Paolo Arrivabeni

Paolo Arrivabeni

Paolo Arrivabeni konzentriert seine Tätigkeit auf das Opernrepertoire und arbeitet mit den renommiertesten europäischen Opernhäusern zusammen, wie z.B. Staatsoper Berlin und Deutsche Oper Berlin, Wiener Staatsoper, Leipziger Opernhaus, Opernhaus Zürich, Bayerische Staatsoper in München, Semperoper in Dresden, Grand Theatre de Geneve, Opéra Bastille in Paris, Opéra de Lausanne, Théâtre du Capitole in Toulouse, Opéra de Monte-Carlo, Teatro Nacional de Sao Carlos in Lissabon, Teatro de La Maestranza in Sevilla, Théâtre Municipal de Marseille, Teatro Comunale in Bologna, Teatro Massimo in Palermo, Teatro La Fenice in Venedig, New National Theatre in Tokyo und Santa Fe Opera.

Paolo Arrivabeni wird häufig eingeladen, zahlreiche Orchester in Italien und im Ausland zu dirigieren. Sein Repertoire umfasst Opern italienischer Komponisten des 19. Jahrhunderts. Darüber hinaus interessiert er sich auch für russische und deutsche Komponisten und dirigiert Opern von Wagner, Strauss und Mussorgskij. Paolo Arrivabeni war von 2008 bis 2017 Musikdirektor der Opéra Royal de Wallonie.

In den vergangenen Spielzeiten dirigierte er in Lüttich NABUCCO, MACBETH, LA TRAVIATA, LUCREZIA BORGIA, FALSTAFF, RIGOLETTO, BORIS GODUNOW, LA BOHÈME, IL BARBIERE DI SIVIGLIA, OTELLO, SALOME, IL TROVATORE, LA FORZA DEL DESTINO, I DUE FOSCARI, DER FLIEGENDE HOLLÄNDER, LES PECHEURES DE PERLES, TOSCA, FIDELIO um nur einige zu nennen. In den vergangenen Spielzeiten sind die folgenden Produktionen zu erwähnen: LE COMTE ORY in Genf, LUISA MILLER in Berlin (Deutsche Oper), LA FAVORITE am Théâtre des Champs Elysées in Paris, LA TRAVIATA, DON CARLO, TOSCA, SIMON BOCCANEGRA und MACBETH in Dresden, LUCREZIA BORGIA in München, LA BOHÈME und IL TROVATORE beim Sferisterio Opera Festival in Macerata, MACBETH in Kopenhagen, ROBERTO DEVEREUX in Florenz, LA STRANIERA und MARTIA STUARDA am Theater an der Wien, DON GIOVANNI in Monte Carlo und MACBETH, MARIA STUARDA und NABUCCO an der Staatsoper in Berlin.

Danach kehrte er nach München an die Bayerische Staatsoper zurück und dirigierte IL TURCO IN ITALIA. Danach feierte er große Erfolge als Dirigent von UN BALLO IN MASCHERA in Palermo, LA BOHÈME mit dem Teatro dell'Opera in Rom (Terme di Caracalla) und Puccinis „Messa di Gloria“ in Paris mit dem Orchestre National de France.

Bei seinem Debüt im Concertgebouw in Amsterdam dirigierte er Rossinis „Stabat Mater“, ein Konzert, das von Radio Vara übertragen wurde.

An der Oper in Marseille dirigierte Paolo Arrivabeni zahlreiche Produktionen, darunter LA STRANIERA, I DUE FOSCARI, MOÏSE ET PHARAON, SIMON BOCCANEGRA, BORIS GODUNOW, LA FAVORITE, LOHENGRIN, DIE ENTFÜHRUNG AUS DEM SERAIL, MACBETH sowie eine Reihe von Konzerten.

