Newsletter

News about the schedule Personal recommendations Special offers ... Stay well informed!

Subscribe to our newsletter

Subscribe to our Newsletter and receive 25% off your next ticket purchase.

* Mandatory field





Newsletter

"Siegfried" - Die Handlung - Deutsche Oper Berlin

Siegfried - The Synopsis

Act I

The giant Fafner has transformed himself into a dragon and is guarding the ring of the Nibelungs along with the hoard in a cave. Knowing that Fafner can only be killed by Nothung, Mime the smith has brought Siegfried up solely for that purpose and kept the fragments of the sword. Yet Mime himself is unable to forge it anew. The boisterous and guileless Siegfried loathes Mime and cannot believe he is both father and mother to him. The dwarf is evasive and accuses Siegfried of ingratitude; Siegfried increasingly threatens him with violence. It’s only when Siegfried discovers the sword fragments that Mime tells the truth: he had found Sieglinde in the forest; she gave birth to Siegfried and died – leaving him only his father’s shattered sword. Siegfried commands Mime to forge it, and storms out. The dwarf remains behind in despair.

In the guise of a wanderer Wotan enters Mime’s workshop. As Mime tries to get rid of the uninvited guest, Wotan presses him to take part in a battle of wits, staking his own head if he loses. Mime grudgingly agrees and poses three questions, all of which the Wanderer answers right. The latter now demands that Mime in turn wager his head on correctly solving his riddles. Mime is at first able to answer, but stumbles on the third question. Wotan gloatingly reveals the answer to the despairing dwarf: Nothung can only be forged anew by someone who doesn’t know fear. To just such a person Wotan forfeits the defeated dwarf’s head.

All Mime’s attempts to teach Siegfried fear come to naught. Finally he suggests that Siegfried learn it from Fafner the dragon, whose cave lies on the path to the world beyond, which Siegfried wants to explore. The latter now files down his father’s sword, smelts the splinters and reforges Nothung himself. Mime meanwhile prepares a sleeping draught which he’ll give Siegfried once he has killed the dragon. Jubilantly the two of them set off for Fafner’s cave.

Act II

The imp of darkness Alberich is keeping watch outside Fafner’s cave, intent on regaining the ring. Wotan’s appearance revives the old animosity between them. The Lord of Light declares he has no further interest in the ring and suggests that Alberich warn the sleeping dragon of the fearless hero that is approaching – maybe Fafner will reward him for it. The dragon is unperturbed, however, and goes back to sleep. Laughing, Wotan leaves Alberich thirsting for revenge.

As soon as they reach Fafner’s cave Siegfried chases away the dwarf. In the shade of a tree he thinks of his parents and hears a bird singing. He tries to respond by playing on a reed; when that doesn’t work he tries his horn, which wakes Fafner. The lad threatens to attack the dragon if it doesn’t teach him to fear. A fierce fight develops and Siegfried plunges Nothung into Fafner’s heart. As he dies, he tells of his brother Fasolt, whom he killed to get hold of the accursed ring. The warning doesn’t register with Siegfried. But when he pulls his sword out of the dead dragon and puts his blood-smeared hand to his mouth, he finds he understands the voice of the woodbird. Following its advice, he climbs into the cave to fetch the ring and the tarnhelm.

Both lying in wait, Mime and Alberich argue over the coveted treasure. When Siegfried comes back out of the cave, the woodbird warns him of Mime, who inadvertently reveals to Siegfried his hypocritical intention to murder him, whereupon Siegfried strikes him dead. In his solitude, Siegfried is told by the woodbird of the wonderful woman that is lying asleep on a rocky summit surrounded by fire and can only be woken by a fearless hero.

Act III

Wotan is sure that Brünnhilde, whom Siegfried is to awaken, will perform the deed that redeems the world, and he no longer fears his own end. Nevertheless he wakes the all-knowing, primevally wise Erda from her deep sleep and pressures her to answer him. When she denies his divine power, he repudiates her “earth-mother’s wisdom” and consigns her to everlasting sleep.

