Newsletter

News about the schedule Personal recommendations Special offers ... Stay well informed!

Subscribe to our newsletter

Subscribe to our Newsletter and receive 25% off your next ticket purchase.

* Mandatory field




Newsletter

Ensemble - Deutsche Oper Berlin

Álvaro Zambrano

Álvaro Zambrano

© Simon Pauly
Print

Álvaro Zambrano begann seine musikalische Ausbildung mit Klavierunterricht an der experimentellen Musikschule „Jorge Peña Hen“ in La Serena, Chile. Später studierte er Gesang an der Pontificia Universidad Catolica de Chile bei Ahlke Scheffelt und nahm unter anderem an Konzerten und Meisterklassen der chilenischen Sopranistin Cristina Gallardo-Domás teil.

Von 2009 bis 2012 studierte Álvaro Zambrano an der Staatlichen Hochschule für Musik in Freiburg in der Klasse von Prof. Reginaldo Pinheiro. Hier nahm er an Opernprojekten unter der Leitung von Prof. Alexander Schulin teil, z. B. im Sommeresemester 2010 als Fileno in Joseph Haydns LA FEDELTÀ PREMIATA oder im Juli 2012 als Nemorino in L’ELISIR D’AMORE.

Er gab zahlreiche Liederabende im Rahmen der Konzertreihe „Sechs Städte – sechs Stimmen“ am Theater Freiburg, in Padua (Italien) und in Granada (Spanien). Im August 2010 wirkte er in THE BEGGAR’S OPERA (Benjamin Britten) in Konstanz mit, im Juni 2011 gab er sein Debut als Tamino in Mozarts ZAUBERFLÖTE in Zaragoza, Spanien.

Álvaro Zambrano war Stipendiat der Helene Rosenberg-Stiftung Freiburg und Preisträger des Gustav-Scheck-Preises 2010 der Commerzbank-Stiftung. Zwischen 2012 und 2016 war Álvaro Zambrano Ensemblemitglied an der Deutschen Oper Berlin und u. a. als Tamino / DIE ZAUBERFLÖTE, Nemorino / L’ELISIR D‘AMORE, Fenton / FALSTAFF, Gastone / LA TRAVIATA, Prunier / LA RONDINE und Beppe / PAGLIACCI zu erleben.

Zu seinen jüngeren Auftritten zählen Prunier / LA RONDINE an der Deutschen Oper Berlin und mit dem Münchner Rundfunkorchester am Prinzregententheater, Albazar / IL TURCO IN ITALIA an der Bergen National Opera sowie Mengone in Haydns LO SPEZIALE in Amsterdam, Rotterdam, Barcelona, Köln und Zürich mit dem Kölner Kammerorchester sowie Alexis in einer konzertanten Aufführung von Giordanos SIBERIA an der Seite von Sonya Yoncheva mit dem Orchestre National Montpellier unter Domingo Hindoyan.

Von 2019 bis 2024 war er festes Ensemblemitglied an der Oper Leipzig mit Partien wie Ein junger Seemann / TRISTAN UND ISOLDE, Steuermann / DER FLIEGENDE HOLLÄNDER, Spoletta / TOSCA, Ulrich Eißlinger / DIE MEISTERSINGER VON NÜRNBERG, Lord Arturo Bucklaw / LUCIA DI LAMMERMOOR oder Ein Priester / DIE ZAUBERFLÖTE.

Schedule

Il viaggio a Reims

Fr 27.12.2024 - 18:00 h
Ticket kaufenBuy tickets
Mo 30.12.2024 - 19:30 h
Ticket kaufenBuy tickets
Th 02.01.2025 - 18:00 h
Ticket kaufenBuy tickets
Mo 06.01.2025 - 19:30 h
Ticket kaufenBuy tickets

In performances like

Videos

La Rondine
Video – 01:49 min.

