Carolin Müller-Dohle

Carolin Müller-Dohle

Carolin Müller-Dohle studierte Literatur-, Kunst- und Medienwissenschaften in Konstanz und Rom. Zwischen 2013 und 2016 arbeitete sie an der Bayerischen Staatsoper als PR-Referentin, persönliche Referentin von Staatsintendant Nikolaus Bachler und Online-Redakteurin. Anschließend setzte sie ihr Studium an der Theaterakademie August Everding mit einem Master in Musiktheater-Dramaturgie fort. Im Rahmen ihres Studiums betreute sie u. a. die deutsche Erstaufführung von Johann Franz Xaver Sterkels Oper IL FARNACE am Stadttheater Aschaffenburg. Es folgten interdisziplinäre Projekte wie metamorphosen und Apocalypse (not now), das zum Körber Studio Junge Regie 2018 eingeladen wurde. Im Rahmen ihres Studiums wurde sie mit dem Klaus-Zehelein-Preises für Nachwuchsdramaturg*innen ausgezeichnet.

Von 2019 bis 2021 arbeitete sie als Dramaturgin für Musiktheater am Staatstheater Darmstadt. Hier betreute sie u. a. die Neuinszenierung von Ludwig van Beethovens FIDELIO (Regie Paul Georg Dittrich) und das interdisziplinäre Musiktheaterprojekt ATEM/SOUFFLE in der Regie von Karsten Wiegand und Nadia Beugré. In enger Zusammenarbeit mit der Regisseurin Franziska Angerer entwickelte sie eine filmische Umsetzung von Christian Josts DICHTERLIEBE und das ortsspezifische Musiktheaterprojekt OSTHANG (Komposition: Arne Gieshoff).

Seit der Spielzeit 2021/2022 ist sie als Dramaturgin an der Deutschen Oper Berlin engagiert.

Schedule

In performances like

Videos

Arne Gieshoff und Franziska Angerer: Bär*in
Video – 01:17 min.

Arne Gieshoff und Franziska Angerer: Bär*in

Bernhard Gander: Lieder von Vertreibung und Nimmerwiederkehr
Video – 05:20 min.

Bernhard Gander: Lieder von Vertreibung und Nimmerwiederkehr

Ludwig van Beethoven: Fidelio
Video – 02:38 min.

Ludwig van Beethoven: Fidelio

Rued Langgaard: Antikrist
Video – 02:21 min.

Rued Langgaard: Antikrist

Fidelio – Ein Teaser
Video – 00:36 min.

Fidelio – Ein Teaser

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01
DEC

Adventskalender im Foyer: Das 1. Fensterchen

Today in the foyer: "An American Christmas"
Favourite songs from North and South America
with Julie Wyma, Valeria Delmé and Jamison Livsey
5.00 p.m. / Rank foyer on the right
Duration: approx. 25 minutes / free admission


From the frosty north of Alaska to the southernmost tip of Chile, from Buenos Aires to New York City - the Advent season is celebrated across the entire American double continent. But there are huge differences in how Christmas is celebrated. This diversity is also reflected in the music that precedes and accompanies the festivities. While the Argentinian composer Ariel Ramírez takes up the lively rhythms of South American dances in his cantata "Navidad Nuestra" ("Our Christmas"), songs such as "White Christmas" or "I'll Be Home for Christmas" succeed in translating the contemplative into the popular in a unique way. Join sopranos Julie Wyma and Valeria Delmé and pianist Jamison Livsey on a journey through the musical realms on the other side of the Atlantic.

Julie Wyma comes from the USA and studied at the universities of Indiana, Missouri and Arizona. Numerous performances on the opera and concert stage have taken her throughout the USA and Europe. Since the 2021/22 season, she has been a member of the Deutsche Oper Berlin chorus as 1st soprano, where she not only sings in the major choral operas with her colleagues, but also takes on a solo role as La Conversa in SUOR ANGELICA. In addition to her work as a singer, Julie Wyma is also active as a singing teacher, costume designer and director.

Valeria Delmé was born in Buenos Aires and gained her first musical experience at an early age, including as a soloist in the children's chorus of the Teatro Colón. This was followed by further opera performances on various stages in Argentina and training at the Conservatorio Superior de Música "Manuel de Falla" before she began performing regularly in Germany in 2017. Valeria Delmé now sings as 2nd soprano in the chorus of the Deutsche Oper Berlin.

The pianist and conductor Jamison Livsey studied at the University of Michigan in Ann Arbor, Michigan. In 2016, he conducted a premiere of TURN OF THE SCREW in Tel Aviv. He has worked as a répétiteur with conducting engagements at many opera companies, including Minnesota Opera, Chautauqua Opera, Sarasota Opera, Opera Cleveland, Anchorage Opera, Opera in Williamsburg, Toledo Opera, Sugar Creek Symphony and Song, Pine Mountain Music Festival and Opera North. He has also appeared with these opera companies as a harpsichordist and orchestral pianist with a repertoire ranging from Monteverdi and Rossini to the present day. He has worked as a guest conductor at Opera Santa Barbara. He is also active as a Lied accompanist, including for Vivica Genaux. At the Deutsche Oper Berlin, he works as a répétiteur in the chorus.