Then Wotan confronts Siegfried, his grandson, and asks him questions with imperious pride. Siegfried is angered and mocks the old, one-eyed wanderer. When the latter declares he is the guardian of the blazing rock, and blocks Siegfried’s path, he shatters the spear that once slew his father. Wotan withdraws.

Siegfried fearlessly traverses the sea of flame and reaches Brünnhilde, who is asleep in her armour. Only when he removes her shield, helmet and chain mail does he realise with terror that it is a woman. After hesitating shyly, he kisses Brünnhilde awake, and she exuberantly greets the radiant hero. But the force of Siegfried’s desire makes her aware of how ignorantly self-satisfied her hero is and how violable she is. The once divine now mortal woman implores him to leave her be, but ultimately she surrenders to the transports of human love, prefiguring the twilight of the gods.

Enter Onepager
1

slide_title_1

slide_description_1

slide_headline_2
2

slide_title_2

slide_description_2

slide_headline_3
3

slide_title_3

slide_description_3

slide_headline_4
4

slide_title_4

slide_description_4

Create / edit OnePager
21
DEC

Advents-Verlosung: Das 21. Fensterchen

On 12 April 2025, we will celebrate the revival of DIE MEISTERSINGER VON NÜRNBERG in the production by Jossi Wieler, Sergio Morabito and Anna Viebrock, with Thomas Johannes Mayer as Hans Sachs, Elena Tsallagova as Eva, Magnus Vigilius as Walther von Stolzing and Chance Jonas-O'Toole as David, as part of our ‘Richard Wagner in April’ weeks. But today, we are giving away our DVD, which was recorded in collaboration with the NAXOS label in the premiere series in early summer 2022.

In today's Advent calendar window, we are giving away 2 DVDs of DIE MEISTERSINGER VON NÜRNBERG – Opera in three acts by Richard Wagner. If you would like to win one of the two DVDs, please write an e-mail with the subject ‘The 21st window’ to advent@deutscheoperberlin.de.

More popular than almost any other stage work by Richard Wagner, DIE MEISTERSINGER VON NÜRNBERG is loved and hated at the same time. The play combines a light-hearted comedy plot with a summer night's drunken play about the delusion and reality of love, but at the same time claims to be a founding manifesto of German national art and is therefore more historically charged in its reception than almost any other work by Richard Wagner. At the same time, however, DIE MEISTERSINGER is first and foremost a piece about music and music-making.

Telling the story of DIE MEISTERSINGER in a world dedicated to music is also the starting point for the directorial concept of Jossi Wieler, Anna Viebrock and Sergio Morabito. In it, they tell of the rules and rigid dogmas that govern this world and which thus become an example for numerous contexts in which people set rules, subordinate themselves and find refuge in them or want to break out and escape. They bring a play to the stage in which singers also play singers in order to tell a story about singing. And they show characters such as Hans Sachs, an ageing man who renounces his love for Eva in favour of a younger man and at the same time wants to reform the system, but does not shy away from demagoguery and populism - while the breath of history occasionally blows in the ghosts of the Meistersinger past.

Conductor John Fiore; Staging Jossi Wieler, Anna Viebrock, Sergio Morabito; With Johan Reuter, Albert Pesendorfer, Gideon Poppe, Simon Pauly, Philipp Jekal, Thomas Lehman, Jörg Schörner, Clemens Bieber, Burkhard Ulrich, Stephen Bronk, Tobias Kehrer, Byung Gil Kim, Klaus Florian Vogt, Ya-Chung Huang, Heidi Stober, Annika Schlicht a. o.; Chorus and Orchestra of the Deutsche Oper Berlin



Closing date: 21 December 2024, the winners will be informed by email on 23 December 2024. The DVDs will then be sent by post. Legal recourse is excluded.