Zuletzt dirigierte er in Lüttich ERNANI, OTELLO, DIE ZAUBERFLÖTE, LA BOHÈME, TURANDOT, NABUCCO, SIMON BOCCANEGRA und auch Mozarts „Requiem“ in Paris für Radio France, LA FORZA DEL DESTINO und BORIS GODUNOW in Genf, I CAPULETI E I MONTECCHI, NABUCCO, OTELLO, CAVALLERIA RUSTICANA / PAGLIACCI und L'ARLESIANA an der Deutschen Oper Berlin, LA BOHÈME am New National Theatre in Tokyo und in Genf, MARIA STUARDA in Rom und Berlin, AIDA bei den Chorégies d'Orange, LA RONDINE und LA FORZA DEL DESTINO in Toulouse, L'ITALIANA IN ALGERI in Madrid (Escorial) und in San Sebastian, Verdis „Requiem“, NABUCCO und LUISA MILLER in Hamburg, ein Aids-Galakonzert in Düsseldorf, CAVALLERIA RUSTICANA / PAGLIACCI in Genua, MACBETH in Cagliari, I DUE FOSCARI beim Festival Verdi in Parma, TOSCA an der Oper in Rom, UN BALLO IN MASCHERA in München und LA BOHÈME in Dresden und Hamburg. Paolo Arrivabeni kehrte zum Rossini Opera Festival in Pesaro zurück und dirigierte DEMETRIO E POLIBIO.

Zu seinen Plänen gehören TOSCA in Hamburg und an der Deutschen Oper Berlin, NABUCCO in Marseille und Dresden, MADAMA BUTTERFLY in Düsseldorf, LA TRAVIATA an den Terme di Caracalla in Rom, CAVALLERIA RUSTICANA / PAGLIACCI in Berlin (DOB), LA FORZA DEL DESTINO (konzertante Fassung) in Oslo, ATTILA (konzertante Fassung) und UN BALLO IN MASCHERA in Marseille und SIMON BOCCANEGRA in Zürich.

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01
DEC

Adventskalender im Foyer: Das 1. Fensterchen

Today in the foyer: "An American Christmas"
Favourite songs from North and South America
with Julie Wyma, Valeria Delmé and Jamison Livsey
5.00 p.m. / Rank foyer on the right
Duration: approx. 25 minutes / free admission


From the frosty north of Alaska to the southernmost tip of Chile, from Buenos Aires to New York City - the Advent season is celebrated across the entire American double continent. But there are huge differences in how Christmas is celebrated. This diversity is also reflected in the music that precedes and accompanies the festivities. While the Argentinian composer Ariel Ramírez takes up the lively rhythms of South American dances in his cantata "Navidad Nuestra" ("Our Christmas"), songs such as "White Christmas" or "I'll Be Home for Christmas" succeed in translating the contemplative into the popular in a unique way. Join sopranos Julie Wyma and Valeria Delmé and pianist Jamison Livsey on a journey through the musical realms on the other side of the Atlantic.

Julie Wyma comes from the USA and studied at the universities of Indiana, Missouri and Arizona. Numerous performances on the opera and concert stage have taken her throughout the USA and Europe. Since the 2021/22 season, she has been a member of the Deutsche Oper Berlin chorus as 1st soprano, where she not only sings in the major choral operas with her colleagues, but also takes on a solo role as La Conversa in SUOR ANGELICA. In addition to her work as a singer, Julie Wyma is also active as a singing teacher, costume designer and director.

Valeria Delmé was born in Buenos Aires and gained her first musical experience at an early age, including as a soloist in the children's chorus of the Teatro Colón. This was followed by further opera performances on various stages in Argentina and training at the Conservatorio Superior de Música "Manuel de Falla" before she began performing regularly in Germany in 2017. Valeria Delmé now sings as 2nd soprano in the chorus of the Deutsche Oper Berlin.

The pianist and conductor Jamison Livsey studied at the University of Michigan in Ann Arbor, Michigan. In 2016, he conducted a premiere of TURN OF THE SCREW in Tel Aviv. He has worked as a répétiteur with conducting engagements at many opera companies, including Minnesota Opera, Chautauqua Opera, Sarasota Opera, Opera Cleveland, Anchorage Opera, Opera in Williamsburg, Toledo Opera, Sugar Creek Symphony and Song, Pine Mountain Music Festival and Opera North. He has also appeared with these opera companies as a harpsichordist and orchestral pianist with a repertoire ranging from Monteverdi and Rossini to the present day. He has worked as a guest conductor at Opera Santa Barbara. He is also active as a Lied accompanist, including for Vivica Genaux. At the Deutsche Oper Berlin, he works as a répétiteur in the chorus.