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In the Tempodrom

Dancing at the door of doomsday

A concert to promote a young, creative and democratic future

Information on the piece

Tempodrom, Möckernstr. 10, 10963 Berlin

3 hours

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Our thanks to our partners

A concert by Kollektiv Untergang x WeGoApart with ART in co-operation with the Deutsche Oper Berlin

About the performance

In a world that resembles a volcano that threatens to erupt at any moment, we must use all our energy to overcome current challenges together. “Dancing at the door of doomsday” is a charity concert that proves how creativity, teamwork and democratic commitment can create something extraordinary.

The event is a cooperation between Kollektiv Untergang e.V., WeGoApart With Art e.V. and the Deutsche Oper Berlin. During the three-hour concert, we will be working with young musicians to draw attention to current crises, anti-democratic tendencies and social divisions. We are taking a stand for democracy and cultural diversity. The Young Chorus of the Deutsche Oper will provide musical accompaniment to the musicians performing their songs. The result is an extraordinary programme that combines different musical genres and choral singing in an explosive way.

The organisers are two associations that are passionately committed to promoting culture, working to ensure that young people's voices are heard more and that they are actively involved in decision-making processes. Culture is and should be accessible to everyone. Under the motto ‘Be loud for culture, because promoting culture means strengthening democracy!’, the collective Untergang e.V., in the role of initiator, brought the two other partners (WeGoApart with ART e.V. and Deutsche Oper Berlin) together to pursue a common goal: to emphasise the importance of culture and democracy in the personal development of young people. With “Dancing at the door of doomsday”, they want to show how powerful music is as a tool for social cohesion.

The profits from the concert will be donated to charitable projects. Through an interactive vote on the day of the event, audience members will experience democracy live and decide for themselves which project the donation portion of their ticket will go towards. The plan is to choose from three different organisations that represent the core identity of “Dancing at the door of doomsday”: the promotion of young, creative minds, the connection between town and country, cultural support in structurally weak regions and the strengthening of our democracy.

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02
DEC

Adventskalender im Foyer: Das 2. Fensterchen

Today in the Rangfoyer on the right: ‘Mozart for violin and piano’
with Maïlis Bonnefous and Maxime Perrin
5:00 p.m. / Rang-Foyer rechts
Duration: approx. 25 minutes / Free admission


This afternoon in the Rangfoyer, you can experience two young French artists, our former violin academy student Maïlis Bonnefous and our solo repetiteur Maxime Perrin at the grand piano, who will play some Christmas carols for you, along with Wolfgang Amadeus Mozart's Sonata for Violin and Piano in F major, K. 376. The piano and violin communicate with each other lightly and gracefully, as equal musical partners in the movement. This is because the composer shifted his aesthetic premises from the accompanied solo movement to a balance of both instruments. This sonata was part of a cycle of six works that Mozart dedicated to his student Josepha Auernhammer. An unknown critic praised the wealth of ‘new ideas and traces of great musical genius (...) In addition, the accompaniment of the violin with the piano part is so skilfully combined that both instruments are maintained in constant attention’. Today, look forward to this musical dialogue between Maïlis Bonnefous and Maxim Perrin.

Born in 1992, the young French violinist Maïlis Bonnefous initially completed her musical training at the Toulouse Conservatory in 2011 before moving on to the Berlin University of the Arts and then to the Leipzig University of Music for her master's degree. Alongside her studies, she was the section leader of the second violins in the French Youth Orchestra from 2009 to 2013, was an academy musician with the Orchestre national du Capitole de Toulouse in 2011, played in the Gustav Mahler Youth Orchestra from 2013 to 2015, and was an academy musician in the orchestra of the Deutsche Oper Berlin between 2015 and 2017. She regularly performs in concerts of the Karajan Academy of the Berliner Philharmoniker and was a scholarship holder of the Balthasar Neumann Ensemble between 2018 and 2020. She is the winner of numerous competitions.

The French pianist Maxime Perrin (1988) has been an accompanist at the Deutsche Oper Berlin since 2020. His piano studies initially took him to the University of Music and Theatre in Leipzig to study with Prof. Markus Tomas (piano) and Prof. Phillip Moll (song interpretation), and then to the University of Music in Hanover. He attended numerous masterclasses, including with Emmanuel Ax, Andrzej Jasinski, Alexandre Tharaud and Philippe Cassard. During the course of his career, he has performed as a soloist, chamber musician and song accompanist in Germany, France, Austria and Switzerland. In 2013, he was awarded a scholarship by the Richard Wagner Association of Hannover and accepted as a pianist into the Junge Deutsche Philharmonie. With this orchestra, he has already performed at the Berlin Philharmonie and the Alte Oper Frankfurt.