Tatiana Serjan

Tatiana Serjan

Tatiana Serjan, in St. Petersburg geboren, begann ihre musikalische Laufbahn mit einem Studium des Hammerklaviers. Sie setzte ihre musikalischen Studien später am St. Petersburger Konservatorium fort (Abschluss mit Auszeichnung). In Italien absolvierte sie zudem eine Gesangsausbildung an der „Accademia Delle Voci“ in Turin unter Franca Mattiucci.

2002 debütierte Tatiana Serjan als Lady Macbeth / MACBETH am Teatro Regio in Turin und gastierte in dieser Partie seither in Athen, Palermo, Ravenna, Madrid, Triest, Bologna, Dallas, Oviedo und München sowie im Rahmen einer Tournee der Mailänder Scala unter Riccardo Muti in Japan sowie bei den Salzburger Festspielen. Amelia / UN BALLO IN MASCHERA interpretierte sie an verschiedenen italienischen Bühnen sowie in Amsterdam; die Titelpartie in Hindemiths SANCTA SUSANNA beim Ravenna Festival und in New York (jeweils unter Riccardo Muti), in Lissabon, an der Mailänder Scala und in Montpellier. Sie sang des weiteren Freia / DAS RHEINGOLD, Donna Elvira / DON GIOVANNI, Leonora / IL TROVATORE sowie die Titelpartien in TOSCA und NORMA. Ihr Rollendebüt als Aida gab sie 2009 bei den Bregenzer Festspielen. Als Lucrezia Contarini in Verdis I DUE FOSCARI stand sie in Parma und Modena auf der Bühne. 2013 interpretierte sie erstmals Abigaille / NABUCCO, zunächst in Ravenna, dann im August 2013 bei den Salzburger Festspielen unter Riccardo Muti. An der Deutschen Oper Berlin interpretierte sie bisher Tosca und Amelia / UN BALLO IN MASCHERA sowie die Titelpartie von AIDA und kehrte in der Saison 2019/2020 als Manon Lescaut hierher zurück. In der aktuellen Saison ist sie wieder als Tosca zu Gast.

Auf dem Konzertpodium war Tatiana Serjan neben Aufführungen von Sakralwerken in ihrer russischen Heimat u. a. mit Ausschnitten aus NORMA unter der Leitung von Riccardo Muti beim Ravenna Festival und in Bosra (Syrien), in Schostakowitschs 14. Symphonie im Teatro São Carlos in Lissabon und in Verdis MESSA DA REQUIEM mit dem Philharmonia Orchestra unter Riccardo Muti in London sowie unter Tugan Sokhiev in Toulouse zu hören.

Schedule

Videos

Aida, kommentiert von Dorothea Hartmann
Video – 19:16 min.

Aida, kommentiert von Dorothea Hartmann

Aida – The Making-Of
Video – 05:19 min.

Aida – The Making-Of

Giuseppe Verdi: Aida
Video –

Giuseppe Verdi: Aida

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Newsletter

01
DEC

Adventskalender im Foyer: Das 1. Fensterchen

Today in the foyer: "An American Christmas"
Favourite songs from North and South America
with Julie Wyma, Valeria Delmé and Jamison Livsey
5.00 p.m. / Rank foyer on the right
Duration: approx. 25 minutes / free admission


From the frosty north of Alaska to the southernmost tip of Chile, from Buenos Aires to New York City - the Advent season is celebrated across the entire American double continent. But there are huge differences in how Christmas is celebrated. This diversity is also reflected in the music that precedes and accompanies the festivities. While the Argentinian composer Ariel Ramírez takes up the lively rhythms of South American dances in his cantata "Navidad Nuestra" ("Our Christmas"), songs such as "White Christmas" or "I'll Be Home for Christmas" succeed in translating the contemplative into the popular in a unique way. Join sopranos Julie Wyma and Valeria Delmé and pianist Jamison Livsey on a journey through the musical realms on the other side of the Atlantic.

Julie Wyma comes from the USA and studied at the universities of Indiana, Missouri and Arizona. Numerous performances on the opera and concert stage have taken her throughout the USA and Europe. Since the 2021/22 season, she has been a member of the Deutsche Oper Berlin chorus as 1st soprano, where she not only sings in the major choral operas with her colleagues, but also takes on a solo role as La Conversa in SUOR ANGELICA. In addition to her work as a singer, Julie Wyma is also active as a singing teacher, costume designer and director.

Valeria Delmé was born in Buenos Aires and gained her first musical experience at an early age, including as a soloist in the children's chorus of the Teatro Colón. This was followed by further opera performances on various stages in Argentina and training at the Conservatorio Superior de Música "Manuel de Falla" before she began performing regularly in Germany in 2017. Valeria Delmé now sings as 2nd soprano in the chorus of the Deutsche Oper Berlin.

The pianist and conductor Jamison Livsey studied at the University of Michigan in Ann Arbor, Michigan. In 2016, he conducted a premiere of TURN OF THE SCREW in Tel Aviv. He has worked as a répétiteur with conducting engagements at many opera companies, including Minnesota Opera, Chautauqua Opera, Sarasota Opera, Opera Cleveland, Anchorage Opera, Opera in Williamsburg, Toledo Opera, Sugar Creek Symphony and Song, Pine Mountain Music Festival and Opera North. He has also appeared with these opera companies as a harpsichordist and orchestral pianist with a repertoire ranging from Monteverdi and Rossini to the present day. He has worked as a guest conductor at Opera Santa Barbara. He is also active as a Lied accompanist, including for Vivica Genaux. At the Deutsche Oper Berlin, he works as a répétiteur in the chorus.