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Schedule - Deutsche Oper Berlin

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Written on Skin

George Benjamin [*1960]

20
Tuesday
May
19:30 - 21:00
B prices: € 92.00 / 72.00 / 52.00 / 32.00 / 24.00
Buy tickets
Information about the work

Opera in three parts
Text by Martin Crimp after the anonymous Occitan text "Guillem de Cabestanh - Le cœur mangé" from the 13th century.
Premiere on 7 July 2012 at the Grand Théâtre de Provence in Aix-en-Provence
Premiere at the Deutsche Oper Berlin on 27 January 2024

1 hour 30 minutes / No interval

In English with German and English surtitles

Pre-performance lecture (in German): 45 minutes prior to each performance

recommended from 16 years
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Cast
20
Tuesday
May
19:30 - 21:00
B prices: € 92.00 / 72.00 / 52.00 / 32.00 / 24.00
Buy tickets
Cast
the content

About the work
Three angels look back to a period in the past when books were precious artefacts with texts written on skin. One of the angels acts out the role of an olden-day illustrator who has been commissioned by the rich and powerful Protector to create a beautifully illuminated manuscript setting out the Protector’s biography. In his patron’s home the angel encounters Agnès, the Protector’s younger wife, who is still a virgin on account of her husband’s self-imposed abstinence. Despite this, he is jealous and keeps a close eye on her – to no avail, because Agnès begins an affair with the angel in his incarnation as an artist. The Protector learns of their relationship and kills the illustrator. Then he serves his unwitting wife the heart of her lover as part of a meal.

For the composer of WRITTEN ON SKIN, George Benjamin, English author Martin Crimp adapted one of the best-known stories from the France of the High Middle Ages. “Le cœur mangé”, the tale of a woman eating the heart of her lover, can be traced to a 12-century Occitan text reputedly written by a troubadour named Guillem de Cabestanh, although some sources suggest he came to the same gruesome end. Crimp’s text charting the gory ménage à trois is also a rumination on the power of art. Agnès is in awe of the illustrator’s talent for chronicling real events by means of images and even creating entire worlds from scratch. Yet it is the pictures, coupled with a declaration of love to Agnès in text form, that alert the Protector to his affair with his wife.


About the production
The world premiere of WRITTEN ON SKIN took place at the 2012 Festival d’Aix-en-Provence and was rapturously received. The work is a rare example of perfect text-composition symbiosis. A gripping story and precise, poetic language go hand-in-hand with an acutely theatrical score which, albeit thoroughly contemporary, also has the kind of full-bodied tonality that can rivet a broad range of audiences. Katie Mitchell’s visually powerful and psychologically accurate production has toured widely on the international circuit and now comes to Berlin for the first time.

Our articles on the subject

A momentous affair
Five questions for…. Aryeh Nussbaum Cohen
George Benjamin – My place of serenity: A garden in London
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03
DEC

Adventskalender in der Tischlerei: Das 3. Fensterchen

Today in the Tischlerei: ‘Christmas Carols’
with Thomas Cilluffo (tenor) and Chris Reynolds (piano)
5:00 p.m. / Tischlerei
Duration: approx. 25 minutes / Free admission


In the 1940s, a new era of Christmas songs began in the United States: hits like ‘White Christmas’, ‘Have Yourself a Merry Little Christmas’ and ‘Let it snow!’ succeeded in translating the contemplative Advent mood into a popular style that suited the modern lifestyle. Today, they have established themselves as classics that are an integral part of the Christmas season. The tenor Thomas Cilluffo presents some of these world-famous melodies, along with classic Christmas songs from different countries and eras. Our solo repetiteur Chris Reynolds accompanies him on the grand piano.

During the 2022/23 season, Cilluffo made his European debut at both the Teatro Regio Torino and the Deutsche Oper Berlin, where he initially enriched the ensemble as a scholarship holder of the Opera Foundation New York. He has been a member of the ensemble here at the house since the 2024/25 season and has appeared in roles such as The Mouth that Speaks Great Words / ANTICRUST, Count Elemer / ARABELLA, Fatty / THE RISE AND FALL OF THE CITY OF MAHAGONNY , Pong / TURANDOT, Malcolm / MACBETH, Arturo / LUCIA DI LAMMERMOOR, Monostatos / DIE ZAUBERFLÖTE or as a guest in the big New Year's Concert of the BigBand ‘Swingin’25’.
In recent years, Thomas Cilluffo has been highly successful in prestigious competitions, winning first place in the Premiere Opera Foundation International Singing Competition in 2022, among others. He was a finalist in the George London Foundation Competition in 2022, the Gerda Lissner Opera Competition in 2022 and the Gerda Lissner Song Competition in 2021. His roles also include Belfiore / LA FINTA GIARDINIERA , Almaviva / IL BARBIERE DI SIVIGLIA, Spoletta / TOSCA, the Witch / HÄNSEL UND GRETEL, Adolfo Pirelli / SWEENEY TODD, Don Ottavio / DON GIOVANNI, Puck / A MIDSUMMER NIGHT'S DREAM and the title role in ROMÉO ET JULIETTE at opera houses such as Portland Opera, Pittsburgh Festival Opera and Opera Colorado. Thomas Cilluffo received his BM/MM from the University of Michigan, where he studied with tenor George Shirley.