In the context of Mittwoch aus Licht, Titus Engel, for his first concert as conductor-in-residence, connects the musical worlds of Stockhausen and Wagner. Both composers not only shaped the music of their time, but they also polarised opinion, both aesthetically and socially. A mystical aura still surrounds both; religion of art and classical heroic epic are the central elements of their two late works. A few days before the premiere of Mittwoch, the second act of Donnerstag offers insights into another day of the week-long opera cycle. As a purely instrumental section, Michael’s journey around the world traces a hero’s path culminating in his ascension to Heaven. The parallels to Parsifal’s journey, profoundly influenced by Wagner’s affinity for religious spirituality, are evident. John Cage's piece 4′33″ serves as a link and prelude to the quasi-sacred atmosphere, having revolutionised listening through the establishment of the musical pause as a sonic space. The concert marks the opening of the thematic focus on Stockhausen and Cage, co-curated by Titus Engel.