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Handlung von „Carmen“ - Deutsche Oper Berlin

From the programme booklet

Synopsis of "Carmen"

explained by director Ole Anders Tandberg

Forced to flee his home, the farmer’s son Don José has joined the army in Seville. At his mother’s request, his childhood friend Micaëla has followed him.

Act I
The soldiers pass the time gawking at the working women. They also harass Micaëla, who is looking for José. During a break at the tobacco factory, Carmen, one of the workers, draws everyone’s attentions and catches José’s eye. Micaëla only manages to distract him briefly before he is ordered to guard Carmen, who has been arrested for assault. José allows her to convince him to let her go and is immediately arrested himself as punishment.

Act II
Carmen and her friends Frasquita and Mercédès meet the smugglers Dancaïro and Remendado, who are planning a new coup at Lillas Pastia, a bar on the outskirts. The celebrated bullfighter Escamillo appears and takes an interest in Carmen. José, who has been released in the meantime, also declares his love for her. Her burgeoning affection for him fades when he decides to return to barracks. But when the jealous José injures his superior Zuniga, who is also striving for Carmen’s favor, he has no choice but to join the smugglers.

Act III - 1st Scene
Carmen and José are camped at the smugglers’ hideout. Carmen wants to end her relationship with José. She knows that she will soon die. As Escamillo appears and tries to win Carmen for himself, a fight breaks out between the two rivals that can only be settled with great difficulty. Micaëla persuades José to hurry to his dying mother.

Act III - 2nd Scene
The crowd is waiting for Escamillo, by now together with Carmen, before a bullfight. Frasquita and Mercédès warn Carmen about José. While the crowd watches the bullfight, the two confront each other. When Carmen refuses to return to José, he kills her.

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11
DEC

Adventskalender im Foyer: Das 11. Fensterchen

Today in the Rangfoyer on the right: Ottorino Respighi ‘Five Pieces for Violin and Piano'
with Magdalena Heinz (violin) and Pauli Jämsä (piano),
5 p.m. / Rangfoyer on the right
Duration: approx. 25 minutes / Free admission


Today's Advent calendar takes you to Italy. Magdalena Heinz, a member of the first violin section of the orchestra of the Deutsche Oper Berlin, will play Ottorino Respighi's ‘Five Pieces for Violin and Piano’ for you, once again putting a different, namely chamber music, focus on the composer of our season opening premiere, LA FIAMMA, who is known today primarily for his two great symphonic works ‘Pini di Roma’ and ‘Fontane di Roma’. At the beginning of the 20th century, Respighi was not only inspired by the music of the Baroque and Renaissance masters, but also combined it with influences from Impressionism and late Romanticism to create a unique musical language. Today, his ‘Cinque Pezzi’ will take you to different musical worlds and times. After a ‘Romanza’ in A major, the ‘Aubade’ in D major follows, a morning serenade that was performed at the courts of Europe (as a counterpart to the serenade, the evening serenade) for kings, princes, and feudal lords before it became part of the concert music of the 19th and early 20th centuries. With the third piece, ‘Madrigale’, Respighi travelled to the medieval world of Italy, which had been the focus of his attention and research for many years – he also delved deeply into madrigal music for LA FIAMMA. The ‘Berceuse’, the fourth piece of the cycle, became an independent musical form for instrumental music of the 19th century: composers such as Frédéric Chopin, Maurice Ravel, Claude Debussy and Ferruccio Busoni wrote ‘lullabies’... And so did Respighi in F major for violin and piano. The cycle then ends with a ‘Humoresque’. Look forward to this dialogue between piano and violin and let yourself be inspired to take a musical journey through time! In addition, the Slavonic Fantasy in B minor, op. 55, no. 4 and op. 75 by Antonin Dvorak / Fritz Kreisler will be played. Our director of studies Pauli Jämsä accompanies her on the grand piano.

Magdalena Heinz has been a member of the 1st violins in the orchestra of the Deutsche Oper Berlin since 2019. She studied at the Universität der Künste in Berlin, where she graduated with distinction in 2018 with a Master's in Orchestral Performance and in 2020 with a Master's in Solo Performance. She continued her studies with Prof. Mo Yi at the Royal Music Academy in Aarhus. In 2022, she completed the Advanced Postgraduate Diploma in Music there. Magdalena Heinz is the winner of many international competitions, including 1st prize at the Den Danske Stygerkonkurrence, 2nd prize at the China-Spain Competition, 1st prize at the Young Paganini Competition, 1st prize at the Grand Prize Virtuoso and 2nd prize at the International Telemann Competition. She has performed as a soloist at the Berlin Philharmonie, with the Aarhus Symphony Orchestra, the Hohenfels Orchestra and the Opole Symphony Orchestra. Heinz is a member of the ensemble Collegium Musicum Sophiense Berlin.

Pauli Jämsä, a Finnish pianist, is the director of studies at the Deutsche Oper Berlin. He studied at the Sibelius Academy in Helsinki and at the University of Music and Performing Arts Vienna and has won several international piano and chamber music competitions. His diverse concert activities have taken him as a soloist, chamber musician and song accompanist to stages throughout Europe, Japan, Taiwan, Argentina, Palestine, Israel and the USA. He has performed at the Wiener Musikverein, the Gulbenkian Center (Lisbon), the Teatro Colón (Buenos Aires) and the Izumi Hall (Osaka), among others. He has played at festivals in Cully, Prades, Florence, Tainan, Helsinki and Gaming, among others. His passion for opera has led him to work with many renowned singers and conductors. Before his appointment as director of studies at the Deutsche Oper Berlin, he was director of studies at the Bonn Opera and solo repetiteur at the Graz Opera.