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Ensemble - Deutsche Oper Berlin

Ingela Brimberg

Ingela Brimberg

© Mats Bäcker
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In der Spielzeit 2022/23 ist die Sopranistin Ingela Brimberg als Leonore / FIDELIO an der Deutschen Oper Berlin, Senta / DER FLIEGENDE HOLLÄNDER an der Oper Köln und Isolde /( TRISTAN UND ISOLDE am Teatro Real Madrid zu erleben. In der vergangenen Spielzeit sang sie u. a. Brünnhilde / DIE WALKÜRE an der Königlichen Schwedischen Oper, die Titelrolle in ELEKTRA am Grand Theatre de Genève und die Titelrolle in ihrer ersten szenischen Aufführung von TURANDOT am Teatro Regio Turin, gefolgt von weiteren Aufführungen dieser Partie bei ihrer Rückkehr nach Genf.

Zu den jüngsten Höhepunkten gehören außerdem: Brünnhilde / SIEGFRIED an der Oper Göteborg, ihre erste Isolde / TRISTAN UND ISOLDE in einer Neuproduktion an der Oper Köln, Eva in Sebastian Fagerlunds Oper HÖSTSONATEN an der Finnischen Nationaloper, Senta / DER FLIEGENDE HOLLÄNDER an der Deutschen Oper Berlin, am Theater an der Wien, an der Oper Köln, an der Staatsoper Hamburg, am Teatro Real Madrid und im Konzert mit Minkowski (aufgenommen von Naïve) sowie Brünnhilde / DIE WALKÜRE am Teatro Real Madrid, an der Königlichen Schwedischen Oper, an der Opéra National de Bordeaux und mit dem Trondheim Symphony Orchestra. Sie sang die Titelrolle in SALOME an der Oper Köln (Neuinszenierung von Ted Huffman), am Teatro Verdi Trieste und an der Oper Göteborg, Elsa / LOHENGRIN an der La Monnaie, die Titelpartie in TOSCA an der Oper Köln, an der Oper Göteborg und an der Finnischen Nationaloper, Aida an der Oper Malmö, Elettra / IDOMENEO an der Opéra de Lyon und an der Oper Göteborg sowie Elektra an der Opéra National de Bordeaux. Im Konzertbereich sang sie Chrysothemis / ELEKTRA beim Verbier Festival, „Vier Letzte Lieder“ mit dem Orchestre National de Lille und der Opéra de Rouen Normandie sowie Turandot mit dem Orchestre National de Lille.

Bei ihrem La Monnaie-Debüt trat Ingela Brimberg als Valentine / LES HUGUENOTS auf (dirigiert von Minkowski und in der „Opernwelt“ zur besten Produktion des Jahres 2011 gekürt) und debütierte im Frühjahr 2013 an der Königlich Schwedischen Oper als Ellen Orford / PETER GRIMES. Sie sang Konstanze / DIE ENTFÜHRUNG AUS DEM SERAIL, Amelia / UN BALLO IN MASCHERA und Donna Anna / DON GIOVANNI an der Folkoperan in Stockholm, die Titelrollen von JENUFA (NorrlandsOperan) und KATJA KABANOVA (Göteborg Opera), Lady Macbeth in Verdis MACBETH (Toulon Opera), Elektra in einer spektakulären Inszenierung von La Fura dels Baus in Umeå (im Rahmen der Kulturhauptstadt Europas), die auf DVD erschienen ist (Unitel Classica), die Titelrolle in MANON LESCAUT für die Dänische Nationaloper und Sieglinde in den Konzerten von DIE WALKÜRE mit dem Schwedischen Radiosinfonieorchester unter der Leitung von Daniel Harding.

Schedule

Videos

Der fliegende Holländer
Video – 05:26 min.

Der fliegende Holländer – The Making-Of

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Der fliegende Holländer
Video – 02:03 min.

Richard Wagner: Der fliegende Holländer

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Ludwig van Beethoven: Fidelio
Video – 02:38 min.

Ludwig van Beethoven: Fidelio

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Fidelio – Ein Teaser
Video – 00:36 min.

