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Messa da Requiem (konzertant)

Giuseppe Verdi (1813 – 1901)
Fri 27.11.2020 - 19:30 h
C-Prices: € 100,– / € 82,– / € 58,– / € 34,– / € 24,–

Mouth and nose masks are mandatory throughout, also during the performance. If you have a medical certificate exempting you from the obligation to wear a mask, we ask you to book via our telephone ticket service. We kindly ask for your understanding.

Informationen zum Werk

First performance on 22nd May, 1874 at Milan

aged 14 and over

Within our opera house it is mandatory to wear a mouth and nose cover. The obligation to wear a mouth-nose cover also applies to your seat, so that even if the minimum distance between seats is slightly reduced, the necessary protection against infection is maintained.

During the performances, there will again be interval catering - naturally within the rules of hygiene, distance and infection protection: You can enjoy your orders at restaurant tables and bar tables in the foyers. We recommend that you reserve your seats in advance of your visit. The catering team looks forward to your reservation at www.rdo-berlin.de or by telephone +49 (0)30 343 84 670, please pay in advance.

In Latin with German and English surtitles

90 mins / No interval

About the performance

Giuseppe Verdi once defined Death as “Life´s most catastrophic occurrence”. As is also the case with Verdi´s operas, the individual and his or her inner reality serve as the focal point in MESSA DA REQUIEM. His mass for the dead is not meant for the interior of a church, it is meant for the world beyond. Verdi finds a human response to the Latin liturgy. He makes use of the dramatic musical intensity that we know from his operas to evoke terrifying images of Death, the end of Time, and Damnation by means of a gigantic tableau of intense emotions: Fear, Anger, Pain and the desire for Redemption. Verdi touches the secrets of our existence. His music lets us realize that there is no certainty of consolation, no other source of hope than ourselves.

Wherein lies particular and abiding fascination of this composition? Perhaps it is Verdi the dramatist who recognizes the hidden scenic character of these texts and approaches the most profound secret of human existence, which is Death. The proportion allotted to the Dies irae, the prayer for the Dead, the Libera me demonstrates which parts of the Requiem Mass Verdi was most concerned with. At its centre there is the terror of death, a terror for the living that does not promise a vision of a benign God.