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Schedule - Deutsche Oper Berlin

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Lash

Rebecca Saunders [*1967]

Information on the piece

Acts of Love
Opera in three acts by Rebecca Saunders
on a libretto by Ed Atkins and Rebecca Saunders
World premiere at the Deutsche Oper Berlin on 20 June 2025

1 hour 30 minutes / No interval

In English with German and English surtitles

Pre-performance lecture (in German): 45 minutes prior to each performance

recommended from 16 years
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Cast
Our thanks to our partners

Commissioned by Deutsche Oper Berlin with the support of the Ernst von Siemens Musikstiftung. Presented by taz.

Cast
About the performance

About the work
A woman finds herself on the verge of death when a seemingly endless cascade of questions comes pouring out of her, all directed toward a beloved, coveted and absent Other. With these are memories of a life well lived, of the longing for love and sex, of the faltering of her yearning and the tragedy of death behind it. The woman breaks down into four different facets of her own personality, each depicted by a different performer, representing the various perspectives and viewpoints of one individual. What forms is a web of interconnections between seeing and being seen, touching and being touched, feeling and being felt, understanding and being understood. It is a sensual play about sex, the body, love and death – with a surprising ending. LASH is the first opera by celebrated German-British composer Rebecca Saunders. With it, she is creating a work about the base, existential experiences of the human body that we spend our lives in and with which we experience and comprehend the world around us. The work is based on the strikingly pictorial texts of video artist and writer Ed Atkins.

About the production
LASH will be staged by the Irish directing collective Dead Centre with the two directors Ben Kidd and Bush Moukarzel, the set and costume designer Nina Wetzel and the video artist Sebastian Dupouey. Dead Centre already staged the world premiere of Giorgio Battistelli's IL TEOREMA DI PASSOLINI here in 2023. With LASH, they are now going one step further towards an opera aesthetic that moves in a field of tension between concrete narration and the creation of rather abstract spaces of perception and experience and the worlds of hearing, seeing and feeling created therein. LASH will therefore feature large-format dream images on the verge of abstraction as well as concrete snapshots of the protagonist's life, which has disintegrated into fragments. There will be a microscopic view of the smallest body details such as eyelashes, skin flakes or hair, enlarged to stage-filling format, but also a gradually piecing together puzzle of a life with its desires and the question of the extent to which these have been fulfilled, with concrete encounters, hopes and disappointments.

Our articles on the subject

How do you create an opera?

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‘Masses’ by Ed Atkins
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21
DEC

Advents-Verlosung: Das 21. Fensterchen

On 12 April 2025, we will celebrate the revival of DIE MEISTERSINGER VON NÜRNBERG in the production by Jossi Wieler, Sergio Morabito and Anna Viebrock, with Thomas Johannes Mayer as Hans Sachs, Elena Tsallagova as Eva, Magnus Vigilius as Walther von Stolzing and Chance Jonas-O'Toole as David, as part of our ‘Richard Wagner in April’ weeks. But today, we are giving away our DVD, which was recorded in collaboration with the NAXOS label in the premiere series in early summer 2022.

In today's Advent calendar window, we are giving away 2 DVDs of DIE MEISTERSINGER VON NÜRNBERG – Opera in three acts by Richard Wagner. If you would like to win one of the two DVDs, please write an e-mail with the subject ‘The 21st window’ to advent@deutscheoperberlin.de.

More popular than almost any other stage work by Richard Wagner, DIE MEISTERSINGER VON NÜRNBERG is loved and hated at the same time. The play combines a light-hearted comedy plot with a summer night's drunken play about the delusion and reality of love, but at the same time claims to be a founding manifesto of German national art and is therefore more historically charged in its reception than almost any other work by Richard Wagner. At the same time, however, DIE MEISTERSINGER is first and foremost a piece about music and music-making.

Telling the story of DIE MEISTERSINGER in a world dedicated to music is also the starting point for the directorial concept of Jossi Wieler, Anna Viebrock and Sergio Morabito. In it, they tell of the rules and rigid dogmas that govern this world and which thus become an example for numerous contexts in which people set rules, subordinate themselves and find refuge in them or want to break out and escape. They bring a play to the stage in which singers also play singers in order to tell a story about singing. And they show characters such as Hans Sachs, an ageing man who renounces his love for Eva in favour of a younger man and at the same time wants to reform the system, but does not shy away from demagoguery and populism - while the breath of history occasionally blows in the ghosts of the Meistersinger past.

Conductor John Fiore; Staging Jossi Wieler, Anna Viebrock, Sergio Morabito; With Johan Reuter, Albert Pesendorfer, Gideon Poppe, Simon Pauly, Philipp Jekal, Thomas Lehman, Jörg Schörner, Clemens Bieber, Burkhard Ulrich, Stephen Bronk, Tobias Kehrer, Byung Gil Kim, Klaus Florian Vogt, Ya-Chung Huang, Heidi Stober, Annika Schlicht a. o.; Chorus and Orchestra of the Deutsche Oper Berlin



Closing date: 21 December 2024, the winners will be informed by email on 23 December 2024. The DVDs will then be sent by post. Legal recourse is excluded.