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Ensemble - Deutsche Oper Berlin

Suzanne Fischer

Suzanne Fischer

Suzanne Fischer wurde in London geboren und wuchs in England auf. Sie spielt Klavier und Violoncello, ist ausgebildete Tänzerin des Modern Dance und Ballett und hat bei Prof. Britta Schwarz und KS Prof. Thomas Quasthoff ihren Master an der Hochschule für Musik Hanns Eisler Berlin absolviert. Den Bachelor of Music absolvierte Suzanne Fischer an der University of Edinburgh und an der Università degli Studi di Milano. Die mehrfache Künstlerin des Britten-Pears Programms in Aldeburgh gewann den Förderpreis bei Das Lied – International Song Competition 2015, den Pavarotti Preis beim 65. Viotti Wettbewerb in Italien, sowie den ersten Preis beim Oxford Lieder Festival Young Artists Award.

Von 2015 bis 2019 war sie Mitglied des Glyndebourne Opernchores und hatte ebenso die Möglichkeit als Cover für die Rolle der Fée in Massenets CENDRILLON einzuspringen. Dort wirkte sie solistisch u. a. als 1. Sopran im Semi-Chorus in Brett Deans HAMLET, sowie als Elsie Suddaby in Ralph Vaughan-Williams SERENADE TO MUSIC unter der Leitung von Vladimir Jurowski mit den London Philharmonikern. An der Deutschen Oper Berlin hat Suzanne bei den Uraufführungen NEUE SZENEN II – OHIO die Partie der Katja in der Tischlerei gesungen. Zu hören war sie als Konstanze in Wolfgang Amadeus Mozarts DIE ENTFÜHRUNG AUS DEM SERAIL bei einem Projekt für die Deutsche Oper Berlin, als Lady Sapphir in Gilbert und Sullivans PATIENCE für English Touring Opera und als Najade in Richard Strauss‘ ARIADNE AUF NAXOS für die Longborough Festival Opera.

Seit der Spielzeit 2019/2020 ist sie Mitglied des Chores der Deutschen Oper Berlin.

Schedule

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Chorsolisten singen Liebeslieder-Walzer
Video – 07:25 min.

Lieblingsstücke ... mit Chorquartetten

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05
DEC

Adventskalender in der Tischlerei: Das 5. Fensterchen

Today in the Tischlerei: ‘Rossini, Liszt and more’
with Kangyoon Shine Lee (tenor) and Songyeon Catarina Kim (piano)
5pm / Tischlerei
Duration: approx. 25 minutes / free admission


The evening begins with musical declarations of love: love is illuminated in all its facets – from the idealised, the yearning to the devoted and the melancholy – in three songs by Franz Liszt and an aria from Rossini's IL BARBIERE DI SIVIGLIA. Franz Liszt's ‘Enfant, si j'etais roi’ (‘Child, if I were king’) and ‘Oh! Quand je dors’ (‘Oh! When I sleep’) are settings of poems by Victor Hugo. In the first, the beloved is given everything imaginable – but it can never be enough. The second poem describes a nocturnal vision of the beloved, who appears like an angel, kisses the sleeping person and fills them with heavenly love. Liszt's ‘Liebestraum Nr. 3’ (‘Oh dear, as long as you can love’) is one of a series of three songs that Liszt later arranged in a purely instrumental form and which became emblematic of romantic piano music. The original text was written by Ferdinand Freiligrath and deals with the transience of love and the resulting need to cherish and cultivate it in the here and now. You will hear the Korean pianist Songyeon Catarina Kim at the piano. She then lovingly accompanies our ensemble member Kangyoon Shine Lee in an aria that he will sing again on our main stage from 31 March 2025, when he takes on the role of Count Almaviva in Katharina Thalbach's production of Rossini's IL BARBIERE DI SIVIGLIA: the cavatina ‘Ecco, ridente in cielo’. In it, Almaviva sings about the beauty of the morning and his ardent love for Rosina – it is a lyrical and romantic beginning to an otherwise predominantly comedic opera. It is followed by the song ‘La danza’ from Rossini's collection of songs ‘Les soirées musicales’, published about 20 years later, which describes the joyful hustle and bustle of a Neapolitan festival. The musical basis for this song is the tarantella, a fast, rhythmic folk dance from southern Italy. The programme will conclude with a contemplative Christmas favourite, ‘O Holy Night’.

Lyric tenor Kangyoon Shine Lee was born in Seoul. He first graduated from the Korea National University of Arts before studying with Kammersänger Prof. Roman Trekel at the Hanns Eisler School of Music Berlin from 2022. In 2021, Kangyoon Shine Lee won the Belvedere Competition and received an engagement at the Deutsche Oper Berlin. He made his house debut on 27 December 2022 as Almaviva in Rossini's IL BARBIERE DI SIVIGLIA and also sang in DAS WUNDER DER HELIANE. In the 2024/25 season, he will be part of the ensemble here at the theatre and can be heard in roles such as Tamino in Mozart's MAGIC FLUTE and the children's version THE FAIRY TALE OF THE MAGIC FLUTE, as Count von Lerma / DON CARLO, Cavalier Belfiore / IL VIAGGIO A REIMS, Malcolm / MACBETH, Walther von der Vogelweide / TANNHÄUSER and Pang / TURANDOT.

The South Korean pianist Songyeon Catarina Kim studied piano at Kyunghee University in Seoul. She has won numerous Korean and international competitions. Since 2021, she has been studying Lied interpretation with Prof. Wolfram Rieger at the Hanns Eisler School of Music Berlin. She is currently studying chamber music with Prof. Wolfram Rieger as part of her concert exam. During her studies, she was a répétiteur in lessons with KS Prof. Roman Trekel, Prof. Anna Korondi, KS Prof. Ewa Wolak, Prof. Martin Bruns and Prof. Christine Schäfer, as well as a répétiteur in masterclasses with KS Brigitte Fassbaender and KS Prof. Thomas Quasthoff. She has also worked as a répétiteur for scenic instruction at the Immling Festival, the Darmstadt Theatre and the Erfurt Theatre. In the 2024/25 season, she will work as a répétiteur at IMMMERMEEEHR at the Deutsche Oper Berlin.