Fidelio – Ein Teaser

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22
DEC

Advents-Verlosung: Das 22. Fensterchen

On 7 March 2025, the first part of Tobias Kratzer's Strauss trilogy, ARABELLA, celebrates its revival as part of our ‘Richard Strauss in March’ weeks, with Jennifer Davis as Arabella , Heidi Stober as Zdenka/Zdenko, Thomas Johannes Mayer as Mandryka, Daniel O'Hearn as Matteo and, as in the premiere series, Doris Soffel and Albert Pesendorfer as the Waldner couple. Today we are giving away our DVD, which will not be available in shops until 14 February 2025. We would like to express our heartfelt thanks to NAXOS for giving us the very special opportunity to put ARABELLA in our lottery pot for you almost eight weeks before the official sales launch.

In today's Advent Calendar window, we are giving away two DVDs of ARABELLA – a lyrical comedy in three acts by Richard Strauss and Hugo von Hofmannsthal. If you would like to win one of the two DVDs, please write an e-mail with the subject ‘The 22nd window’ to advent@deutscheoperberlin.de.

Vienna, circa 1860. The financially strapped Count Waldner is lodging with his family in a Viennese hotel. His only path to solvency is for him to secure an advantageous marriage for one of his two daughters – and the family can only afford to present Arabella, the eldest, in the upper circles of society. To conceal the family’s indigence, the parents have raised Zdenka as a boy, dressing her accordingly. Arabella is not short of suitors but has resolved to wait for ‘Mr Right’. When Mandryka, an aristocrat from a distant region, arrives, he and Arabella are instantly smitten. Arabella only asks to be able to bid farewell to her friends and suitors at the Fasching ball that evening. At the ball, Arabella says goodbye to her admirers. There is also the young officer Matteo, with whom Zdenka is secretly in love and with whom she has formed a friendship under the guise of her disguise as a boy. Matteo, however, desires Arabella and is distraught when he realises the hopelessness of his love. Zdenka devises a plan: she fakes a letter from Arabella in which she promises Matteo a night of love together. But instead she wants to wait for him herself in the darkness of the hotel room. Mandryka learns of Arabella's alleged infidelity and goes to the hotel with the ball guests to surprise Arabella in flagrante delicto. Arabella, innocent of this, is initially shocked and saddened by Mandryka’s suspicions but forgives him when the mix-up is revealed for what it is. The two agree to marry, as do Zdenka and Matteo.

Richard Strauss’s orchestral richness and opulence coupled with the period Viennese setting of the work led to ARABELLA being falsely pigeonholed as a light-hearted comedy of errors from its 1933 premiere onwards. In the estimation of Tobias Kratzer, however, who triumphed at the Deutsche Oper with his production of Alexander von Zemlinsky’s THE DWARF, this final collaboration between Strauss and Hugo von Hofmannsthal marks a collision of two world views: the traditional roles of men and women on the one hand – as expressed in Arabella’s famous solo “Und du sollst mein Gebieter sein” – and a modern idea of social interaction on the other – as illustrated by Zdenka with her questioning of gender-based identities. Here, Kratzer turns the spotlight on this disunity between the various character portrayals in ARABELLA and explores these role-specific tensions on a continuum stretching from 19th-century Vienna to the present day. In the category of stage design, Manuel Braun, Jonas Dahl and Rainer Sellmaier were honoured with the renowned German Theatre Award DER FAUST 2023 for this production.

In this recording, under the baton of Sir Donald Runnicles, you will experience Albert Pesendorfer, Doris Soffel, Sara Jakubiak, Elena Tsallagova, Russell Braun, Robert Watson, Thomas Blondelle, Kyle Miller, Tyler Zimmerman, Hye-Young Moon, Lexi Hutton, Jörg Schörner and others, as well as the chorus and orchestra of the Deutsche Oper Berlin. The performances on 18 and 23 March 2023 were recorded by rbb Kultur and Naxos for this DVD.

We would like to thank the Naxos label for the great collaboration over the past few years, which documents recordings of DER ZWERG, DAS WUNDER DER HELIANE, FRANCESCA DA RIMINI, DER RING DES NIBELUNGEN, DER SCHATZGRÄBER, DIE MEISTERSINGER VON NÜRNBERG and ANTIKRIST. Richard Strauss' ARABELLA and INTERMEZZO will be released in the course of 2025.


Closing date: 22 December 2024. The winners will be informed by email on 23 December 2024. The DVDs will then be sent by post. There is no right of appeal.