Schedule - Deutsche Oper Berlin

Chamber Music VI: In the mirror
Mythological tales of transformation in text and music
approx. 2 hours / one interval
- Tenor
- Violin
- Violin
- Violin
- Viola
- Viola
- Violoncello
- Violoncello
- Double bass
- Oboe
- Harp
- Piano
- Artist specializing in ornamental calligraphy
- Programme creation
- Programme creation
- Programme creation
- Programme creation
- Tenor
- Violin
- Violin
- Violin
- Viola
- Viola
- Violoncello
- Violoncello
- Double bass
- Oboe
- Harp
- Piano
- Artist specializing in ornamental calligraphy
- Programme creation
- Programme creation
- Programme creation
- Programme creation
Benjamin Britten [1913 – 1976]
from Six Metamorphoses after Ovid, op. 49 for oboe solo
1. Pan
2. Phaeton
3. Niobe
Benjamin Britten [1913 – 1976]
Canticle V: The Death of Saint Narcissus, op.89 for Tenor and harp
Karol Szymanowski [1882 – 1937]
from Mythes, op. 30 for violin an piano
1. La fonataine d´Arethuse
2. Narcisse
*** Intermission ***
Benjamin Britten [1913 – 1976]
from Six Metamorphoses after Ovid, op. 49 for oboe solo
4. Bacchus
5. Narcissus
6. Arethusa
Richard Strauss [1864 – 1949]
"Metamorphosen" in a version for string septet
Stories about transformations have existed since antiquity, when they were prominently discussed by Ovid. At the same time, artistic products are also constantly undergoing transformations as they are transferred from one medium to another: transformations that turn myths into literature, texts into music and sounds into painting. During this evening, the artist Ole Niedermauntel, who specialises in ornamental calligraphy, not only addresses the topic of transformation in terms of content, but also reflects on the change of form synaesthetically by painting live to works such as Richard Strauss' “Metamorphosen” or the “Narcissus” settings by Benjamin Britten and Karol Szymanowski.