Newsletter

News about the schedule Personal recommendations Special offers ... Stay well informed!

Subscribe to our newsletter

Subscribe to our Newsletter and receive 25% off your next ticket purchase.

* Mandatory field





Newsletter

„Das Rheingold“ – Die Handlung - Deutsche Oper Berlin

Das Rheingold: Synopsis

Scene 1

At the bottom of the Rhine, the Rhinemaidens guard the dormant Rhine gold. The black elf Alberich preys on the permissive mermaids. They ridicule the lustful Nibelung dwarf and awaken the gold with their gambolling, by whose bright light they reveal to Alberich that it can be forged into a ring which would permit its wearer to seize world dominion, in exchange for foreswearing love forever. The spurned Nibelung does not hesitate, curses love and guesses the magic formula which forces the gold into a ring.

Scene 2

Amidst cloudy heights, the light elf Wotan dreams of the same power, but the god would never forego amorous trysts. At his wife Fricka’s request, he has ordered the giants Fasolt and Fafner to build a castle for the gods where Fricka hopes to tie her notoriously philandering husband down. Now, however, as the castle is finished and the giants approach to demand their payment, she scolds him. After all, Wotan has promised them Freia, Fricka’s sister, in payment. While Fasolt desires Freia, his brother Fafner is counting on the downfall of the gods, whose wellbeing depends on the golden apples which only Freia, the goddess of love and eternal youth, knows how to cultivate. In order to save himself and the clan of the gods from this plight, Wotan has already commissioned cunning Loge, the demigod of fire, to search for an alternative reward for the giants. When Loge finally arrives, he tells everyone that the Rhine gold has been stolen. For Alberich’s gold, the giants are willing to forego Freia; in the meantime, they carry her off as ransom. Wotan and Loge set out for Nibelheim to wrest the Rhine gold from Alberich.

Scene 3

In underground Nibelheim, Alberich forces the Nibelungs to bring him more gold from the mines. He has also commanded his brother Mime, a skilful blacksmith, to make him a magic helmet, bestowing the wearer with the ability to make himself invisible and transform into all kinds of figures. When they arrive, Wotan and Loge first encounter the mistreated, whining Mime, who tells them of Alberich’s enormous power. During their inimical encounter with Alberich, Loge cleverly entices him to demonstrate the magic helmet. Alberich is asked to appear to them as a huge snake, then as a small toad – a creature easily captured by Wotan and Loge.

Scene 4

Back on their cloud-festooned mountaintop, they force the captive to buy his freedom with the Nibelung’s treasure and the magic helmet. When Wotan also demands the ring from him, Alberich warns the keeper of divine laws against such outrageous robbery. Wotan, however, tears the golden band from him, whereupon Alberich curses it. The giants return with Freia and demand that her ransom must cover her entirely with gold. This requires the entire hoard and even the helmet, and when Fasolt catches a glimpse of Freia’s eye through a crack, they also demand the ring from Wotan’s finger. Wotan, however, refuses, and therefore the giants prepare to take Freia off again. At this point, Erda, the omniscient earth mother, emerges from the depths, warning Wotan against the accursed ring. Worried, he heeds her advice, immediately witnessing how Alberich’s curse is fulfilled: during their argument about the ring, Fafner kills his own brother and makes off with the hoard. Donner clears the murky air with a storm, and Froh creates a rainbow bridge to the castle of the gods now theirs, which Wotan names Valhalla. As the Rhinemaidens lament the loss of the gold, the gods ceremoniously take possession of Valhalla, but Wotan steals away to stop the demise of the gods foretold by Erda.

Enter Onepager
1

slide_title_1

slide_description_1

slide_headline_2
2

slide_title_2

slide_description_2

slide_headline_3
3

slide_title_3

slide_description_3

slide_headline_4
4

slide_title_4

slide_description_4

Create / edit OnePager
21
DEC

Advents-Verlosung: Das 21. Fensterchen

On 12 April 2025, we will celebrate the revival of DIE MEISTERSINGER VON NÜRNBERG in the production by Jossi Wieler, Sergio Morabito and Anna Viebrock, with Thomas Johannes Mayer as Hans Sachs, Elena Tsallagova as Eva, Magnus Vigilius as Walther von Stolzing and Chance Jonas-O'Toole as David, as part of our ‘Richard Wagner in April’ weeks. But today, we are giving away our DVD, which was recorded in collaboration with the NAXOS label in the premiere series in early summer 2022.

In today's Advent calendar window, we are giving away 2 DVDs of DIE MEISTERSINGER VON NÜRNBERG – Opera in three acts by Richard Wagner. If you would like to win one of the two DVDs, please write an e-mail with the subject ‘The 21st window’ to advent@deutscheoperberlin.de.

More popular than almost any other stage work by Richard Wagner, DIE MEISTERSINGER VON NÜRNBERG is loved and hated at the same time. The play combines a light-hearted comedy plot with a summer night's drunken play about the delusion and reality of love, but at the same time claims to be a founding manifesto of German national art and is therefore more historically charged in its reception than almost any other work by Richard Wagner. At the same time, however, DIE MEISTERSINGER is first and foremost a piece about music and music-making.

Telling the story of DIE MEISTERSINGER in a world dedicated to music is also the starting point for the directorial concept of Jossi Wieler, Anna Viebrock and Sergio Morabito. In it, they tell of the rules and rigid dogmas that govern this world and which thus become an example for numerous contexts in which people set rules, subordinate themselves and find refuge in them or want to break out and escape. They bring a play to the stage in which singers also play singers in order to tell a story about singing. And they show characters such as Hans Sachs, an ageing man who renounces his love for Eva in favour of a younger man and at the same time wants to reform the system, but does not shy away from demagoguery and populism - while the breath of history occasionally blows in the ghosts of the Meistersinger past.

Conductor John Fiore; Staging Jossi Wieler, Anna Viebrock, Sergio Morabito; With Johan Reuter, Albert Pesendorfer, Gideon Poppe, Simon Pauly, Philipp Jekal, Thomas Lehman, Jörg Schörner, Clemens Bieber, Burkhard Ulrich, Stephen Bronk, Tobias Kehrer, Byung Gil Kim, Klaus Florian Vogt, Ya-Chung Huang, Heidi Stober, Annika Schlicht a. o.; Chorus and Orchestra of the Deutsche Oper Berlin



Closing date: 21 December 2024, the winners will be informed by email on 23 December 2024. The DVDs will then be sent by post. Legal recourse is excluded.