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Ensemble - Deutsche Oper Berlin

Rüdiger Ruppert

Rüdiger Ruppert

Rüdiger Ruppert* (1. Schlagzeuger) wurde in Dahn/Pfalz geboren und spielt seit seinem neunten Lebensjahr Schlagzeug und Klavier. Er absolvierte sein Musikstudium an der Musikhochschule Karlsruhe.

Rüdiger Ruppert war 1993 Mitglied der Jungen Deutschen Philharmonie und ist seit 1994 Schlagzeuger im Orchester der Deutschen Oper Berlin. 1999 wurde er zum Kammermusiker ernannt.

Desweiteren war er Gastdozent bei mehreren Jugendorchestern und Hochschulen. Gelegentliche Aushilfstätigkeiten unter anderem bei den Berliner Philharmonikern, dem Deutschen Sinfonieorchester sowie solistische Konzerte runden seine klassische Laufbahn ab.
Er wirkte in mehreren Jazzformationen mit und produzierte mit seinem aktuellen Jazztrio Triologic im Jahr 2001 die CD »Dirty Fingers« und nun 2010 das Album »Seasons« auf Monsrecords.

Als Komponist veröffentlichte er Werke für klassisches Schlagzeug und Jazzbands. Als Arrangeur und Produzent veröffentlicht er 2010 das Kinderbuch Bessie – Ein musikalisches Bilderbuch zum mitsingen.

Seit 2005 ist er Drummer und Mitbegründer der BigBand der Deutschen Oper Berlin. Er leitet künstlerisch die Reihe Jazz & Breakfast an der Deutschen Oper Berlin.

Schedule

In performances like

Videos

Rübes Hinfocast #12: Im Gespräch mit Andreas Rebers
Video – 09:48 min.

Rübes Hinfocast #12: Rebers' Road and Radio Show

Rübes Hinfocast #11: Jazz-Legends
Video – 11:04 min.

Rübes Hinfocast #11: Jazz-Legends

Rübes Hinfocast #10: mit Henni Nachtsheim
Video – 19:42 min.

Rübes Hinfocast #10: A Jazzcomedie

Rübes Hinfocast #2 ... mit Sebastian Sese Krol
Video – 15:00 min.

Rübes Hinfocast #2: Jazz-Festival

Rübes Hinfocast #1 ... mit John von Düffel
Video – 29:00 min.

Rübes Hinfocast #1: Herz der Finsternis

Rübes Hinfocast #4 ... mit Christian Meyers und Yara Blümel
Video – 22:40 min.

Rübes Hinfocast #4: Ein Sommernachtstraum

Rübes Hinfocast #3 ... mit Martin Auer
Video – 28:35 min.

Rübes Hinfocast #3: Das Dschungelbuch

Rübes Hinfocast #4 ... mit Joscho Stephan
Video – 20:32 min.

Rübes Hinfocast #7: Hommage an Django Reinhardt

Rübes Hinfocast #6 ... mit Manfred Honetschläger
Video – 21:10 min.

Rübes Hinfocast #6: September Song

Rübes Hinfocast #8 ... mit Thilo Berg
Video – 16:37 min.

Rübes Hinfocast #8: Moviesound

Rübes Hinfocast #9 ... mit Ernst Theis
Video – 13:10 min.

Rübes Hinfocast #9: The Roaring Twenties

Digitale Instrumentenvorstellung: Das Schlagzeug
Video – 14:13 min.

Digitale Instrumentenvorstellung: Das Schlagzeug

Charles Mingus: Epitaph
Video – 06:46 min.

Charles Mingus: Epitaph

Marie-Ève Signeyrole und Keyvan Chemirani: Negar
Video – 01:24 min.

Marie-Ève Signeyrole und Keyvan Chemirani: Negar

Bodypercussion ... If I've lost my drums
Video – 03:20 min.

Lieblingsstücke ... Bodypercussion

Kammer Jazz Ensemble
Video –

Lieblingsstücke ... mit dem Kammer Jazz Ensemble

Mr. Grinch
Video – 06:08 min.

Weihnachtslieder-Studio: Mr. Grinch

I'm dreaming of a white Christmas
Video – 06:08 min.

Weihnachtslieder-Studio: White Christmas

Die Schlagzeuggruppe spielt Britten
Video – 14:41 min.

