdruck mit der Balletttänzerin Ana Pérez und anschließend mit Arnold Tarraborelli. Er ist Preisträger des Concorso International Pedro la Virgen und des Concorso Internacional Ciudad de Logroo.

Während seiner Karriere, die er 1994 am Teatro de la Zarzuela in Madrid begann, ist er unter der Leitung von Z. Mehta, N. Luisotti, R. Palumbo, M. Armiliato, D. Renzetti, M. Zanetti, R. Frizza, unter der Regie von G. del Monaco, G. Defló, J. Cox, E. Sagi, D. Livermore, M. Pontiggia, H. de Ana, auf den Bühnen wie Teatro Massimo Palermo, Teatro San Carlo Napoli, Maggio Musicale Florentino, Teatro Regio Torino, NCPA Beijing, Gran Teatre del Liceu Barcelona, Teatro Real Madrid, Teatro de la Maestranza Sevilla, Palau de les Arts Valencia, Palacio Euskalduna Bilbao aufgetreten.

Zu seinen Engagements der letzten Spielzeiten zählen: IL TROVATORE in La Coruña und an der Metropolitan Opera New York, DON CARLO in Bilbao, am Teatro Real Madrid und in Tel Aviv, RIGOLETTO am Teatro Real Madrid, in Oviedo, an der Hamburgischen Staatsoper und an der Los Angeles Opera, NABUCCO in Las Palmas, MACBETH in Marseille und Avignon, UN BALLO IN MASCHERA in Rom, Bilbao und La Coruña, I VESPRI SICILIANI in Valencia, LA BOHEME in Sevilla, CYRANO DE BERGERAC an der Metropolitan Opera New York, LA TRAVIATA an der Hamburgischen Staatsoper und in Malaga, ROBERTO DEVEREUX an der Oper Frankfurt, IL PIRATA und DON GIOVANNI in La Coruña, SIMON BOCCANEGRA in Marseille, Ford / FALSTAFF an der Metropolitan Opera New York, ANDREA CHENIER am Teatro de la Maestranza Sevilla, LUISA MILLER am Liceo Barcelona, LUCIA DI LAMMERMOOR in Bilbao und DON CARLO am Teatro Real Madrid.

Zukünftige Projekte beinhalten NABUCCO in Marseille, ALZIRA in Bilbao, AIDA am ROH Covent Garden und RIGOLETTO bei den Bregenzer Festspielen, an der Opéra de Nancy, in Luxemburg sowie an der Deutschen Oper Berlin.

Schedule

Nabucco

Sa 10.05.2025 - 19:30 h
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Tu 13.05.2025 - 19:30 h
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Rigoletto

Su 01.06.2025 - 17:00 h
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Fr 06.06.2025 - 19:30 h
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21
DEC

Advents-Verlosung: Das 21. Fensterchen

On 12 April 2025, we will celebrate the revival of DIE MEISTERSINGER VON NÜRNBERG in the production by Jossi Wieler, Sergio Morabito and Anna Viebrock, with Thomas Johannes Mayer as Hans Sachs, Elena Tsallagova as Eva, Magnus Vigilius as Walther von Stolzing and Chance Jonas-O'Toole as David, as part of our ‘Richard Wagner in April’ weeks. But today, we are giving away our DVD, which was recorded in collaboration with the NAXOS label in the premiere series in early summer 2022.

In today's Advent calendar window, we are giving away 2 DVDs of DIE MEISTERSINGER VON NÜRNBERG – Opera in three acts by Richard Wagner. If you would like to win one of the two DVDs, please write an e-mail with the subject ‘The 21st window’ to advent@deutscheoperberlin.de.

More popular than almost any other stage work by Richard Wagner, DIE MEISTERSINGER VON NÜRNBERG is loved and hated at the same time. The play combines a light-hearted comedy plot with a summer night's drunken play about the delusion and reality of love, but at the same time claims to be a founding manifesto of German national art and is therefore more historically charged in its reception than almost any other work by Richard Wagner. At the same time, however, DIE MEISTERSINGER is first and foremost a piece about music and music-making.

Telling the story of DIE MEISTERSINGER in a world dedicated to music is also the starting point for the directorial concept of Jossi Wieler, Anna Viebrock and Sergio Morabito. In it, they tell of the rules and rigid dogmas that govern this world and which thus become an example for numerous contexts in which people set rules, subordinate themselves and find refuge in them or want to break out and escape. They bring a play to the stage in which singers also play singers in order to tell a story about singing. And they show characters such as Hans Sachs, an ageing man who renounces his love for Eva in favour of a younger man and at the same time wants to reform the system, but does not shy away from demagoguery and populism - while the breath of history occasionally blows in the ghosts of the Meistersinger past.

Conductor John Fiore; Staging Jossi Wieler, Anna Viebrock, Sergio Morabito; With Johan Reuter, Albert Pesendorfer, Gideon Poppe, Simon Pauly, Philipp Jekal, Thomas Lehman, Jörg Schörner, Clemens Bieber, Burkhard Ulrich, Stephen Bronk, Tobias Kehrer, Byung Gil Kim, Klaus Florian Vogt, Ya-Chung Huang, Heidi Stober, Annika Schlicht a. o.; Chorus and Orchestra of the Deutsche Oper Berlin


Closing date: 21 December 2024, the winners will be informed by email on 23 December 2024. The DVDs will then be sent by post. Legal recourse is excluded.