Experimentum Mundi

Giorgio Battistelli [*1953]

Information on the piece

Opera di musica immaginistica
Text compiled by Giorgio Battistelli from „Encyclopédie ou Dictionnaire raisonné des Sciences, des Arts et des Métiers“ by Denis Diderot and Jean-Baptiste le Rond d’Alembert [1751–1772]

for children from 10 years

1 hour / no interval

In Italian language with German and English surtitles

45 Minutes before the performance: Introductory lecture (in German) in the Rang-Foyer

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About the performance

The pasta baker cracks a few eggs and reaches for the stirring stick, a little later the cobblers start work, next come the plasterers and blacksmiths. Thus a small Italian town with its traditional crafts gradually comes to life - when Giorgio Battistelli, as conductor, gives the cues for his music theatre work EXPERIMENTUM MUNDI. In it, sixteen artisans are on stage, all from Albano Laziale, a small town south of Rome, above Lake Albano, where the composer was also born in 1953.

In 1981, as a young composer, he created a monument to his hometown with EXPERIMENTUM MUNDI and at the same time a piece that has long since become a classic of contemporary music with more than 400 performances worldwide - and in which the craftsmen actually "only" go about their daily work. This work, however, with the resulting noises, the rhythms and specific sounds, is artfully processed into a music theatre that is about creating a world through the artistry of craftsmanship. The sixteen artisans are assisted by a percussionist, four singers, and an actor. The latter recites texts from the 18th century with excerpts from the "Encyclopédie" by Diderot and d'Alembert, in which the individual trades are described as they are still practised today - and as they can be experienced on stage in the almost one-hour composition.

EXPERIMENTUM MUNDI also offers an introduction to the work of Giorgio Battistelli, whose opera of the same name, based on Pier Paolo Pasolini's "Teorema", will have its world premiere on the main stage of the Deutsche Oper Berlin in June 2023.

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Newsletter

09
DEC

Today in the Foyer: "Beyond the Snow Queen"
with Alexandra Ionis, Oliver Boyd and Henriette Zahn
17.00 hrs / Rank foyer on the right
Duration: approx. 25 minutes / free admission

Since its premiere in 2019, THE SNOW QUEEN has been delighting not only children in the Tischlerei of the Deutsche Oper Berlin. This year, too, there are numerous performances on the programme. All the greater is the joy that Alexandra Ionis and Henriette Zahn from the cast of DIE SCHNEEKÖNIGIN have teamed up to create a little door of the Advent calendar. Together with Oliver Boyd, baritone in the chorus of the Deutsche Oper Berlin, they present a colourful programme. In addition to Brahms, Schönberg and Kurt Weill, songs by the composer of the SCHNEEKÖNIGIN, Samuel Penderbayne, and his teacher Moritz Eggert will be heard as a special highlight.

Alexandra Ionis from Berlin studied at the Conservatorio di musica Giuseppe Verdi in Milan and at the Accademia Nazionale di Santa Cecilia in Rome. In 2016 she made her debut in Strauss' DIE ÄGYPTISCHE HELENA at the Deutsche Oper Berlin. Other productions here at the house included DEATH IN VENICE, IL VIAGGIO A REIMS and IL TROVATORE. At the Staatsoper Unter den Linden she sang in Widmann's BABYLON, Reimann's GESPENSTERSONATE, the world premiere of Eötvös' SLEEPLESS, in DER ROSENKAVALIER and most recently in the new production of DER RING DES NIBELUNGEN as Schwertleite / DIE WALKÜRE.

Henriette Zahn is a pianist specialising in chamber music and song interpretation and studied in Munich, Lübeck and most recently in Wolfram Rieger's Lied class at the Hanns Eisler Academy of Music Berlin. She has performed with the Hamburg Philharmonic State Orchestra, the Karajan Academy, the Württemberg Chamber Orchestra and the Goldmund Quartet, among others. Performances have taken her to the Deutsche Oper Berlin, the Schauspielhaus Hamburg, the Bremen Theatre, the Salzburg Festival and the Allerheiligen Hofkirche in Munich. She has worked closely with the composer Samuel Penderbayne and the pianist Anna Buchberger.

Oliver Boyd studied at the Queensland Conservatorium with vocal coach Gregory Massingham and at the Hochschule für Musik Hanns Eisler Berlin with Christine Schäfer. In September 2018, Oliver Boyd sang the lead role of Reverend Calloway in Paul Dean's opera DRY RIVER RUN. In 2017 he made his concert debut with the Queensland Symphony Orchestra in the role of Dancairo / CARMEN. As a soloist he has appeared in Handel's Messiah, Mahler's Lieder eines fahrenden Gesellen, Haydn's Nelson and Paukenmesse, Mozart's Requiem, Vespers and Missa Brevis, and Schubert's Mass in G major. Oliver Boyd has won numerous prizes, including first prize in the Royal Melbourne Philharmonic Aria Competition and Champion of Champions in the Queensland Eisteddfod. He was named as one of the Brisbane Lord Mayor's Young Artists. Since the 2021/22 season, Oliver Boyd has been a member of the 1st bass voice section in the chorus of the Deutsche Oper Berlin.