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Nixon in China – Die Handlung - Deutsche Oper Berlin

Nixon in China – Synopsis

Act I

1st Scene

An airport outside Beijing: on a foggy February morning in 1972, “The Spirit of ‘76” lands on Chinese soil. President Richard Nixon, his wife Pat and his security adviser Henry Kissinger are welcomed by Prime Minister Chou En-lai with a military parade. It is the first state visit of an American president to the People’s Republic. Even during the welcome, Nixon emphasizes the news value of the diplomatic summit meeting which is being broadcast live, filling American television screens at prime time. He is surprised to learn that his meeting with Mao Tse-tung is to take place on the very first evening of their visit.

2nd Scene

In Mao’s study in Beijing, Nixon and Kissinger meet the Chairman, who is accompanied by his three secretaries and Chou En-lai. Attempts by the Americans to steer the conversation towards controversial political questions, such as Vietnam or Taiwan, fail. Mao wishes to be considered a philosopher and rejects all attempts to elicit statements on day-to-day politics. Nixon has obvious difficulties following Mao’s idiosyncratic and occasionally paradox train of thoughts.

3rd Scene

In the evening, a state banquet is held in honour of the American guests in the Great Hall of the People. Cheered by cries of “Gambei” from the assembled company, Chou En-lai evokes the image of a global fraternity, fostered by the freshly forged ties of American-Chinese friendship. In his response, Nixon combines his thanks to the hosts with a paean to satellite communication technology, praising the achievements of the electronically interconnected world. With cries of “Cheers”, the guests toast each other.

Act II

1st Scene

The next morning, Pat Nixon is on a sightseeing tour of Beijing. Accompanied by a group of journalists, she visits a school, a hospital and a pig breeding facility. A miniature elephant manufactured by a factory delights her, the elephant being the symbol of the Republican Party. Her amazement at the foreign impressions is mixed with private memories of her own upbringing. Visiting the Summer Palace, the First Lady indulges in a utopian vision of world-spanning peace and prosperity for all the people in the world.

2nd Scene

In the evening, accompanied by Chou En-lai, the American delegation visits a performance of a model opera of the cultural revolution, “Red Detachment of Women” by Mao’s wife, Chiang Ch’ing. The propaganda piece is about the farmer’s daughter Ching-hua who liberates herself from the clutches of a sadistic landowner and emerges from this struggle as a shining heroine of the cultural revolution. Reality and fiction blur: Henry Kissinger takes on the role of the brutal estate manager, and the Nixons too gradually become part of the action. A violent tropical storm begins. Finally, Chiang Ch’ing steps into the limelight, boasting of her ability to control culture and rule people.

Act III

On the last day of the state visit, the fog of oblivion descends upon those involved. Euphoria has given way to disillusion. The protagonists are lost in private thoughts and memories: Nixon recalls his time as a soldier in the war in the South Pacific, Mao remembers his idealistic youth. Henry Kissinger leaves, pretending to need a restroom. Chou En-lai is pensive: how much of what we did was good?

 

Translation: Alexa Nieschlag

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19
DEC

Adventskalender im Foyer: Das 19. Fensterchen

Today in the foyer: ‘Christmas and Winter Songs’
performed by the junior section of the children's chorus, conducted by Rosemarie Arzt
and Jens Holzkamp (piano)
5.00 p.m. / Parkettfoyer
Duration: approx. 25 minutes / free admission


In the junior section of the children's chorus, children from the second grade onwards learn how to use their voices and are carefully prepared for opera literature for children's choruses. Before taking to the main stage with works such as CARMEN, LA BOHÈME or HÄNSEL UND GRETEL and THE CUNNING LITTLE VIXEN, the young artists experience what it is like to be in the spotlight and sing in front of an audience in smaller performances. And traditionally, the performance as part of the Advent calendar is one of these first opportunities to prove themselves. Today, you can listen to a South African traditional by the Zulu people, ‘Hambani kahle’, followed by winter songs such as ‘Juchhe der erste Schnee’, ‘Hei, hei, hei so eine Schneeballschlacht’ or ‘Der Schneemann’. And after these songs have got us in the mood for the cold, but above all white season, it will be really Christmassy with ‘Bald nun ist Weihnachtszeit’, ‘Was poltert durch das Haus’, ‘Du bist der Weihnachtsmann’, ‘1000 tolle Plätzchen’, ‘Sind die Lichter angezündet’ and ‘Am Weihnachtsbaum die Lichter brennen’. And then, of course, there is a greeting from wintry Scandinavia with ‘Tomtarnass Julnatt’. So look forward to our youngest artists under the direction of Rosemarie Arzt. They will be accompanied on the grand piano by our solo repetiteur Jens Holzkamp.