Giacomo Puccini: La Rondine

Play video
La Rondine – The Making-Of
Video –

La Rondine – The Making-Of

Play video
Enter Onepager
1

slide_title_1

slide_description_1

slide_headline_2
2

slide_title_2

slide_description_2

slide_headline_3
3

slide_title_3

slide_description_3

slide_headline_4
4

slide_title_4

slide_description_4

Create / edit OnePager
22
DEC

Advents-Verlosung: Das 22. Fensterchen

On 7 March 2025, the first part of Tobias Kratzer's Strauss trilogy, ARABELLA, celebrates its revival as part of our ‘Richard Strauss in March’ weeks, with Jennifer Davis as Arabella , Heidi Stober as Zdenka/Zdenko, Thomas Johannes Mayer as Mandryka, Daniel O'Hearn as Matteo and, as in the premiere series, Doris Soffel and Albert Pesendorfer as the Waldner couple. Today we are giving away our DVD, which will not be available in shops until 14 February 2025. We would like to express our heartfelt thanks to NAXOS for giving us the very special opportunity to put ARABELLA in our lottery pot for you almost eight weeks before the official sales launch.

In today's Advent Calendar window, we are giving away two DVDs of ARABELLA – a lyrical comedy in three acts by Richard Strauss and Hugo von Hofmannsthal. If you would like to win one of the two DVDs, please write an e-mail with the subject ‘The 22nd window’ to advent@deutscheoperberlin.de.

Vienna, circa 1860. The financially strapped Count Waldner is lodging with his family in a Viennese hotel. His only path to solvency is for him to secure an advantageous marriage for one of his two daughters – and the family can only afford to present Arabella, the eldest, in the upper circles of society. To conceal the family’s indigence, the parents have raised Zdenka as a boy, dressing her accordingly. Arabella is not short of suitors but has resolved to wait for ‘Mr Right’. When Mandryka, an aristocrat from a distant region, arrives, he and Arabella are instantly smitten. Arabella only asks to be able to bid farewell to her friends and suitors at the Fasching ball that evening. At the ball, Arabella says goodbye to her admirers. There is also the young officer Matteo, with whom Zdenka is secretly in love and with whom she has formed a friendship under the guise of her disguise as a boy. Matteo, however, desires Arabella and is distraught when he realises the hopelessness of his love. Zdenka devises a plan: she fakes a letter from Arabella in which she promises Matteo a night of love together. But instead she wants to wait for him herself in the darkness of the hotel room. Mandryka learns of Arabella's alleged infidelity and goes to the hotel with the ball guests to surprise Arabella in flagrante delicto. Arabella, innocent of this, is initially shocked and saddened by Mandryka’s suspicions but forgives him when the mix-up is revealed for what it is. The two agree to marry, as do Zdenka and Matteo.

Richard Strauss’s orchestral richness and opulence coupled with the period Viennese setting of the work led to ARABELLA being falsely pigeonholed as a light-hearted comedy of errors from its 1933 premiere onwards. In the estimation of Tobias Kratzer, however, who triumphed at the Deutsche Oper with his production of Alexander von Zemlinsky’s THE DWARF, this final collaboration between Strauss and Hugo von Hofmannsthal marks a collision of two world views: the traditional roles of men and women on the one hand – as expressed in Arabella’s famous solo “Und du sollst mein Gebieter sein” – and a modern idea of social interaction on the other – as illustrated by Zdenka with her questioning of gender-based identities. Here, Kratzer turns the spotlight on this disunity between the various character portrayals in ARABELLA and explores these role-specific tensions on a continuum stretching from 19th-century Vienna to the present day. In the category of stage design, Manuel Braun, Jonas Dahl and Rainer Sellmaier were honoured with the renowned German Theatre Award DER FAUST 2023 for this production.

In this recording, under the baton of Sir Donald Runnicles, you will experience Albert Pesendorfer, Doris Soffel, Sara Jakubiak, Elena Tsallagova, Russell Braun, Robert Watson, Thomas Blondelle, Kyle Miller, Tyler Zimmerman, Hye-Young Moon, Lexi Hutton, Jörg Schörner and others, as well as the chorus and orchestra of the Deutsche Oper Berlin. The performances on 18 and 23 March 2023 were recorded by rbb Kultur and Naxos for this DVD.

We would like to thank the Naxos label for the great collaboration over the past few years, which documents recordings of DER ZWERG, DAS WUNDER DER HELIANE, FRANCESCA DA RIMINI, DER RING DES NIBELUNGEN, DER SCHATZGRÄBER, DIE MEISTERSINGER VON NÜRNBERG and ANTIKRIST. Richard Strauss' ARABELLA and INTERMEZZO will be released in the course of 2025.


Closing date: 22 December 2024. The winners will be informed by email on 23 December 2024. The DVDs will then be sent by post. There is no right of appeal.