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Chorus - Deutsche Oper Berlin

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Welcome

The sum of our voices

Part of a larger whole

“Often they garner a bare nod en passant despite being difficult to miss onstage. And hardly anyone in the stalls has the first idea what their names are - not that it would ever occur to anyone to question their importance for the production. The critics, too, rarely devote more than a couple of sentences to them, even though opera would be a shadow of itself without them. LOHENGRIN, AIDA (on the photo) or TURANDOT without chorus singers? Impossible.” So ran a tribute by Albrecht Thiemann to the operatic chorus in “Opernwelt” ...
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Aida
Podcast of our Patrons' Circle ... Episode #12

Duett ... With Jeremy Bines

As a wonderful body of sound, the multi-award-winning Chorus of the Deutsche Oper has suffered particularly as a collective from the Corona pandemic. What this demands of a chorus director, how a chorus sings when it cannot be live on stage - as in the new production of FRANCESACA DA RIMINI - is what chorus director Jeremy Bines tells Silke Alsweiler-Lösch.
Duett ... With Jeremy Bines

Topics

12, 19, 27 April 2025

Die Meistersinger von Nürnberg

The world of MEISTERSINGER is a closed system not only in the master singers' pedantic and by-the-book guild ironised by Wagner, but also in Nuremberg's urban society as a whole: the new – embodied by outsider Walther von Stolzing – cannot bring about revolutionary change, but rather is incorporated into the system. For their new production, Jossi Wieler, Anna Viebrock and Sergio Morabito investigate the mechanisms of such a hermetic artistic society. Can art claim artistic liberty in a conservative and dogmatic environment? And what potential does it hold to overthrow the system? ... Conductor: Ulf Schirmer; Staging: Jossi Wieler, Anna Viebrock, Sergio Morabito; With Thomas J. Mayer, Albert Pesendorfer, Philipp Jekal, Magnus Vigilius, Chance Jonas-O'Toole, Elena Tsallagova, Annika Schlicht a. o.
To the performances
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A fully-fledged part of our ensemble since 2008

The Children’s and Youth Chorus

The singers in the children's chorus of the Deutsche Oper Berlin may be young, but they already have the same goal as their professional colleagues in the ‘big’ chorus: they want to inspire. They want to create a successful evening with the ensemble. This year, for the first time, a world premiere took place especially for the children's chorus: IMMMERMEEEHR.
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Our digital chamber music series

Chorus Soloists sing Liebeslieder Waltzes

"By the way, I would risk being called an ass if our love songs did not give pleasure to some people", Johannes Brahms wrote about his 18 miniatures for four-hand piano and vocal soloists. Listen to five of these love song waltzes (op. 52) in a special edition of our "Favourite Pieces" series, sung by members of our chorus.
Chorus Soloists sing Liebeslieder Waltzes
Va', pensiero, sull'ali dorate

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The candle is lit, the singers are ready… In Verdi’s NABUCCO the chorus is one of the main protagonists – and not just because of the famous “Va, pensiero” sung by the ‘Chorus of Slaves’. Eighty voices united as one – this is the challenge to be tackled by every director of the work.
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9, 14, 22 June 2025

Carmen ... Of blazing passion in a mercilessly cruel world

Carmen is seductive and the self-confident antithesis of the romantic female ideal of fidelity and sacrifice. For the farmer's son and soldier Don José, she can only become the wrong woman. Out of love for her and the unconditional will to possess and keep her, he drives deeper and deeper into the maelstrom of crime. For director Ole Anders Tandberg, the bloody, colourful scenery of Andalusia, with its torero song and habanera, becomes the cipher of a cruel world in which only the law of the strongest applies and the inferior is killed.
Carmen
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