Hyejin  Lee

Hyejin Lee

Die junge koreanische Sopranistin studierte bei Mihye Park an der Seoul National University und absolvierte ihr Masterstudium Gesang bei Klesie Kelly-Moog an der Hochschule für Musik Frankfurt sowie das Soloklassenstudium bei Sabine Ritterbusch an der Hochschule für Musik Hannover.

Sie ist Preisträgerin zahlreicher Gesangswettbewerbe, darunter 2017 der Erste Preis und der Publikumspreis beim Internationalen Musikwettbewerb Köln, 2015 der Erste Preis beim The Korean Voice Competition, der Zweite Preis beim Dong-A Music Competition und der Erste Preis beim Vocal Music Competition in Daegu sowie sowie 2014 der Erste Preis beim Chosun International Music Concours. Darüber hinaus war sie Finalist beim Competizione dell'Opera 2017 und besuchte Meisterkurse bei Helmut Deutsch, KS. Samuel Youn. 2019 wurde sie mit einem Stipendium der Richard-Wagner-Stipendienstiftung ausgezeichnet.

Konzerte führten die junge Künstlerin bereits in die Espoon Kultuurikeskus in Finnland, in die Flora Köln, in die Schirn Kunsthalle Frankfurt, in die Youngsan Arthall in Seoul, sowie ans Seoul Arts Center in einer Verdi- und Puccini-Operngala.

Ihr erstes Engagement trat sie im Herbst 2018 am Theater Magdeburg an, wo sie bisher u. a. als Norina / DON PASQUALE, Königin der Nacht / DIE ZAUBERFLÖTE, Manja / GRÄFIN MARIZA, Atalanta / XERXES, Servilia / TITUS, Arsena / DER ZIGEUNERBARON sowie als Olympia, Antonia und Giulietta in der Kinderoper zum Mitmachen HOFFMANNS ERZÄHLUNGEN auf der Bühne stand. In der Spielzeit 2021/2022 folgten Gilda / RIGOLETTO, Nanetta / FALSTAFF sowie Zerlina / DON GIOVANNI, Pamina / DIE ZAUBERFLÖTE.

Hyejin Lee gibt ihr Debüt in Korea als Lucia / LUCIA DI LAMMERMOOR und an der Deutschen Oper Berlin ihr Hausdebüt am Dezember 2022 als Papagena in Mozarts DIE ZAUBERFLÖTE.

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01
DEC

Adventskalender im Foyer: Das 1. Fensterchen

Today in the foyer: "An American Christmas"
Favourite songs from North and South America
with Julie Wyma, Valeria Delmé and Jamison Livsey
5.00 p.m. / Rank foyer on the right
Duration: approx. 25 minutes / free admission


From the frosty north of Alaska to the southernmost tip of Chile, from Buenos Aires to New York City - the Advent season is celebrated across the entire American double continent. But there are huge differences in how Christmas is celebrated. This diversity is also reflected in the music that precedes and accompanies the festivities. While the Argentinian composer Ariel Ramírez takes up the lively rhythms of South American dances in his cantata "Navidad Nuestra" ("Our Christmas"), songs such as "White Christmas" or "I'll Be Home for Christmas" succeed in translating the contemplative into the popular in a unique way. Join sopranos Julie Wyma and Valeria Delmé and pianist Jamison Livsey on a journey through the musical realms on the other side of the Atlantic.

Julie Wyma comes from the USA and studied at the universities of Indiana, Missouri and Arizona. Numerous performances on the opera and concert stage have taken her throughout the USA and Europe. Since the 2021/22 season, she has been a member of the Deutsche Oper Berlin chorus as 1st soprano, where she not only sings in the major choral operas with her colleagues, but also takes on a solo role as La Conversa in SUOR ANGELICA. In addition to her work as a singer, Julie Wyma is also active as a singing teacher, costume designer and director.

Valeria Delmé was born in Buenos Aires and gained her first musical experience at an early age, including as a soloist in the children's chorus of the Teatro Colón. This was followed by further opera performances on various stages in Argentina and training at the Conservatorio Superior de Música "Manuel de Falla" before she began performing regularly in Germany in 2017. Valeria Delmé now sings as 2nd soprano in the chorus of the Deutsche Oper Berlin.

The pianist and conductor Jamison Livsey studied at the University of Michigan in Ann Arbor, Michigan. In 2016, he conducted a premiere of TURN OF THE SCREW in Tel Aviv. He has worked as a répétiteur with conducting engagements at many opera companies, including Minnesota Opera, Chautauqua Opera, Sarasota Opera, Opera Cleveland, Anchorage Opera, Opera in Williamsburg, Toledo Opera, Sugar Creek Symphony and Song, Pine Mountain Music Festival and Opera North. He has also appeared with these opera companies as a harpsichordist and orchestral pianist with a repertoire ranging from Monteverdi and Rossini to the present day. He has worked as a guest conductor at Opera Santa Barbara. He is also active as a Lied accompanist, including for Vivica Genaux. At the Deutsche Oper Berlin, he works as a répétiteur in the chorus.