Lieblingsstücke ... mit der Schlagzeuggruppe

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22
DEC

Advents-Verlosung: Das 22. Fensterchen

On 7 March 2025, the first part of Tobias Kratzer's Strauss trilogy, ARABELLA, celebrates its revival as part of our ‘Richard Strauss in March’ weeks, with Jennifer Davis as Arabella , Heidi Stober as Zdenka/Zdenko, Thomas Johannes Mayer as Mandryka, Daniel O'Hearn as Matteo and, as in the premiere series, Doris Soffel and Albert Pesendorfer as the Waldner couple. Today we are giving away our DVD, which will not be available in shops until 14 February 2025. We would like to express our heartfelt thanks to NAXOS for giving us the very special opportunity to put ARABELLA in our lottery pot for you almost eight weeks before the official sales launch.

In today's Advent Calendar window, we are giving away two DVDs of ARABELLA – a lyrical comedy in three acts by Richard Strauss and Hugo von Hofmannsthal. If you would like to win one of the two DVDs, please write an e-mail with the subject ‘The 22nd window’ to advent@deutscheoperberlin.de.

Vienna, circa 1860. The financially strapped Count Waldner is lodging with his family in a Viennese hotel. His only path to solvency is for him to secure an advantageous marriage for one of his two daughters – and the family can only afford to present Arabella, the eldest, in the upper circles of society. To conceal the family’s indigence, the parents have raised Zdenka as a boy, dressing her accordingly. Arabella is not short of suitors but has resolved to wait for ‘Mr Right’. When Mandryka, an aristocrat from a distant region, arrives, he and Arabella are instantly smitten. Arabella only asks to be able to bid farewell to her friends and suitors at the Fasching ball that evening. At the ball, Arabella says goodbye to her admirers. There is also the young officer Matteo, with whom Zdenka is secretly in love and with whom she has formed a friendship under the guise of her disguise as a boy. Matteo, however, desires Arabella and is distraught when he realises the hopelessness of his love. Zdenka devises a plan: she fakes a letter from Arabella in which she promises Matteo a night of love together. But instead she wants to wait for him herself in the darkness of the hotel room. Mandryka learns of Arabella's alleged infidelity and goes to the hotel with the ball guests to surprise Arabella in flagrante delicto. Arabella, innocent of this, is initially shocked and saddened by Mandryka’s suspicions but forgives him when the mix-up is revealed for what it is. The two agree to marry, as do Zdenka and Matteo.

Richard Strauss’s orchestral richness and opulence coupled with the period Viennese setting of the work led to ARABELLA being falsely pigeonholed as a light-hearted comedy of errors from its 1933 premiere onwards. In the estimation of Tobias Kratzer, however, who triumphed at the Deutsche Oper with his production of Alexander von Zemlinsky’s THE DWARF, this final collaboration between Strauss and Hugo von Hofmannsthal marks a collision of two world views: the traditional roles of men and women on the one hand – as expressed in Arabella’s famous solo “Und du sollst mein Gebieter sein” – and a modern idea of social interaction on the other – as illustrated by Zdenka with her questioning of gender-based identities. Here, Kratzer turns the spotlight on this disunity between the various character portrayals in ARABELLA and explores these role-specific tensions on a continuum stretching from 19th-century Vienna to the present day. In the category of stage design, Manuel Braun, Jonas Dahl and Rainer Sellmaier were honoured with the renowned German Theatre Award DER FAUST 2023 for this production.

In this recording, under the baton of Sir Donald Runnicles, you will experience Albert Pesendorfer, Doris Soffel, Sara Jakubiak, Elena Tsallagova, Russell Braun, Robert Watson, Thomas Blondelle, Kyle Miller, Tyler Zimmerman, Hye-Young Moon, Lexi Hutton, Jörg Schörner and others, as well as the chorus and orchestra of the Deutsche Oper Berlin. The performances on 18 and 23 March 2023 were recorded by rbb Kultur and Naxos for this DVD.

We would like to thank the Naxos label for the great collaboration over the past few years, which documents recordings of DER ZWERG, DAS WUNDER DER HELIANE, FRANCESCA DA RIMINI, DER RING DES NIBELUNGEN, DER SCHATZGRÄBER, DIE MEISTERSINGER VON NÜRNBERG and ANTIKRIST. Richard Strauss' ARABELLA and INTERMEZZO will be released in the course of 2025.



Closing date: 22 December 2024. The winners will be informed by email on 23 December 2024. The DVDs will then be sent by post. There is no right of appeal.