Fabio Sartori

Fabio Sartori

Fabio Sartori wurde in Treviso geboren und studierte am Conservatorio di Musica Benedetto Marcello in Venedig sowie bei Leone Magiera. Am Teatro La Fenice sang er kleinere Partien, bevor er dann 1995/96 mit dem Rodolfo / LA BOHEME debütierte. Es folgten Auftritte als Percy / ANNA BOLENA in Bologna, in L’OCCASIONE FA IL LADRO und ALL IDEA DI QUEL METALLO in Pesaro, als Pinkerton / MADAMA BUTTERFLY in Florenz und Triest, Carlo di Sirval / LINDA DI CHAMOUNIX in Bologna, als Edgardo in Venedig.

Ein Markstein war seine Interpretation des Macduff unter Riccardo Muti in MACBETH zur Saisoneröffnung des Teatro alla Scala di Milano 1997. In derselben Spielzeit sang er ebenfalls in Mailand unter Muti in Verdis MESSA DA REQUIEM und eröffnete die Spielzeiten der Opernhäuser von Venedig und Bologna. 1998 gab er erstmals zwei wichtige Verdi-Partien: Gabriele Adorno / SIMON BOCCANEGRA unter Daniele Gatti und Don Carlo unter Eliahu Inbal; weitere Erfolge waren die Titel- und Hauptpartien in WERTHER in Venedig und FALSTAFF in Macerata. 1999 kamen LA BOHEME in Bologna, ATTILA in Parma und Genua, OBERTO in Macerata und SIMON BOCCANEGRA unter Claudio Abbado in Berlin hinzu.

2009 kehrte er in Verdis I DUE FOSCARI an das Teatro alla Scala zurück und sang in SIMON BOCCANEGRA in Zürich, Berlin und Wien. Zu seinen jüngsten Engagements zählen u. a. SIMON BOCCANEGRA in Berlin, Mailand, Barcelona und Madrid, ADRIANA LECOUVREUR in Florenz, sowie Verdis MESSA DA REQUIEM im Rahmen einer Tournee der Mailänder Scala nach Buenos Aires. Er sang in ATTILA in Mailand und China, gastierte in Konzerten unter Stabführung von Zubin Mehta zusammen mit dem Orchester des Maggio Musicale Fiorentino in Mumbai, gab am Opernhaus Zürich sein Debüt in I MASNADIERI und sang in NORMA in Las Palmas und in Rom. Während der Feierlichkeiten im Verdijahr 2013 feierte er große Erfolge in OBERTO CONTE DI SAN BONIFACIO am Teatro alla Scala, in AIDA an der Arena di Verona sowie in DON CARLO wiederum in Mailand und Zürich. Es folgten Verdis MESSA DA REQUIEM unter Gianandrea Noseda im Rahmen einer Tournee mit dem Teatro Regio in Turin am Mariinsky Theater in St. Petersburg, sowie die Neuproduktion von TOSCA unter Leitung von Daniel Barenboim an der Staatsoper im Schiller Theater. Als stets gerne gesehener Gast kehrte er in SIMON BOCCANEGRA und AIDA an das Teatro alla Scala unter Leitung von Zubin Mehta zurück.

Zu weiteren Engagements zählen AIDA in Paris und Wien, NORMA an der Deutschen Oper Berlin sowie TOSCA an der Staatsoper im Schiller Theater und nicht zuletzt DER TROUBADOUR und LA BATTAGLIA DI LEGNANO am Teatro alla Scala in Mailand. Zukünftige Engagements umfassen Arrigo / I VESPRI SICILIANI bei den Salzburger Festspielen und Mario Cavaradossi / TOSCA an der Deutschen Oper Berlin.

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01
DEC

Adventskalender im Foyer: Das 1. Fensterchen

Today in the foyer: "An American Christmas"
Favourite songs from North and South America
with Julie Wyma, Valeria Delmé and Jamison Livsey
5.00 p.m. / Rank foyer on the right
Duration: approx. 25 minutes / free admission


From the frosty north of Alaska to the southernmost tip of Chile, from Buenos Aires to New York City - the Advent season is celebrated across the entire American double continent. But there are huge differences in how Christmas is celebrated. This diversity is also reflected in the music that precedes and accompanies the festivities. While the Argentinian composer Ariel Ramírez takes up the lively rhythms of South American dances in his cantata "Navidad Nuestra" ("Our Christmas"), songs such as "White Christmas" or "I'll Be Home for Christmas" succeed in translating the contemplative into the popular in a unique way. Join sopranos Julie Wyma and Valeria Delmé and pianist Jamison Livsey on a journey through the musical realms on the other side of the Atlantic.

Julie Wyma comes from the USA and studied at the universities of Indiana, Missouri and Arizona. Numerous performances on the opera and concert stage have taken her throughout the USA and Europe. Since the 2021/22 season, she has been a member of the Deutsche Oper Berlin chorus as 1st soprano, where she not only sings in the major choral operas with her colleagues, but also takes on a solo role as La Conversa in SUOR ANGELICA. In addition to her work as a singer, Julie Wyma is also active as a singing teacher, costume designer and director.

Valeria Delmé was born in Buenos Aires and gained her first musical experience at an early age, including as a soloist in the children's chorus of the Teatro Colón. This was followed by further opera performances on various stages in Argentina and training at the Conservatorio Superior de Música "Manuel de Falla" before she began performing regularly in Germany in 2017. Valeria Delmé now sings as 2nd soprano in the chorus of the Deutsche Oper Berlin.

The pianist and conductor Jamison Livsey studied at the University of Michigan in Ann Arbor, Michigan. In 2016, he conducted a premiere of TURN OF THE SCREW in Tel Aviv. He has worked as a répétiteur with conducting engagements at many opera companies, including Minnesota Opera, Chautauqua Opera, Sarasota Opera, Opera Cleveland, Anchorage Opera, Opera in Williamsburg, Toledo Opera, Sugar Creek Symphony and Song, Pine Mountain Music Festival and Opera North. He has also appeared with these opera companies as a harpsichordist and orchestral pianist with a repertoire ranging from Monteverdi and Rossini to the present day. He has worked as a guest conductor at Opera Santa Barbara. He is also active as a Lied accompanist, including for Vivica Genaux. At the Deutsche Oper Berlin, he works as a répétiteur in the chorus.