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Ensemble - Deutsche Oper Berlin

Geon Kim

Geon Kim

Der Bariton Geon Kim wurde in Seoul, Südkorea, geboren. Er absolvierte sein Studium am Seoul National University College of Music, wo er seinen Unterricht u. a. bei den Professor*innen Mihae Park und Daebum Lee erhielt. Während seines Studiums übernahm er dort u. a. Partien wie Masetto in Mozarts DON GIOVANNI, Guglielmo in COSÌ FAN TUTTE und Conte Almaviva in LE NOZZE DI FIGARO sowie Gianni Schicchi und Spinelloccio in Puccinis GIANNI SCHICCHI.

In der Saison 2023/24 war er Mitglied am Korea National Opera Studio und wurde darüber hinaus mit einem Stipendium der Seah Woonhyung Lee Foundation (Korea) gefördert. Er besuchte Meisterkursen renommierter Persönlichkeiten wie Kwangchul Youn, Hans Choi, Jonathan Papp und Carlo Rizzi. Im Jahr 2024 gewann er den Georg Solti Akademie-Wettbewerb in Seoul, wodurch er 2025 am regulären Programm beteiligen wird. Zusätzlich nahm er 2024 an mehreren Meisterklassen der Georg Solti Akademie teil. Geon Kim hat sich auch in verschiedenen weiteren Wettbewerben erfolgreich behauptet. Im Jahr 2020 gewann er den KBS Gesangwettbewerb und den koreanischen Klassikmusik-Wettbewerb. Zudem erhielt er 2020 das Stipendium der Hyundai Foundation, durch die er zu Konzerten mit dem Hankyung Philharmonic Orchester im Seoul Arts Center und mit dem KBS Philharmonic Orchester in der KBS Halle eingeladen wurde.

In der Saison 2024/25 gibt er sein Debüt an der Deutschen Oper Berlin, an der er u. a. als Marcello in LA BOHÈME, Förster in DAS SCHLAUE FÜCHSLEIN, Monterone in RIGOLETTO und Moralès in CARMEN zu erleben sein wird. Er bereichert das Ensemble hier als Stipendiat im Austauschprogramm mit der Korean National Opera.

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05
DEC

Adventskalender in der Tischlerei: Das 5. Fensterchen

Today in the Tischlerei: ‘Rossini, Liszt and more’
with Kangyoon Shine Lee (tenor) and Songyeon Catarina Kim (piano)
5pm / Tischlerei
Duration: approx. 25 minutes / free admission


The evening begins with musical declarations of love: love is illuminated in all its facets – from the idealised, the yearning to the devoted and the melancholy – in three songs by Franz Liszt and an aria from Rossini's IL BARBIERE DI SIVIGLIA. Franz Liszt's ‘Enfant, si j'etais roi’ (‘Child, if I were king’) and ‘Oh! Quand je dors’ (‘Oh! When I sleep’) are settings of poems by Victor Hugo. In the first, the beloved is given everything imaginable – but it can never be enough. The second poem describes a nocturnal vision of the beloved, who appears like an angel, kisses the sleeping person and fills them with heavenly love. Liszt's ‘Liebestraum Nr. 3’ (‘Oh dear, as long as you can love’) is one of a series of three songs that Liszt later arranged in a purely instrumental form and which became emblematic of romantic piano music. The original text was written by Ferdinand Freiligrath and deals with the transience of love and the resulting need to cherish and cultivate it in the here and now. You will hear the Korean pianist Songyeon Catarina Kim at the piano. She then lovingly accompanies our ensemble member Kangyoon Shine Lee in an aria that he will sing again on our main stage from 31 March 2025, when he takes on the role of Count Almaviva in Katharina Thalbach's production of Rossini's IL BARBIERE DI SIVIGLIA: the cavatina ‘Ecco, ridente in cielo’. In it, Almaviva sings about the beauty of the morning and his ardent love for Rosina – it is a lyrical and romantic beginning to an otherwise predominantly comedic opera. It is followed by the song ‘La danza’ from Rossini's collection of songs ‘Les soirées musicales’, published about 20 years later, which describes the joyful hustle and bustle of a Neapolitan festival. The musical basis for this song is the tarantella, a fast, rhythmic folk dance from southern Italy. The programme will conclude with a contemplative Christmas favourite, ‘O Holy Night’.

Lyric tenor Kangyoon Shine Lee was born in Seoul. He first graduated from the Korea National University of Arts before studying with Kammersänger Prof. Roman Trekel at the Hanns Eisler School of Music Berlin from 2022. In 2021, Kangyoon Shine Lee won the Belvedere Competition and received an engagement at the Deutsche Oper Berlin. He made his house debut on 27 December 2022 as Almaviva in Rossini's IL BARBIERE DI SIVIGLIA and also sang in DAS WUNDER DER HELIANE. In the 2024/25 season, he will be part of the ensemble here at the theatre and can be heard in roles such as Tamino in Mozart's MAGIC FLUTE and the children's version THE FAIRY TALE OF THE MAGIC FLUTE, as Count von Lerma / DON CARLO, Cavalier Belfiore / IL VIAGGIO A REIMS, Malcolm / MACBETH, Walther von der Vogelweide / TANNHÄUSER and Pang / TURANDOT.

The South Korean pianist Songyeon Catarina Kim studied piano at Kyunghee University in Seoul. She has won numerous Korean and international competitions. Since 2021, she has been studying Lied interpretation with Prof. Wolfram Rieger at the Hanns Eisler School of Music Berlin. She is currently studying chamber music with Prof. Wolfram Rieger as part of her concert exam. During her studies, she was a répétiteur in lessons with KS Prof. Roman Trekel, Prof. Anna Korondi, KS Prof. Ewa Wolak, Prof. Martin Bruns and Prof. Christine Schäfer, as well as a répétiteur in masterclasses with KS Brigitte Fassbaender and KS Prof. Thomas Quasthoff. She has also worked as a répétiteur for scenic instruction at the Immling Festival, the Darmstadt Theatre and the Erfurt Theatre. In the 2024/25 season, she will work as a répétiteur at IMMMERMEEEHR at the Deutsche Oper Berlin.