Newsletter

News about the schedule Personal recommendations Special offers ... Stay well informed!

Subscribe to our newsletter

Subscribe to our Newsletter and receive 25% off your next ticket purchase.

* Mandatory field





Newsletter

Schedule - Deutsche Oper Berlin

Skip Media Container

With audio description

Don Giovanni

Wolfgang Amadeus Mozart (1756 – 1791)

18
Wednesday
September
19:00 - 22:30
B prices: € 92.00 / 72.00 / 52.00 / 32.00 / 24.00
Information about the work

Dramma giocoso in two acts
Libretto by Lorenzo da Ponte; First performed on 29th October, 1787 at Prague
Premiered at the Deutsche Oper Berlin on 16th October, 2010

3 hrs 30 mins / 1 interval

In Italian language with German and English surtitles

Pre-performance lecture (in German): 45 minutes prior to each performance

Recommended from 16 years
Share this post
Cast
18
Wednesday
September
19:00 - 22:30
B prices: € 92.00 / 72.00 / 52.00 / 32.00 / 24.00
Cast
the content

About the work
In their second collaboration after LE NOZZE DI FIGARO Wolfgang Amadeus Mozart and Lorenzo da Ponte drew on the Spanish legend of Don Juan. Earlier popularity aside, the protagonist only attained the mythical dimensions of a heroic archetype in Mozart’s operatic version, which went on to inspire countless reimaginings of the material and philosophical readings by E. T. A. Hoffmann, Søren Kierkegaard et al. A raft of musical pieces from DON GIOVANNI, ranging from arias and the famous overture to duets, trios and ensembles, have seared themselves into our collective awareness.

The opera takes up the story when Don Giovanni’s career as womanizer is already far advanced: his valet, Leporello, puts the number of conquests in Spain alone at 1,003. Yet the Don’s compulsion shows no sign of abating, even though – or because - there is risk in each added attempt. Caught in flagranti with Donna Anna, he kills her father in a duel and flees, pursued by Anna, her fiancé Don Ottavio and his ex-lover Donna Elvira. The next object of his lust is Zerlina, whom he hopes to ravish under the nose of her prospective husband, Masetto, on their wedding day. The peripatetic rake repeatedly provokes the people around him and his own fate, as if wishing to hasten the inevitable.

About the production
Mozart fuses sobering and light-hearted elements and comedy with tragedy in a “Dramma giocoso” that E. T. A. Hoffmann called the “opera to end all operas”. And Don Giovanni is unquestionably the seducer par excellence. Since Tirso de Molina penned his original 17th-century play, countless works of literature and theatre have devoted themselves to his amorous escapades. But who really is Don Juan? Director Roland Schwab sets out to find the Don Giovanni of modern-day Berlin. What can still raise a pulse, with every woman already a notch on the bedpost and every evening partied away? Is it the orgies that line up ahead of the burnt-out libertine that possibly represent the real Hell?

The production takes an existentialist approach, analysing the emotional state of the eponymous hero and painting him as ravaged by his decadent lifestyle. Aided and abetted by Leporello, his valet, who relishes his boss’s perfidy, Don Giovanni submits to the temptations around him – deploying a superior sex appeal, a detached, domineering style or frenzied violence. As the hellish excesses take on a Sisyphean quality, the obsessed antihero resorts to meditation as a coping mechanism, condemned to rage forever against the abstract backdrop of set designer Piero Vinciguerra.

Our articles on the subject

„Don Giovanni“ – The Synopsis
Dr Takt on Wolfgang Amadeus Mozart's: „Don Giovanni“, Overture, bars 23-26
Enter Onepager
1

slide_title_1

slide_description_1

slide_headline_2
2

slide_title_2

slide_description_2

slide_headline_3
3

slide_title_3

slide_description_3

slide_headline_4
4

slide_title_4

slide_description_4

Create / edit OnePager
06
DEC

Adventskalender in der Tischlerei: Das 6. Fensterchen

Today in the Tischlerei: ‘Der Nikolaus kommt’
with the Junge Deutsche Oper, the opera families and Tobias Kehrer
5pm / in the Tischlerei
Duration: approx. 25 minutes / free admission


A visit from Santa Claus is a firm part of the pre-Christmas season and, as part of the Deutsche Oper Berlin's Advent calendar, a cherished tradition that delights numerous children every year. This time, we warmly invite you to the Tischlerei for stories and music. With the Junge Deutsche Oper, our opera families and musical accompaniment by the bass Tobias Kehrer, whom some opera fans, both young and old, may already have seen on the big stage as Sarastro, you can look forward to a cosy afternoon in the stage set of our new production IMMMERMEEEHR. Of course, we will also sing a Christmas carol or two together and our Santa is sure to have some sweets with him.